Suchergebnisse

"At the time of this book's publication, almost seven years have passed since the dramatic and brutal terror attacks at Norway's Government Headquarters in Oslo and the island of Utøya on 22 July 2011. How have we coped during this time? Which values have been important? Have we managed to protect the ideals of democracy, openness and humanity? And not least: Who is this ""we"" that we are referring to?

This scholarly anthology includes articles from researchers associated with the project NECORE (Negotiating Values: Collective Identities and Resilience after 22 July) and other researchers whose work is closely associated with the project. They give us insights, opinions and sharp perspectives on not just 22 July, but also about Norway today, about values, identities and resilience in Norwegian society in the wake of the terror attacks. An important backdrop for the book and the project is the assertion that, as the events themselves recede into the past, it is even more important to focus on what the terror events have led to and how we can learn from them. In a world where terrorism has become an all too common part of political reality, it is crucial that we understand how we ought to think about terror, and how we as a society encounter it."

Sápmi, the Sámi area, is transnational; it transcends four nation states, Norway, Sweden, Finland, and Russia. Art and art history has been considered natural parts of a nation state's inventory at least since the 19th century and has contributed to the production and maintenance of national identities and narratives. What is the role of the nation state in art history, and how has the national paradigm affected the presentation of Sámi art, historically and today? Focusing on the discipline of art history in Norway, the volume exposes the prevailing representation of Sámi art, duodji, and dáidda as ethnographic material and relates it to the politics of nation building in the nineteenth and early twentieth century. The book examines the representation of Sámi art, artefacts, practices, materialites, actors, concepts, and themes in Norwegian Art History, to uncover some of the established disciplinary mechanisms and narratives. The central method is historiography in combination with fieldwork in archives and museums, aimed at doing art historiography in the expanded field – to move beyond the traditional textual focus and question naturalized institutional and disciplinary boundaries. This is one of very few historiographical studies of the art historical discipline in Norway, and the only one that does this by centring on Sámi traditions, items, actors, and conceptualizations.

In 2014, Norway celebrates the bicentenary of the Norwegian Constitution. The Constitution has been the backbone of a society that has created political stability, economic development and personal freedom for generations of Norwegians. The Norwegian Constitution was inspired by the democratic forces of its time, but most especially by the American Constitution. Today, they represent the world's two oldest, living constitutions. The book explains how the Norwegian Constitution was created, how it has functioned, and the democratic challenges it faces. The book also examines how the American Constiution has influenced the Norwegian Constiution. The book is directed toward a wide range of readers, especially students in all levels. Prominent Norwegian writers and scholars have explored these themes in this unique presentation of the Norwegian and American Constitution. President of the Norwegian Parliament, Olemic Thommessen, and American Vice President i USA, Walter Mondale, have written the preface. The book is a de lux book of art. A number of Norwegian contemporary artists are inspired by the constitution. They have been especially concerned about subjects related to the role of the individual in society, democracy, freedom of speech and preservation of natural resources. They also have focused on what it means to have a national identity. The artistic presentations cover a wide register and the illustrations are carried out in different technics. Exhibitions will be arranged in both Norway and the US where the pieces of art in the book will be presented