Suchergebnisse

The practice and composition of music require patronage and institutional support, and they require it in a different fashion from that found in other forms of art. This collection of essays brings together the most recent and important contributions by leading scholars in the field to this crucial aspect of Renaissance musical culture. The articles approach the topic from a number of perspectives and consider the institutions and individuals engaged in supporting music; the systems of employment, benefices and sponsorship put in place to facilitate the support; and where, how and why music was sung and played. Taken together, these articles enable conclusions to be drawn about the interests of patrons and about the social and artistic status of musicians and composers within the courtly and urban context. - Publisher

This book investigates the relationship between music and war from the end of the XVIII century to WWI. 0The centennial commemorations of the Great War in 2014 have yielded significant research on the relationship between music and this first world-wide conflict. Thanks to several conferences and publications, our knowledge about the musical repertoire played on the home front, the musical practices of the soldiers, or the war?s impact on European musical life, is expanding. While joining the efforts to enlighten this particularly little-known period of music history, this book aims to investigate that relationship by adopting a larger time-span: from the end of eighteenth century until the outbreak of the First World War. What kind of connections can be found between music, musicians or the musical economy (editions, the circulation of scores, opera and concert programming, professionalisation) and the different conflicts that would tear the European continent apart? Bringing together more than twenty case studies dealing with several European wars, this volume also investigates the evolution of the perception of the sound of war (by Martin Kaltenecker), and proposes new perspectives based on recent 20th-century music and war studies