The database Cretan Institutional Inscriptions was created as part of the PhD research project in Ancient Heritage Studies Kretikai Politeiai: Cretan Institutions from VII to I century BC, carried out at the University of Venice Ca' Foscari by Irene Vagionakis from 2016 to 2019, under the supervision of Claudia Antonetti and Gabriel Bodard. The research project aimed at collecting the epigraphic sources related to the institutional elements of the many political entities of Crete, with a view to highlighting the specificity of each context in the period between the rise of the poleis and the Roman conquest of the island. The main component of the database consists of the epigraphic collection of the 600 inscriptions constituting the core of the documentary base of the study, for each of which an XML edition compliant with the TEI EpiDoc international standard was created. Each EpiDoc edition includes a descriptive and a bibliographic lemma, the text of the inscription, a selective apparatus criticus and a commentary focused on the institutional data offered by the document. In addition to the epigraphic collection, the database includes a collection of the main related literary sources, a catalogue of the attested Cretan institutions (assemblies, boards, officials, associations, civic subdivisions, social statuses, age classes, months, festivities and other celebrations, institutional practices, institutional instruments, public spaces) and a catalogue of the political entities of Crete (poleis, koina, dependent communities, extra-urban sanctuaries, hegemonic alliances). Data and SW available at https://github.com/IreneVagionakis/CretanInscriptions
Δεν παρατίθεται περίληψη στα ελληνικά. ; This article focuses on the function of the institution of family in the framework of the Greek Orthodox society of Kos during the 18th and 19th centuries. The existence of issues which consisted violation of what was legislated according to the regulations of the Church was remarkable. Such violations were the provision of divorce after adultery and the usual records of divorces after the «common will» of the couple. In particular, during the 18th century, according to the practice of the Court of the Church in Kos, it is obvious that any case was not solved as it was legislated by the Church in the past but it was solved «ad hoc». Thus, the function of the Family Law in the provision of justice by the Court of the Church in the 18th century was based, not on already existed and objective criteria, but on solutions ad hoc («κατ' οίκονομίαν») as the terminology of Church describes them. In this case the model of the Greek Orthodox Church became flexible in order to keep the control of the local Christian society, adapted in local or even temporary needs. This situation changed during the 19th century, when the Church tried —with the support of the local «demogerontes»— to play the role of the strict supervisor in issues of violation of the Family Law.
Anne Karakatsoulis, La Revue des Deux Mondes pendant l'entre-deuxguerresLa Revue des Deux Mondes nuance fortement l'image-type de la revuequi a attiré l'attention de la recherche historique récente. Elle n'est pasle produit d'un petit groupe d'intellectuels marginaux, elle ne connaîtpas de mésaventures économiques ou de vacillations idéologiques, elleabhorre tout ce qui de loin pourrait ressembler à une avant-garde eten plus, elle réussit un trajectoire plus que centenaire. Fondée en 1829,elle avait rapidement trouvé son espace comme «grande revue de culturegénérale» s'adressant à une «élite intellectuelle», bourgeoise et bienpensante.Si en ses débuts elle côtoya les romantiques, après 1848 ellesuivit l'évolution de son public vers le conservatisme social et y demeura.Depuis le Second Empire et jusqu'à l'entre-deux-guerres, sesidées de fond furent le libéralisme et la grandeur de la France, avec unintermède fortement tenté de polémique catholique durant le passagede Ferdinand Brunetière à sa direction à l'aube du vingtième siècle.La Reçue des Deux Mondes dépasse le simple cas de la revue etatteint la dimension d'une institution littéraire et politique en réunissantpour cela les exigences de la permanence et de la reconnaissanceofficielle. De par sa longévité, sa diffusion mondiale croissante, sonpartimoine inébranlable d'abonnés fidèles qui transmettent la traditionde l'abonnement familial à la Revue de génération en génération, et enconséquence, sa situation économique florissante, mais aussi et par dessustout, de par la direction inspirée de René Doumic (1916-1937) etson équipe rédactionnelle, la Reçue des Deux Mondes devient la tribunedes grands hommes politiques et des littérateurs consacrés et parvientainsi à s'imposer comme «l'ambassadrice des lettres françaises». ; Anne Karakatsoulis, La Revue des Deux Mondes pendant l'entre-deuxguerresLa Revue des Deux Mondes nuance fortement l'image-type de la revuequi a attiré l'attention de la recherche historique récente. Elle n'est pasle produit d'un petit groupe d'intellectuels marginaux, elle ne connaîtpas de mésaventures économiques ou de vacillations idéologiques, elleabhorre tout ce qui de loin pourrait ressembler à une avant-garde eten plus, elle réussit un trajectoire plus que centenaire. Fondée en 1829,elle avait rapidement trouvé son espace comme «grande revue de culturegénérale» s'adressant à une «élite intellectuelle», bourgeoise et bienpensante.Si en ses débuts elle côtoya les romantiques, après 1848 ellesuivit l'évolution de son public vers le conservatisme social et y demeura.Depuis le Second Empire et jusqu'à l'entre-deux-guerres, sesidées de fond furent le libéralisme et la grandeur de la France, avec unintermède fortement tenté de polémique catholique durant le passagede Ferdinand Brunetière à sa direction à l'aube du vingtième siècle.La Reçue des Deux Mondes dépasse le simple cas de la revue etatteint la dimension d'une institution littéraire et politique en réunissantpour cela les exigences de la permanence et de la reconnaissanceofficielle. De par sa longévité, sa diffusion mondiale croissante, sonpartimoine inébranlable d'abonnés fidèles qui transmettent la traditionde l'abonnement familial à la Revue de génération en génération, et enconséquence, sa situation économique florissante, mais aussi et par dessustout, de par la direction inspirée de René Doumic (1916-1937) etson équipe rédactionnelle, la Reçue des Deux Mondes devient la tribunedes grands hommes politiques et des littérateurs consacrés et parvientainsi à s'imposer comme «l'ambassadrice des lettres françaises».
