Suchergebnisse

By modernizing society, corruption is becoming the global problem and is considered to be the main cause of state dysfunction. Widespread in a large number of countries, embracing political and social life, corruption has become the everyday life of citizens convinced that without corruption there was no proper functioning of the society. Countries in transition, with an unstable political system, are the fundament for the development of corruption. The fight against corruption is long lasting and painful issue with an unknown outcome. The enjoyment of media attention, the commitment of the European Union and the United Nations, the establishment of anti-corruption organizations and agencies within states are mechanisms to combat this global problem. Anticorruption culture as a preventive mechanism prevents the existing and emergence of new forms of corruption. Effective preventive action requires careful and long-term planning to result in a better quality of life in the future.

У раду се размaтра утицај политичких промена на културно-уметнички живот Пољске и Југославије средином прошлог века. Након периода социјалистичког реализма, у обе земље је отпочета тежња ка деетатизацији културе, што је у сфери организације музичког живота резултирало оснивањем интернационалних фестивала савремене музике – Варшавске јесени (1956) и Музичког бијенала Загреб (1961). Замишљени као места на којима би се сусрели композитори са обе стране Гвоздене завесе, организатори ових фестивала тежили су инкорпорирању домаћих композитора у актуелне западноевропске музичке токове, не би ли створили повољније услове за културну либерализацију Пољске и Југославије. Стога, иако перципирани као отклон од соцреализма, те као вид деполитизације музике, ови фестивали су, сасвим парадоксално, наставили да служе новопрокламованим политичким идејама, усмереним ка презентацији Пољске и Југославије као либерално-демократских средина. Будући да је Варшавска јесен утемељена пет година раније у односу на загребачки Бијенале, она је постала узор југословенском фестивалу, што имплицира потенцијалне аналогије између стратегија и циљева ових музичких манифестација. Компаративним сагледавањем ових музичких догађаја из првих година њиховог одржавања (1950-те и 1960-те године), установиће се где су места сусрета, а где разилажења у сфери пољске, односно југословенске фестивалске политике. ; This research examines the influence of political changes on the cultural life of Poland and Yugoslavia from the 1950s to the early 1960s. After the period of socialist realism, the tendency toward democratization and liberalization of culture started in both countries. In the sphere of organization of musical life, such tendencies reflected in establishing of international festival of contemporary music – The Warsaw Autumn (1956) and the Music Biennale Zagreb (1961) as places where composers from both side of Iron Curtain have presented their works. Hence, these festivals, although perceived as a departure from political ideologization of music, they continued to promote modified political aims, that referred to presentation of Poland and Yugoslavia as liberal countries. By comparing these musical events from the first years (1950 and 1960), this research will determine where are the similarities and where the differences in the sphere of Polish and Yugoslav festival policies.

This paper discusses the Trieste Philharmonic Orchestra's tour in Serbia in the spring of 1946 and its political connotations. A sketch of the orchestra's foundation in the context of the concurrent political efforts to solve the Trieste question is then followed by a detailed outline of the journey itself, presented from the two points of view. First, the perspective of the Yugoslav authorities is illustrated and then an insight into musician's everyday life during the tour is given. ; У овом раду разматрам турнеју оркестра Тршћанске филхармоније по Србији у пролеће 1946. године, као и њене политичке конотације. Најпре скицирам околности које су довеле до оснивања овог оркестра, у контексту оновремених политичких напора да се разреши спор око Трста; након тога, пружам детаљан опис саме турнеје, и то са два становишта. Прво од њих односи се на перспективу југословенских власти, а друго на свакодневни живот самих музичара током ове турнеје.

Corruption is considered to be a universal phenomenon as it is present in all countries, in all systems, and all the countries endeavor to suppress it, with more or less success. Corruption as an universal occurrence in the world is a particularly actual problem in the post-conflict countries which are also in transition (Serbia, B&H…). Processes of transition, privatization and the very process of creation of a state on completely new foundations, have favored expansion of corruption on all the levels and in all the areas of social life. Goal of this work was not to identify the negative or positive financial effects of privatization process or the necessity of social transition, but to point out to the shortcomings or misuses in the processes of privatization, either by the governmental bodies or by individuals, as well as to define the best privatization procedures and what should be done to reduce corruption in the privatization process.

