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Third and last part of the basic work 'Thinking about religion' by Valeer Neckebrouck Met Part III. Contemporary Perspectives, author Valeer Neckebrouck has come to the conclusion of the chronologically conceived series Thinking about Religion. Anthropological theory and religion. The study of the anthropology of religion is discussed in this last part from the most leading contemporary models and perspectives. The secularization theories, postmodernism, feminism, neo-Darwinism and the cognitive anthropology of religion are discussed in detail, but also thinkers such as René Girard, Walter Burkert, Edward O. Wilson and Richard Dawkins are reviewed. The treatment of contemporary theoretical perspectives in the anthropological study of religion concerns areas of research that are still in constant flux, insights that are still in full development. Almost every day new discoveries are made in biology, some of which require a radical revision of insights that were previously regarded as established achievements. Because our knowledge of biology and neurology is constantly evolving, its balance has to be rewritten again and again. With this third part of the Thinking about religion series, Valeer Neckebrouck has undeniably made an important contribution to this. In this final volume Neckebrouck presents the reader with a thorough analysis and critical evaluation of the various theoretical systems with which great and lesser minds from recent Western cultural history have attempted to clarify the enigmatic phenomenon of "religion" from an anthropological point of view. For anyone interested in the phenomenon of "religion" and wanting to know how anthropologists have thought about religion throughout history, this trilogy is an indispensable and very richly detailed reference book. Until now, such a detailed description and critical evaluation of the subject matter has not been available in any language area

In this contribution Mineke Bosch connects to Rosemarie Buikema's work with the Museum of Equality and Difference which aims at inspiring museum and exhibition curators to tell more complex stories that include postcolonial and gender perspectives. Bosch focuses on the importance of objects for the history of women and gender, and the value of historical knowledge about women and gender for museums and heritage institutions. She does so by discussing many aspects of the making of the exhibition Strijd! 100 jaar vrouwenkiesrecht (Struggle! 100 Years of Women's Suffrage) in the Groninger Museum in 2019. The exhibition through its objects not only changed the story of women's suffrage, it also enlarged 'suffrage literacy'. This in turn led to the recognition and acceptance of objects from this historical episode by museums.

While the Netherlands is still struggling with the question of how serious and widespread the violence was in the Indonesian War of Independence, that history can be found everywhere in Indonesia. Monuments and burial grounds are the silent witnesses of the battle and the stories of the war are still circulating. Remco Raben and Peter Romijn argue in this book that the way the Netherlands has long viewed the war in Indonesia has its origins in the language and the manipulation of information during that war. They investigate the mentality of administration and politics in Indonesia and the Netherlands and trace the path that knowledge about violence has taken, from the villages and fields in Indonesia to the desks of administrators, politicians and journalists in the Netherlands. This book shows how the cover-up of violence in Indonesia worked. It explains why war crimes and other large-scale violence against the Indonesian population were tolerated, how the army was able to dominate the provision of information about the war, how administrative mechanisms and mentalities promoted the concealment, how Dutch politicians looked away, and how Indonesian voices were systematically were ignored.