Suchergebnisse

Abstract: Russia as Civilization: Ideological Discourses in Politics, Media, and AcademiaPål Kolstø (University of Oslo, Department of Literature, Area Studies and European Languages) reviews Russia as Civilization: Ideological Discourses in Politics, Media, and Academia, edited by Kåre Johan Mjør and Sanna Turoma (Routledge, 2020).

Abstract in English: Close and Distant. Political Executive-Media Relations in Four CountriesElin Strand Larsen reviews Close and Distant. Political Executive-Media Relations in Four Countries. Edited by Karl Magnus Johansson and Gunnar Nygren, the book is based on a three-year long research project and analysis of the relationship between politicians, press secretaries and journalists in four countries – Finland, Lithuania, Poland and Sweden. By conducting thorough, well-coordinated research and numerous research interviews (20–25 from each country), the research group has studied the interplay between government and media in the period 2014–2017. The anthology contains four country-specific chapters, as well as the following cross-national themes: government communication, social media, source-journalist relationships, mediatisation and political communication cultures.

Helge Blakkisrud (Norwegian Institute of International Affairs) reviews the anthology Nationhood and Politization of History in School Textbooks: Identity, the Curriculum and Educational Media, edited by Gorana Ognjenović and Jasna Joselić.

Abstract in English: Crossing the Boundary into the Russian "Imagined Community". "Language", "Culture" and "Religion" in Russian Media Discourse on the Integration of ImmigrantsJussi Lassila reviews Christine Myrdahl Lukash' doctoral dissertation Crossing the Boundary into the Russian "Imagined Community". "Language", "Culture" and "Religion" in Russian Media Discourse on the Integration of Immigrants. The dissertation analyses how the Russian 'imagined community' is represented in the 2000–2015 Russian media discourse on the integration of immigrants, and the role of 'language', 'culture' and 'identity' in this respect. Also, it compares this media discourse with the presidential discourse of the same period.

Da president Vladimir Putin kom til makten i Russland på tidlig 2000-tallet, var en viktig del av hans statsbygging å skaffe seg kontroll over medielandskapet hjemme. Evnen til å forme egne innbyggeres oppfatning av virkeligheten har stått sentralt siden, og utover 2010-tallet har dette også inkludert et internasjonalt publikum. Irina Grigor gir oss i sin doktorgradsavhandling i kommunikasjon fra Universitetet i Helsinki, et nærmere innblikk i russisk bruk av media og strategiske narrativer, med et særlig fokus på bruk av visuelle virkemidler i russiske medier i ulike case i løpet av perioden 2012–2016.
Since President Putin came to power in the early 2000s, he has increasingly seized control of the domestic media landscape. In addition to Moscow's focus on shaping Russian domestic opinion, there have been similar control attempts aimed at an international audience. In her doctoral dissertation in communications from the University of Helsinki, Irina Grigor provides valuable insights into Russia's use of the media and strategic narratives. Using a case-study approach, Grigor devotes particular attention to the application of visual tools by the Russian media in the 2012–2016 period.

Contemporary Russian Conservativism consists of 15 chapters by diverse hands but nevertheless has a high degree of coherence. The volume rightly highlights the role of the Russian Orthodox Church in the promotion of conservativism and "traditional values". Many of the participants in the media debates around this issue no doubt hold sincere views while, as the editors argue, Putin and his entourage most likely adopted this new ideology for pragmatic reasons.

Abstract: Hans Christian Andersen in RussiaBrita Lotsberg Bryn (University of Bergen) reviews the anthology Hans Christian Andersen in Russia, edited by M.S. Jessen, M. Balina, B. Hellman and J. Nørregaard Frandsen, which investigates the influence of H.C. Andersen's work on Russian culture. It demonstrates that Andersen's fairy tales, broadly employed by authors and artists and valued by generations of readers and audiences in Russia, constitute a specific cultural code. The book comprises articles by seventeen scholars of Danish and Russian literature, art, film, theatre, music and media, exploring this code from various angles.

Danish images of Russia in the 2010sThis article surveys how the editorial columns of five leading Danish newspapers treat Russia in the 2010s, building on an earlier study which focused on the first decade of the 2000s (Hansen 2010). The present study finds that the overall negative trajectory associated with Russia has continued, even grown more pronounced. In response, a minority position has developed on the fringes of political life in Denmark, holding that Russia is being demonized and that media coverage is too negative and essentially one-sided. The Danish newspapers surveyed focus on what is seen as an increasingly aggressive Russia violating borders and other established norms, and threatening its neighbours. The editorials reflect the gradual paradigm shift in views of Russia. They now speak openly of the need for Denmark to protect itself and its allies militarily against possible Russian aggression and to prevent Russia from wielding more power through its energy supplies to Europe, including supplies that traverse Danish territorial waters. Other topics in focus include Russia's invasion and subsequent annexation of Crimea, its involvement in the war in Eastern Ukraine as well as its military campaign in Syria.