У раду се размaтра утицај политичких промена на кул­турно-­уметнички живот Пољске и Југославије средином прошлог века. Након периода соцреализма, као водећег уметничког правца, у обе земље је отпочета тежња ка деетатизацији културе, што је у сфери организације музичког живота резултирало оснивањем интернационалних фестивала савремене музике. Будући да је пољ­ски фестивал Варшавска јесен (1956), утемељен пет година ра­није, он је постао узор југословенском Музичком бијеналу Загреб (1961), што имплицира потенцијалне аналогије између стратеги­ја и циљева ових манифестација. Оба фестивала замишљена су као места на којима би се сусрели композитори са обе стране Гво­здене завесе. Наиме, организатори су тежили инкорпорирању до­маћих композитора у актуелне западноевропске музичке токове, не би ли створили повољније услове за културну либерализацију Пољске и Југославије. Стога, иако перципирани као отклон од соцреализма, те као вид деполитизације музике, ови фестивали су, сасвим парадоксално, наставили да служе новопрокламованим политичким идејама, усмереним ка презентацији Пољске и Југославије као либерално­-демократских средина. ; This paper examines the influence of political changes on the cultural life in Poland and Yugoslavia from the 1950s to the early 1960s. After a period of socialist realism (as the main art orientation), the tendency toward liberalization of culture started in both countries. In the domain of organizing musical life, such tendencies reflected in establishing of international festivals of contemporary music. The Warsaw Autumn (1956) and the Zagreb Music Biennale (1961) were places where composers from both sides of the Iron Curtain have presented their works. Analogies between these festivals are evident, given the fact that the Polish festival was founded five years earlier and served as a model for establishment of the Zagreb Music Biennale. First of all, the Warsaw Autumn and the Zagreb Music Biennale have shown similar problems in regard to the music repertoire. In addition, the similarities between these festivals are recognized based on the main objectives of both festivals organizers which implied aspiration for incorporation of Polish and Yugoslav music culture into the contemporary tendencies of Western Europe. It was a crucial strategy of the Warsaw Autumn, as well as of the Zagreb Music Biennale, whose purposes were about contributing to the liberalization of both Polish and Yugoslav culture. Therefore, this study has found that these festivals, although perceived as a departure from political ideologization of music, continued to promote modified political aims referring to presentation of Poland and Yugoslavia as liberal countries.

As the first festival of contemporary music in socialist Yugoslavia, the Music Biennale Zagreb (founded in 1961) attracted a lot of domestic and foreign media attention. This study discusses the reception of the first Music Biennale in the Belgradian daily newspapers, Politika [Politics], Borba [Struggle] and Večernje Novosti [Evening News], with reference to the characteristics of the editorial policies of these three newspapers. The timely and active reporting of the daily press in Belgrade indicates that the first Music Biennale Zagreb was promptly recognised as an important modernist musical festival for the then cultural life of the whole of Yugoslavia. ; Основан 1961. године, Музички бијенале Загреб, први фестивал савремене музике у социјалистичкој Југославији, од почетка је привлачио велику пажњу домаће и иностране јавности. У раду се анализира одјек првог Музичког бијенала у београдским дневним новинама, Политици, Борби и Вечерњним новостима, при чему се указује и на карактеристике уређивачких политика ових трију листова. Правовремено и активно извештавање београдске дневне штампе о првом загребачком Бијеналу сведочи о промптно препознатом значају ове авангардне манифестације за тадашњи културни живот целокупне Југославије.

The value of a social order is worth as much as it is ruled by satisfaction, security and well-being among people. The purpose of civilized and democratic systems is to guarantee and ensure the rights and freedoms of man and citizen, primarily through organized institutions. In an organized state, each of the institutions has a clear specific function that is more or less aimed at making life easier for citizens. One of them, which will be the topic of this paper and which has recently been introduced into our legal system, is the Protector of Citizens or the Ombudsman. The idea for this institution was born in Sweden, and after a number of years, it spread around the world. The ombudsman is an independent state body that takes care of a person, his rights, and above all protects him from irresponsible and illegal behavior of administrative bodies. Its significance today is immeasurable for the individual and society, as well as for the state and its reputation on the international platform. In addition to protection, its function is also control, in terms of constitutionality and legality of acts and actions of administrative bodies.

