Suchergebnisse

El presente trabajo se propone como reflexión metodológica crítica respecto de la historia económica -en general- y de la historia del pensamiento económico -en particular-. Se hace una sucinta presentación de las típicas metodologías de la historia económica y se avanza en la definición de las limitaciones que tienen para abordar los problemas específicos de la historia de las ideas económicas -definida aquí como campo separado del de la historia del pensamiento económico: aquélla más general, ésta referida específicamente al pensamiento de los economistas-. Se intenta recuperar la posibilidad de traer a la historia de las ideas económicas algunas discusiones generales sobre la historia de las ideas (Skinner, Koselleck, Palti), sobre la historia de las ideas políticas (Rosanvallon), sobre la historia del discurso social y sus componentes hegemónicos (Angenot, Minardi) y sobre la historia como narración (Megill, White, Tozzi). En síntesis, se propone una discusión metodológica sobre la historia de las ideas económicas, abriéndose críticamente distintas posibilidades, debatidas en otras ramas de la historia, usualmente ausentes en la historia económica. ; This article aims to be a methodologic reflection, which is critical towards economic history -in general- and history of economic thought -in particular-. A brief presentation of the typical methodologies of economic thought is introduced, followed by the definition of the limitations that these methodologies have to take on the specific problems of the history of economic ideas -here defined as a field different from that of history of economic thought: the former being more general and the latter specifically referred to the thought of economists-. An attempt is performed to retrieve the possibility of introducing to the history of economic ideas certain general discussions about the history of ideas (Skinner, Koselleck, Palti), about the history of political ideas (Rosanvallon), about the history of political discourse and its hegemonic components (Angenot, Minardi) and about history as narration (Megill, White, Tozzi). In conclusion, the aim is a methodologic discussion about the history of economic ideas, with the critical introduction of different possibilities which are debated in other fields of history and usually absent in economic history. ; Fil: Dvoskin, Nicolás. Consejo Nacional de Investigaciones Científicas y Técnicas. Oficina de Coordinación Administrativa Saavedra 15. Centro de Estudios e Investigaciones Laborales; Argentina

This article carries out a weighed des cription of the methods and approaches of research on the effects of election campaigns, as well as their accommodation to the proposal of the "cultural perspective". After analyzing the elements which mitigate those effects and following the traditional schema that distinguishes cognitions, attitudes and behaviors, the author analyzes the effects of the images of the candidates, electoral debates and political spots on television. The revision of some theories that inspire research on effects -such as the "theory of selective perception", the "theory of priming", and the "theory on agenda setting"- concludes by stating the need for revising the traditional schema for measuring these effects.

El presente ensayo reflexiona acerca de las distintas perspectivas conceptuales de lo que entendemos por Naturaleza y cómo ellas configuran nuestra realidad y nuestros quehaceres colectivos. Esta reflexión parte desde el ámbito artístico para después incorporar aspectos de la ecología política en la dialéctica Humano/Naturaleza, enfatizándo los puntos comunes y las intersecciones que consideramos interesantes. Tomamos tres ejemplos en la historia del arte reciente en donde identificamos las problemáticas conceptuales en torno a la configuración de la idea de lo natural. Primero desarrollaremos aspectos de la intersección entre arte y ciencia en los proyectos enciclopédicos y el impacto de la cartografía como la imagen que encarna dicha intersección. El segundo ejemplo presenta una mirada renovada hacia lo natural con el paisaje entrópico de Robert Smithson. El tercer ejemplo, la obra de Stelarc, reconfigura "Lo Natural" ante el impacto tecnológico de la civilización. Estas referencias nos sirven para ilustrar y desarrollar el debate de las ideas en la contemporaneidad acerca de la construcción cultural de la Naturaleza a través del arte y cómo este debate toma forma y es difundido por canales políticos que comparten o resisten los programas del poder para la permanente configuración de las representaciones del mundo. Abstract This essay reflects on the different conceptual perspectives of what we understand by Nature and how they shape our reality and our collective tasks. This reflection starts from the artistic field and then incorporates aspects of political ecology in the Human / Nature dialectic, emphasizing the common points and the intersections that we consider interesting. We take three examples in the history of recent art where we identify the conceptual problems around the configuration of the idea of the natural. First, we will develop aspects of the intersection between art and science in encyclopedic projects and the impact of cartography as the image that embodies this intersection. The second example presents a renewed look towards the natural with the entropic landscape of Robert Smithson. The third example, the artwork of Stelarc, reconfigures the Natural before the technological impact of human development. These references serve to illustrate and develop the debate of contemporary ideas about the cultural construction of Nature through art and how this debate takes shape and is disseminated through political channels that share or resist the programs of power for the permanent configuration of the representations of the world. ; This essay reflects on the different conceptual perspectives of what we understand by Nature and how they shape our reality and our collective tasks. This reflection starts from the artistic field and then incorporates aspects of political ecology in the Human / Nature dialectic, emphasizing the common points and the intersections that we consider interesting. We take three examples in the history of recent art where we identify the conceptual problems around the configuration of the idea of the natural. First, we will develop aspects of the intersection between art and science in encyclopedic projects and the impact of cartography as the image that embodies this intersection. The second example presents a renewed look towards the natural with the entropic landscape of Robert Smithson. The third example, the artwork of Stelarc, reconfigures the Natural before the technological impact of human development. These references serve to illustrate and develop the debate of contemporary ideas about the cultural construction of Nature through art and how this debate takes shape and is disseminated through political channels that share or resist the programs of power for the permanent configuration of the representations of the world.

This item is part of the Political & Rights Issues & Social Movements (PRISM) digital collection, a collaborative initiative between Florida Atlantic University and University of Central Florida in the Publication of Archival, Library & Museum Materials (PALMM).