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Based on the work of media historian, James Curran, Narrating Media History explores British media history as a series of competing narratives. This unique and timely collection brings together leading international media history scholars, not only to identify and contrast the various interrelationships between media histories, but also to encourage dialogue between different historical, political, and theoretical perspectives including: liberalism, feminism, populism, nationalism, libertarianism, radicalism and technological determinism.Essays by distinguished academics cover television, radi

"This collection ... [focuses] on the relations of cinema to other media, artworks and diverse forms of entertainment, demarcating their sometimes conjoined, sometimes separate, histories ... [and] seeks to make visible the complex ways in which media anticipate, interfere with and draw on one another, demonstrating how what we have called 'cinematicity' makes itself felt in practices of seeing, reading, writing and thinking both before and after the 'birth' of cinema"--Page 1

This thematic issue of Media and Communication features articles that address the workings of democracy as understood through the lens of media history. The intersection of democracy and media history brings together two impossibly expansive terms, so expansive that the articles herein cannot provide any meaningful closure to the questions that even a cursory consideration of media history and democracy would provoke. Instead of closure, what these authors develop is a demonstration of the value of media history to our understandings of democracy. Historical methods of inquiry are necessary components for any meaningful understanding of media or democracy, and the authors gathered here work from a multi-hued palette of historiographical approaches. One finds in this issue a careful attention to how issues related to media history and democracy can be investigated through consideration of intellectual history, the history of political debates, journalism history, and the history of media organizations and institutions. These articles make a strong case for the continued relevance of media history to understanding the democracy and the media.

"This research collection details the ongoing interaction between sports, media, and society throughout important periods in history. Chapters examine both historical events/moments and broader trends in sports, with an emphasis on the media's role"--

Swarming has become a fundamental cultural technique related to dynamic processes and an effective metaphor for the collaborative efforts of society. This book examines the media history of swarm research and its significance to current socio-technological processes. It shows that the hype about collective intelligence is based on a reciprocal computerization of biology and biologization of computer science: After decades of painstaking biological observations in the ocean, experiments in aquariums, and mathematical model-making, it was swarms-inspired computer simulation which provided biological researchers with enduring knowledge about animal collectives. At the same time, a turn to biological principles of self-organization made it possible to adapt to unclearly delineated sets of problems and clarify the operation of opaque systems - from logistics to architecture, or from crowd control to robot collectives. As zootechnologies, swarms offer performative, synthetic, and approximate solutions in cases where analytical approaches are doomed to fail.