deologically speaking, the initiators of founding all the political parties in Serbia were young intellectuals educated abroad. The ideology of political liberalism was brought to Serbia by young knowledgeable people educated in the West: Milovan Janković, Jevrem Grujić, Vladimir Jovanovic, Stojan Bošković, Filip Hristić, Đorđe Cenić and many more who published and initiated liberal-democratic ideas during the Peter Assembly in 1848. Only with St Andrea Assembly in 1858 did the Serbian Civil rebirth begin. During this assembly two political groups finally divided: the liberals and the conservatives. The most important attainment of the St Andrea Assembly in 1858 was the Act of National Assembly. This act initiated the introduction of the representative system in Serbia. In political history, the period from 1858 to 1869 represents the birth of the representative system in Serbia. The introduction of the representative system in Serbia by the Constitution of 1869 created the necessary political preconditions for organizing modern political parties. Regular political elections and participation of the Parliament in the legislative process resulted in a easier binding of the like-minded politicans with their political liders to whom it was important to strenghten their bonds with their electors. The fact that the constitutional elections took place every three years and that the Assembly took place every year led to the strenghening of the political parties in the state, since more thriving layers of society started entering the National Assembly, the delegates who infuenced the political life. After the Constitution of 1869 was enforced, the liberals are gathered under Jovan Ristić, and later the young oppositional conservatives are gathered. In the same time a third political party emerged, the supporters and followers of Svetozar Marković. The organized political parties did not emerge immediately after the Regent's Constitution although it guaranteed a selection of political rights and freedom necessary for the emergence of the political parties, such as voting right, the freedom of speech and the freedom of press. This poses a question why did it never happen? The answer is to be looked into the intention of the Regency and later Regent Milan to unable the education of the political parties. In a situation when the Regency was closer to conservative than liberal ideas, it was hard to discuss organized political parties. The non-existence of political discipline as well as well political programs adversely affected the emergence of modern political parties. 277 Assembly Elections of October 1874 had a great impact on the history of political parties in Serbia. After the elections, a few political parties emerged in the Assembly: St Andrea Liberals under Jevrem Grujić, Libears under Ristić, Conservatives under Jovan Marinović, the beginnings of Young Conservatives and People's Party of the future Radicals. The organizing of political parties was sped up by young intellectuals gathered round the paper "Videlo" and connected with the People's party in the National Assembly. The beginning of 1881 saw the emergence of modern organized political parties in Serbia: People's Radical Part, Progressive Party and Liberal Party. Until that period delegates in the National Assembly mainly performed individually, and after 1881 they perform in accordance with political program, respecting political discipline. In view of organization and the functioning, the radicals went further, because they realized that organization is of utter importance for successful functioning and development of political parties. Pera Todorovic was given most credit for organizing the Radical Party. His organization contributed a round of hierarchical organizational units starting with local committees in every small town, counties, and to the Main Committee as the supreme organ of the party. Speaking about organization of the other two political parties it could be said that they too emerged with statues similar to the radical one. However, they never occupied such number of members as the Radical Party. The main characteristic of the political life in Serbia during the 80s of the 19th century consisted of bitter fights between the Radical and the Progressive Party in which King Milan Obrenovic sided with the Progressive Party. He was the reason why the radicals, although during the period 1882-1883 in majority, they never succeeded to come to power nor for the years to come. Dedicated to unable radicalism in Serbia, Milan showed even greater resistance toward the liberal reforms and greater affection toward emergence of personal regime. After the Timok Rebellion many radical leaders were convicted for many years, and the political leader Nikola Pasic was in emigration. Among the radicals, involving even those in the custody, slowly awareness was raised that the accord with the crown was necessary. Treaty with the radicals was initiated by King Milan so as to reinforce his personal strength, decreased in the war with Bulgaria. Although hungry for power, the radicals denounced the king's offer in Nis at the beginning of 1886. Radical leaders signed a treaty with liberals instead of progressives in 1887. The King did not have many possibilities, either to give radicals power and concede defeat or to draw back. Radical-liberal coalitional government gave great attention to the constitutional problem solving. Due to the fact that the first coalitional government was short-lived, it did not solve any problems. Similar situation happened with the first homogenous radical government that did not succeed anything more than its program, due to the fact that it was smothered by the King Milan's party. The Constitutional reform of 1888 had a big impact on political and constitutional life of Serbia. The multiannual struggle of the People's Radical Party was crowned by passing the constitution by the principle of majority. 278 The position of the Radical Party is changed from the ground, because it came to power and made its own cadre consisting of young intellectuals. Oversight over the whole work of the radical government from 1889 to 1892 shows that the radicals on the one hand showed great effort to introduce the constitution into the political life of Serbia, and on the other to limit the ruler's power. However, it is important not to forget the fact that the parliamentary regime on whom so many radicals insisted was more and more changing into a totalitarian one-party system. The parliamentary system that enabled the absolute power of the Radical Party in all state institutions was short-lived. King Alexander had an immense wish to stop as soon as possible with all the new-laid things that were introduced by the parliamentary system and that is the reason he was constantly fighting with the political parties and very frequently insisted on coup. In 1894 he suspended the 1888 Constitution and reenacted the 1869 one. After that, a regime based on self-will came to power, which lasted until 1901, year when King Alexander passed a new constitution. Political life in time of self-willed regime of king Alexander was very tough, because the ruler denounced the parties with the basic idea: "to renounce with parliamentarism if we wish to arrange this state properly". The last Obrenovic tried to denounce the existence of the Constitution, the government and the National Assembly by conducting various experiments. His "neutral" governments, which consisted of unforced political personnel, were under his impact. The whole political system turned round one political person, the king, which succeeded in dividing and manipulating the political parties. Neutralizing the People's Radical Party dominance could not have lasted any longer, due to the fact that it was impossible that the party with the biggest support be in opposition any longer. The king's wedding to Draga Masin represents a turning point in political life of Serbia. The shackles of the self-willed regime started to diminish, because the king wanted "to please the parties and the nation, so that they would accept the queen." The king's compromise with the strongest party in the country did not achieve results, due to the fact that among them existed huge differences in view of "state conceptions". The radicals advocated for parliamentary monarchy in which the power would belong to the most popular party, whereas the crown advocated the constitutional monarchy in which the ruler would be a puppet in enforcing the power of the National Assembly. Co-operational politics between the king and the radicals were short-lived, since it turned out that the representatives of the two opposite state conceptions were incapable of reaching an agreement. Shorty, the king realized that the treaty with the radicals was impossible to be kept and decided to return to previous politics, as before signed by the treaty in 1901. The renewed return to the self-willed regime sped up the preparations of the conspirators that in the night of May 28th/June 10th/ May 29th June 11th staged a coup.

