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The purpose of this paper is to analyze the impact that Baroque society had in the development of the early keyboard. While the main timeframe is Baroque, a few references are made to the late Medieval Period in determining the reason for the keyboard to more prominently emerge in the musical scene. As Baroque society develops and new genres are formed, different keyboard instruments serve vital roles unique to their construction. These new roles also affect the way music was written for the keyboard as well. Advantages and disadvantages of each instrument are discussed, providing an analysis of what would have been either accepted or rejected by Baroque culture. While music is the main focus, other fine arts are mentioned, including architecture, poetry, politics, and others. My research includes primary and secondary resources retrieved from databases provided by Cedarville University. By demonstrating the relationship between Baroque society and early keyboard development, roles and music, this will be a helpful source in furthering the pianist's understanding of the instrument he or she plays. It also serves pedagogical purposes in its analysis of context in helping a student interpret a piece written during this time period with these early keyboard instruments.

General explanation of the keyboard and its principal technology. Production/marketing status in foreign countries and in Taiwan. (Economische Voorlichtingsdienst)

The purpose of this paper is to analyze the impact that Baroque society had in the development of the early keyboard. While the main timeframe is Baroque, a few references are made to the late Medieval Period in determining the reason for the keyboard to more prominently emerge in the musical scene. As Baroque society develops and new genres are formed, different keyboard instruments serve vital roles unique to their construction. These new roles also affect the way music was written for the keyboard as well. Advantages and disadvantages of each instrument are discussed, providing an analysis of what would have been either accepted or rejected by Baroque culture. While music is the main focus, other fine arts are mentioned, including architecture, poetry, politics, and others. My research includes primary and secondary resources retrieved from databases provided by Cedarville University. By demonstrating the relationship between Baroque society and early keyboard development, roles and music, this will be a helpful source in furthering the pianist's understanding of the instrument he or she plays. It also serves pedagogical purposes in its analysis of context in helping a student interpret a piece written during this time period with these early keyboard instruments.

The standard typewriter keyboard serves as a model for keyboards of teletypewriters, desk calculators, consoles, computer keysets, cash registers, etc. This man-machine interface should be designed to allow high-frequency, error-free operation with the least possible strain on the operator. This paper discusses several feasible biomechanical improvements of the keyboard. Some experimental findings are described which support the following design concepts: (1) the keys should be arranged in a "hand-configured" grouping to simplify the motion patterns of the fingers; (2) the keyboard sections allotted to each hand should be physically separated to facilitate the positioning of the fingers; and (3) the keyboard sections allotted to each hand should be declined laterally to reduce postural muscular strain of the operator.

This study examines the relationship between forearm EMGs and keyboard reaction forces in 10 people during keyboard tasks performed at a comfortable speed. A linear fit of EMG force data for each person and finger was calculated during static fingertip loading. An average r2 of .71 was observed for forces below 50% of the maximal voluntary contraction (MVC). These regressions were used to characterize EMG data in force units during the typing task. Averaged peak reaction forces measured during typing ranged from 3.33 N (thumb) to 1.84 N (little finger), with an overall average of 2.54 N, which represents about 10% MVC and 5.4 times the key switch make force (0.47 N). Individual peak or mean finger forces obtained from EMG were greater (1.2 to 3.2 times) than force measurements; hence the range of r2 for EMG force was .10 to .46. A closer correspondence between EMG and peak force was obtained using EMG averaged across all fingers. For 5 of the participants the force computed from EMG was within ±20% of the reaction force. For the other 5 participants forces were overestimated. For 9 participants the difference between EMG estimated force and the reaction force was less than 13% MVC. It is suggested that the difference between EMG and finger force partly results from the amount of muscle load not captured by the measured applied force.

Describes a simple way to familiarize blind students with the layout of a typewriter keyboard: Brailled letters of the alphabet were Thermoformed and glued to ¾ "-square ceramic tiles that had a Velcro backing. The tiles could be in turn positioned along strips of Velcro to simulate the position of typewriter keys. Once students had gained familiarity with this layout, their knowledge was tested by having them detect which tiles were missing or incorrectly positioned.