Suchergebnisse

Hans J. Morgenthau, utemeljitelj realističke teorije međunarodne politike četrdesetih godina 20. stoljeća, donedavno se smatrao pozitivističkim teoretičarom "tvrde" politike moći u međunarodnoj politici. No sve veći akademski interes za njegovo djelo posljednjih godina pokazao je kako je riječ o kompleksnom misliocu koji je ponajprije teoretičar politike. U ovome rada autor prikazuje Morgenthauovu političku teoriju i njezine temeljne pojmove u trima razdobljima njihova razvoja: do Drugoga svjetskog rata, od kraja rata do šezdesetih godina i poslije šezdesetih. Posebno se osvrćući na glavne studije iz svakoga od tih razdoblja, autor nastoji dokazati da je svrha Morgenthauove teorije međunarodne politike bio pokušaj da se politika i političko konstituiraju kao odgovor na duboku društvenu i političku krizu modernog Zapada. Njegova realistička teorija međunarodne politike nije samo akademski pothvat nego i svojevrstan politički projekt. ; Hans J. Morgenthau, who founded realist theory of international politics in the 1940s, has until recently been considered a positivist theorist of crude power politics in international relations. However, in recent years, with rising academic interest for his works, Morgenthau has been seen as a complex thinker and primarily a political theorist. This article aims to show Morgenthau's political theory and its fundamental concepts that run through the three periods of his writing: up to the Second World War, during the post-war period, and in the 1960s. With a special overview of the pivotal studies from each of the above periods, this article will show that the purpose of Morgenthau's theory of international politics is an attempt at constructing politics and the political as an answer to the deep social and political crisis of the modern West. His realist theory of international politics is not just an academic endeavor but also a political project of sorts.

Globalizacija i povećana međunarodna međuovisnost pridonose tomu da se ponovno povećava interes utjecaja strukture međunarodnog sustava na međunarodne odnose. Međunarodni sustav od kraja Hladnog rata neprestano proživljava promjene. One se najviše odlikuju u političkim i sigurnosnim novitetima. U takvim je uvjetima struktura sustava postala glavnom odrednicom ponašanja država koje se, promatrajući ih kroz perspektivu strukturalnog realizma ili neorealizma, ponašaju isključivo u skladu s vlastitim interesima, u uvjetima anarhičnog sustava. S obzirom na geopolitički položaj te veličinu Hrvatskoj je izrazito bitno čvrsto članstvo unutar NATO-saveza i Europske Unije. Kontekst razvoja sigurnosti i obrane time postaje više usmjeren na činjenicu da se zemlje članice saveza obvezuju pomagati jedna drugoj u slučaju pojave ugroze, te se time jača stabilnost nacionalne sigurnosti potrebne da se omoguće dugoročni mir i stabilnost u zemlji, ali i u susjedstvu. Kao središnji i konstantan fenomen u proučavanju međunarodnih odnosa, savezi nastaju jer su vlade svih razvijenih država svjesne da su dio jednog većeg entiteta u međunarodnoj politici u kojoj, prema postavkama neorealističke škole među-narodnih odnosa, postoje prijetnje koje su uzroci stvaranja saveza. ; Globalisation and increased international interdependence have contributed to the fact that once again the interest of the impact on the structure of the international system to international relations is increased. The international system, since the end of the Cold War, is constantly going through changes. They are the most distinguished in political and security innovations. In such circumstances, the structure of the system has become the main determinant of behaviour of states that, looking through the perspective of structural realism or neorealism, act solely pursuing their own interest, in terms of an anarchic system. Given the geopolitical position and size of the country, it is extremely important for Croatia to have a firm membership within the NATO and the European Union. The context of development of security and defence thus becomes more focused on the fact that the member states of the alliance commit to assist each other in case of threats, so the stability of national security needed to enable long-term peace and stability in the country, but also the neighbourhood, is strengthened. As a central and constant phenomenon in the study of international relations, alliances are formed because the governments of all developed countries are aware that they are part of a larger entity in international politics, in which, according to the neorealist school of international relations, there are threats that cause creating alliances.

ATLASES: Poetics, Politics, and Performance is a web exhibition of atlases from the Special Collections and School of Geographical Sciences of the University of Bristol (http://uobatlases.net/). It includes atlases produced between 1570 to approximately 1970.The exhibition consists of four thematic parts. Renaissance Theatres contains famous and les famous atlases produced between the end of the 16th century to the middle of the 17th century, such as atlases by Ortelius (1574), Camden (1610), Speed (1611) and four atlas tomes by Blaeu (1645). Rhetoric of Truth contains geological and archaeological atlases from the 18th and the beginning of the 19th century. However, Rhetoric of Truth is not only limited to renaissance, but it also encompasses first computer generated atlases, e.g. Atlas of Breeding Birds in England and Ireland (1976) and others. The Colonial Gaze focuses on atlases applied in colonial projects and land exploitation in Africa and the Caribbean Islands, as well as in circulation of race theories in Europe and North America at the end of the 19th century. The last part, National Identities and Conflict explores the role of atlas as a powerful instrument for visualizing conflicts and shaping territorial-political ideas in the 20th century. ; ATLASES: Poetics, Politics, and Performance je izložba na mreži atlasa iz Specijalne zbirke i Škole geografskih znanosti (Special Collections and School of Geographical Sciences) Sveučilišta u Bristolu (http://uobatlases.net/). Uključeni su atlasi od 1570. do približno 1970. godine.Izložba obuhvaća četiri tematske cjeline. Renaissance Theatres sadrži slavne i manje poznate atlase od kraja 16. do sredine 17. stoljeća., među ostalim, Orteliusov atlas iz 1574., Camdenov iz 1610., Speedov iz 1611. i četiri toma Blaeuova atlasa iz 1645. Rhetoric of Truth sadrži geološke i arheološke atlase iz 18. i početka 19. stoljeća. Međutim, cjelina Rhetoric of Truth nije ograničena samo na stoljeća prosvjetiteljstva već prožima i prve računalno generirane atlase poput npr. Atlas of Breeding Birds in England and Ireland (1976) i neke druge. Treća cjelina The Colonial Gaze fokusirana je na atlase koji su primjenjivani u provedbi kolonijalnih projekata i eksploataciji zemljišta u Africi i na Karibima, ali i cirkulaciji rasnih teorija krajem 19. stoljeća u Europi i Sjevernoj Americi. Posljednji dio National Identities and Conflict istražuje ulogu atlasa kao moćnog instrumenta za vizualizaciju sukoba i oblikovanje teritorijalno-političkih ideja u 20. stoljeću.