Истраживања миграција представљају приоритет, јер отварају актуелне проблеме и питања која чине неизоставни део свакодневицa, политика, стратегија, конфликата, кретања и мобилности људи у свету. Када је наука спремна на таква сучељавања, тада истраживања добијају довољно маневар ског простора за аналитичко расветљавање и сагледавање са свих страна. Непрегледни свет миграција подстиче науку на моблност и истраживачку приправност овде – сада ‒ свуда. Проучавања миграција поседују перманент ну актуелност и динамику, јер нису изолована од микро- и макрополитика и економија, те друштвених и културних процеса. ; Migration studies appear as a priority as they discuss the current problems and issues that inevitably are part of everyday life, policies, strategies, conflicts, movement and mobility of people around the globe. When such debates become scientific topics, then migration as an occurrence can be studied through multiple perspectives and overviews. The vast world of migration urges science and research towards mobility and research preparedness here - now - everywhere. Migration studies are always actual and dynamic, being a part of micro and macro politics and economics, social and cultural processes. ; Тема броја: Истраживање миграција (ур. Мирослава Лукић Крстановић и Петко Христов) / Topic of the Issue: Research of Migrations (eds. Miroslava Lukić Krstanović and Petko Hristov)

The author discusses the crucial question of whether Serbia truly pursues the path of modernization and European integration, or just a simulation of these processes. The author proposes the thesis that there are numerous obstacles on Serbia's transitional path toward the (post)modern European society. Therefore, he tries to discover the essential reasons for the citizens' reluctance and resistance, the reasons which are related to the modernization of the Serbian society. Serbia is today at the crossroads of the traditional and modern understanding of life. It contains some elements of (post)modernization, but still with a strong influence of its traditional (conservative) heritage. The processes of re-traditionalization (re-mythologization and pseudo-mythologization) represent a major obstacle to the liberation of the society from the grip of the past and to its orientation towards European values. According to the author, the main creators of retrograde flows can be found in the political establishment of contemporary Serbia. He labels them, ironically and derogatorily, the 'guardians' of tradition, who use demagogic statements, populist paroles, and media information control (for their personal and party interests) to slow down Serbia on its European path.

