No longer distributed to depository libraries in a physical form after FY 2000 ; Latest issue consulted: Vol. 25, no. 4 (July/Aug. 2004) ; Index to U.S. Government periodicals ; Issue for Jan./Feb. 1996 not published ; Mode of access: Internet. ; UPD
In contemporary societies, the humanities are under constant pressure and have to justify their existence. In the ongoing debates, Humboldt's ideals of 'Bildung' and 'pure science' are often used to justify the unique function of the humanities of ensuring free research and contributing to a vital and self-reflective democracy. Contemporary humanities have adopted a new orientation towards practices, and it is not clear how this fits with the ideals of 'Bildung' and 'pure science'. A possible theoretical framework for this orientation towards practices could be found in John Dewey's pragmatic philosophy. Contrary to Humboldt's idea that the non-practical is the most practical in the long run, philosophical pragmatism recommends to the humanities to situate knowledge in practices and apply knowledge to practices. ; In contemporary societies, the humanities are under constant pressure and have to justify their existence. In the ongoing debates, Humboldt's ideals of 'Bildung' and 'pure science' are often used to justify the unique function of the humanities of ensuring free research and contributing to a vital and self-reflective democracy. Contemporary humanities have adopted a new orientation towards practices, and it is not clear how this fits with the ideals of 'Bildung' and 'pure science'. A possible theoretical framework for this orientation towards practices could be found in John Dewey's pragmatic philosophy. Contrary to Humboldt's idea that the non-practical is the most practical in the long run, philosophical pragmatism recommends to the humanities to situate knowledge in practices and apply knowledge to practices.
In: Policy sciences: integrating knowledge and practice to advance human dignity ; the journal of the Society of Policy Scientists, Band 5, Heft 1, S. 1-14
The distinction between scientific judgment & the judgment of scientists has been increasingly blurred. Generalizations from social sciences lead to the popularization of unproved or unprovable social theory. Social scientists' acceptance of antiscientific frames of mind threatens the theoretical gains of a previous generation. An interest in human psychology has turned to a poetic, human mythology. Science & moral judgment are valuable in intellectual activity but not in social science. Scientists influenced by supportive values must free themselves from extrascientific influences. Applied social humanities attempts analysis to support or change the preferences of individuals for different kinds of behavior patterns. The meaning of life, quality of life, academic questions, & policy issues would be the concern in social humanities. An intellectual basis for new institutions to replace the depleted spiritual & judgmental resources would develop a core of research to form a learning tradition. Applied social humanists would be consultants with professional ethics similar to priests & psychiatrists. They would lecture, give seminars, & groups of social humanists, audiences & clients would form schools to provide cultural ferment centers. Religions cannot be manufactured, but a basis can be formed for the functional equivalent of religion. Modified HA.
Wang Hui's article, which is part of the author's larger project on the multiple origins of the Chinese humanities, examines the impact of the modern Western education system on disciplinary divisions in China. The article looks specifically at the development of humanities in China after the 1970s, and in particular since the 1990s.
"Landmarks is a single-volume survey of global culture designed to help students of humanities cultural history and history of the arts to understand and appreciate the relevance of historical works and ideas to their own daily lives. In chronological sequence Landmarks guides students on a journey of the most notable monuments of the human imagination and the most prominent ideas and issues that have shaped the course and character of the world's cultures from prehistory to the present"--
Abstract This chapter examines material published in the field of the digital humanities (DH) in 2018, all of which explores the relationship between the digitalized present and its pre-digital past(s). In one publication, Friending the Past: The Sense of History in the Digital Age, Alan Liu notes: 'The signal sense of history […] is not just like a plot on a radar scope. It is like the unfolding epic plot of Tolstoy's War and Peace' (p. 157). As political scandals over the use of social media and the role of cyber-targeting to influence electoral outcomes continue to dominate the news, it is becoming increasingly evident that not only are social media ushering in an era in which we are alienated from our personal data, but that today's digitalized world builds on and replicates pre-digital hegemonic structures. Books by Andrew Piper and Alan Liu discuss ways in which scholars can approach the complexities and challenges of literary tradition and historical transmutation through the application of computational methods and digital tools. Discussion then turns to the ways in which digital practices have converged with wider cultural and political developments since the second half of the twentieth century. Lee Humphreys examines this transformation through the traces that we leave as the record of our daily lives while on social media, while Felix Stalder considers how such practices have wider ramifications as symptoms of a 'digital condition', for good and ill. Exploring the pressure points of the digital condition more closely, Safiya Umoja Noble scrutinizes the ways in which algorithmic processes, notably those that drive Google's search engine, are shaped by and sustain discriminatory regimes at the expense of vulnerable minorities. Finally, Roopika Risam's critique interrogates the field of the digital humanities itself, which—notwithstanding good intentions—remains dominated by the Global North and is at risk of perpetuating the very power structures that it seeks to dismantle.
Across the humanities and in the performative arts the experiment — commonly associated with the empirical sciences — is gaining ground. These diverse endeavours understand the experiment as a formalized (re)staging of an encounter that may produce unforeseen results. Such encounters put greater emphasis on the research environment and foreground the participation of previously neglected human and non-human actors. As a consequence, increasing attention is paid to the constitution, agency, and surfaces of objects of knowledge. The lectures and discussion aim to examine the relation, distinction, and interplay between experimental practices, laboratory settings, and creative processes, as well as the status of repetition, restaging, and novelty within knowledge production in the humanities and the performative arts. Nishant Shah Error 400 – Bad Request: Authorship, Authority, Authenticity in the Experimental Setup The model of the experiment often comes with the imagined attributes of neutrality and openness, particularly made glamorous by the promise of failure. Ideas of replication, verification, and scalability further reinforce the idea of the experiment as a pure form of knowledge production that can be constructed and repeated as a universal given, thus offering a truth that can be evidenced. Shah proposes that experimental setups depend upon the political, contested, and exclusionary constructions of authorship, authority, and authenticity, which are hidden in the description of the experimental setup. Looking at a postcolonial feminist history of digital technologies, computational networks, and cybernetics, this talk will dismantle the experimental setup by looking at the conditions of asking questions and the need to expand the idea of the experiment beyond the logistics of apparatus, process, and replication. Nishant Shah is the Vice-President of Research at ArtEZ University of the Arts and a research mentor with the Hivos Foundation's 'Digital Earth' programme. His current preoccupation is with ...