Import and export activities have contributed greatly to the development of the Lao People\'s Democratic Republic over the last years. By means of descriptive statistical analysis, comparison, comtrast, synthesis, and generalization of the data released by the National Statistical Bureau and world's financial institutions such as the International Monetary Fund (IMF) or the World Bank (WB), this paper will clarify the successes in the economic developments of Laos, the successes and shortcomings of import and export activities, the impacts of the results of the import and export activities on the country\'s economic growth. Finally, the article will make implications of the country\'s import development policies of the Lao People's Democratic Republic in the years to come. ; Hoạt động xuất nhập khẩu đóng góp rất lớn vào sự phát triển của nước Cộng hòa Dân chủ Nhân dân Lào trong những năm qua. Bài báo này bằng phương pháp phân tích thống kê mô tả, so sánh, đối chiếu, tổng hợp và khái quát hóa các số liệu của Tổng cục Thống kê nước này và của các định chế tài chính thể giới như Quỹ tiền tệ thế giới - IMF hay Ngân hàng thế giới WB. Từ đó bài báo đã làm rõ được những thành công trong phát triển kinh tế của Lào, những thành công và yếu kém của hoạt động xuất nhập khẩu, tác động từ kết quả của hoạt động xuất nhập khẩu tới tăng trưởng kinh tế của quốc gia này. Nội dung cuối cùng của bài viết là các hàm ý chính sách phát triển xuất nhập khẩu của nước Cộng hòa Dân chủ Nhân dân Lào trong những năm tới.
Δεν παρατίθεται περίληψη στα ελληνικά. ; Maria Papathanassiou, Illegitimate Children and Foster Children in the Eastern Alps: Research Directions and Perspectives This article deals with the history of illegitimate and foster children (usually also illegitimate) in the region of Eastern Alps (Austria) between the mid-18th and the early 20th centuries. During that period these childrens' number, though not stable, remained considerably high in absolute and relative terms. The paper discerns three basic trends in literature on the subject and comments on their results: a) Studies related to an international historical debate on bastardy in Europe and trying to explain impressive statistical data by pointing to social and economic factors, such as the domination of animal husbandry, the system of inheritance, the family system, labour organization and the so-called «agricultural revolution» in Europe. b) Studies on legislation, on official politics regarding single mothers and illegitimate or foster children, as well as studies on public institutions taking care of illegitimate children and their mothers from the second half of the 18th century on. Austrian law did not provide clearly for illegitimate children until the civil code was enacted in 1811 and only in 1919 a new law came into being regarding illegitimate and foster children together. c) Studies in a «history from below» direction, regarding people and their experiences but clearly not dominating the field in terms of numbers as well as analytical breadth. This essay suggests a more systematic approach in this last direction, particularly by comparing social groups, for example illegitimate children with peasant children, illegitimate children in rural with illegitimate children in urban environments, illegitimate foster children with other foster children in rural Austria, single mothers born and grown up as illegitimate children themselves with single mothers born and grown up as peasant daughters etc.
Δεν παρατίθεται περίληψη στα ελληνικά. ; Alexandros N. Teneketzis, Art and Politics in Cold War. The International Sculpture Competition for the Monument to the Unknown Political Prisoner The gradual transfer of the metropolis of the western art world from Paris to New York and specifically in circles around the Museum of Modern Art (MOMA) under the leadership of Alfred H. Barr Jr. and with the theoretical foundation by Clement Greenberg, but practically under the guidance and financing from the CIA, was also visible in the case of public memory and art about the Second World War. The international institution that was the cause for the widespread diffusion of the artistic standards grown in USA was the "International Sculpture Competition for the Monument to the Unknown Political Prisoner", which was organized under the auspices of the Institute of Contemporary Arts (ICA) in London and the Tate Gallery, but actually with the encouragement, blessings and supervision of the CIA. The competition was from the beginning a large turnout and the proposals submitted until January 1953 surpassed 3.500 –mainly abstract or semiabstract stylistic suggestions. The biggest names at the time in the international arena of sculpture in West took part, while artists from the Eastern Bloc boycotted the process. Therefore were precluded any realistic academic representative works and of course any relationship with socialist realism, giving thus the tone for both the style, and for all other future monuments in the western world. Eventually, the first prize of 2.500 pounds awarded to the British sculptor Reg Butler, unknown to the general public until that time but with a decisive commitment to abstraction. However, the work of Butler was never completed, principally because of the changing international circumstances and relationships after the death of Stalin in '53 and Khrushchev's secret speech in '56. The new "Thaw" era in EastWest relations imposed the final rejection in 1960. A public monument like that of Butler's, which would refer to the previous tense situation, was no more possible. Nevertheless, the dual objective of recognition and legitimization of abstract art in the western world and at the same time of the weakening of socialist realism and therefore of communism was promoted and achieved up to a certain degree.