Овај рад представља сажетак истраживања у којем је српска документарно-уметничка проза друге половине 19. века сагледана као драгоцени извор за упознавање токова и веза између српске културне и музичке историје. Истражена грађа потврђује да је музика, у сфери јавног и приватног, била важан сегмент живота свих слојева српског друштва 19. века, у сложеним геополитичким и културноисторијским контекстима. С обзиром на природу извора, сведочанства носе индивидуализовану, парцијалну перспективу, често подређену функцијама и облицима текста, поетици појединих аутора и концепцијама конкретних мемоарских дела. Посебно је коментарисан "ниво документарности" мемоарских извора, односно условљеност типа записа о музици природом документарно-уметничких жанрова. ; In this study the documentary prose (memoirs, diaries, autobiographies and travelogues, as well as selected biographical essays about the renowned individuals) written in the second half of the XIX century by prominent Serbian cultural workers, artists, statesmen, journalists and politicians is regarded as a valuable material for exploring the links and flows between Serbian cultural and musical histories. The sources confirm that, both in the public and private spheres, music was an important segment of all strata of the XIX-century Serbian society in complex geopolitical and cultural-historical contexts. In a diachronic perspective the analysed material reflects the dynamics and evolution of the types of presence of music and musical life in all countries populated by the Serbs in this period: the Habsburg Monarchy, the Principality and Kingdom of Serbia and the Serbian enclaves in other nations. The documents testify about the place of music in the spheres of personal interest, affinities and experiences of the writers and their contemporaries, i.e. they reflect the status of music in the context of everyday cultural life of the Serbs in the XIX century. By means of separate thematic descriptions of music in the sources, the music creators, performers and audiences are portrayed, the activities of important music institutions are presented, various types and opportunities for making music are described, the aspects of musical interpretation are commented on, and the features of traditions of vocal and instrumental musical practices from different regions are analysed. The collected sources have been analysed and assessed with respect to their contents and the authors' attitudes, and the deliberation of the hypotheses posed here is compliant with the inspection of the relevant studies from the realms of general and cultural histories, histories of literature and literary criticism, music history, cultural anthropology and art history. Due to the nature of the sources, these testimonies usually point to an individualised, partial perspective, often subordinated to the function and type of text, the poetics of certain authors and the concepts of specific memoirs. The "level of documentarity" of the memoire sources is discussed separately, as well as the dependence of the types of writings about music on the nature of the genres of documentary prose.

In this paper, populism is regarded as a kind of ideological map that facilitates to the citizens their coping in the political space, as well as a "thin-centered ideology" which has at his center the idea that politics should be a reflection of the will of the people, the idea that a clean and moral nation confronts a corrupt elite and "out groups", "out groups" which actions endanger or impair the rights and values of the nation. The paper focuses on some fundamental theoretical considerations on populism and empirical determination of the elements of populism in the public opinion in Serbia. Based on opinion polls in Serbia it has been shown what is the relationship of citizens to the people, political elites, democracy and its institutions, as well as the attitude towards "out groups". Empirical research conducted in Serbia in 2017 confirms the hypothesis that the gap between citizens and their elected representatives is deep, and it marks also that conventional politics increasingly faces the difficulties to reach citizens, and that lack of trust in political parties is generated in all spheres of representative democracy. In the political life, "out groups" are instrumentally ranked by political actors according to the necessities of the moment, and the empirical research of attitudes shows that they are in the same way as "out groups experienced by the citizens.

In his main oeuvre from the field of political philosophy ('Basic Traits of the Philosophy of Right'), Hegel wished to reconcile civil society with state. Civil society is for Hegel the way of abstract notion of property concretization. Subjective form of property is evolutioning into objective relationships among title holders. It is in the state where the will is set free from its particular interests and is becoming free in the widest sense of the word. Since civil society is established as per marketing principles, it is subject to inequalities. Since inequalities bear destructive effect on the life in community, civic particularism may be overcome only in institutional way. That institution is the state as the 'seriousness of the spirit', and the essence of civil society. Civil society is a liberal one, and the state is based on liberal principles. For Hegel, contrary to Hobbes and Locke, liberal society is not a social contract among individuals who possessed some natural rights (property), but reciproque and equal agreement among citizens and states which wish to recognize themselves mutually. It is not an own interest, but searching for rational recognition. The same as citizens, states also wish to reconcile themselves mutually, what in the situation in Kosovo and Metohia alike gets the original form.

The article is based on a critical review of existing literature in the field of political participation and representation of women in democratic institutions and procedures in contemporary society. Then, on the basis of relevant statistical indicators, it provides a state-of-the-art review of the participation of women in executive, legislative and judicial government in the European Union countries. The paper especially highlights the obstacles women face in the candidature for political office and when entering the political arena. It takes into account only the political factors, such as the type and structure of the electoral system, the number of parties in the parliament and their ideological differences, the number of candidates at polling stations, and the candidates' nominations for political offices, which have a crucial influence on the possibility for women to enter the political arena. Gender equality policy in the European Union in recent years has achieved significant success in the direction of larger and more equitable representation of women in all spheres of public life. However, women still do not participate in a sufficient number of institutions of governance and decision-making in economics and politics. The mere numerical, descriptive presence of women in political institutions is a necessary but not sufficient condition for the increase of their political power.