Suchergebnisse

Mit Artikeln unter anderem von Jan-Christian Warnecke, Mateo Kries und Uwe R. Brückner. Museen unter anderem von Adidas Ausstellung (Herzogenrauch), BMW Museum (München), Braunsammlung (Kronberg im Taunus), Chirurgiemuseum Asklepios (Tuttlingen), Fein Markenwelt (Schwäbisch Gmünd - Bargau), Juraworld of coffee (Niederbuchsiten), Mercedes-Benz Museum (Stuttgart), Uzin Utz Ausstellung (Ulm)

The article considers the history of the museum of Kharkiv National University of the Air Force named after Ivan Kozhedub. The concept of the museum and forms of its realization are shown. Special attention is paid to innovative solutions and the use of modern information technologies in museum business. Prospects for the development of the museum are outlined. A model of a single information space for military museums is proposed. Key words: history, museum, analysis, concept, innovation, multimedia, interactivity, QR-code, content, system. ; У статті розглянуто історію музею Харківського національного університету Повітряних Сил імені Івана Кожедуба. Висвітлюється концепція музею, іі витоки та форми реалізації. Окрема увага приділена інноваційним рішенням і використанню сучасних інформаційних технологій у музейній справі. Окреслені перспективи розвитку музею. Запропонована модель єдиного інформаційного простору для військових музеїв. Ключові слова: історія, музей, аналіз, концепція, інновації, мультимедіа, інтерактивність, QR-код, контент, система.

The article considers the history of the museum of Kharkiv National University of the Air Force named after Ivan Kozhedub. The concept of the museum and forms of its realization are shown. Special attention is paid to innovative solutions and the use of modern information technologies in museum business. Prospects for the development of the museum are outlined. A model of a single information space for military museums is proposed. Key words: history, museum, analysis, concept, innovation, multimedia, interactivity, QR-code, content, system. ; У статті розглянуто історію музею Харківського національного університету Повітряних Сил імені Івана Кожедуба. Висвітлюється концепція музею, іі витоки та форми реалізації. Окрема увага приділена інноваційним рішенням і використанню сучасних інформаційних технологій у музейній справі. Окреслені перспективи розвитку музею. Запропонована модель єдиного інформаційного простору для військових музеїв. Ключові слова: історія, музей, аналіз, концепція, інновації, мультимедіа, інтерактивність, QR-код, контент, система.

EU-LAC-MUSEUMS: Concepts, Experiences and Sustainability has received funding from the European Union's Horizon 2020 Research and Innovation programme under grant agreement No. 693669. The Book "Sustainable and Community Museums" falls under Work Package 8 of the project. ; The aim of this Booklet of Community and Sustainable Museums is to share the experience and knowledge of our EU-LAC-MUSEUMS project Advisors - Beatriz Espinoza, Hugues de Varine, Teresa Morales Lersch, and Peter Davis - concerning the key concepts and features of community and sustainable museums. They also provide reflections and didactic tools to suggest how a community might go about conceiving and creating a new community or ecomuseum if they so wished. ; Publisher PDF

Worldwide religion represents a significant component in most traditional and modern societies, democracies, and cultures, and forms an organizing, inspiring, legitimizing, and social power that have gained an unexpected anthropological and political importance during the last few centuries. Therefore, religious institutions and organizations morphed into a crucial identity factor that generates cohesion among people and every so often triggers tension, agitation, and violence. Religion forms an integral part of the social fabric that has a considerable influence on other social institutions and groups. It is not a particular moment in history since it belongs to the nature of man that strives to secure a common good, however, through time, this area of dynamism, socialization, belonging, and collective emotions has morphed into a historical and geopolitical force. Religion represents a central issue for individual and collective identity even in modern societies in which agnostic thought increasingly dominates the social and political sphere. The separation of religion from public policy has not abolished its involvement in the political and social decision-making processes, and even if secularization increasingly marks urban and modern civilizations, many people still show a great curiosity and inquisitiveness acquisitiveness for spiritual and religious experiences. This social body plays influential roles in matters of personal, collective identity and societal activities and lays down the rules governing life in society. It is not only the reflection or emanation of society, but rather its foundation that offers stability, solidarity, integration, unity, and cohesion. In the last decades, religion started occupying a growing position in museums, and religious object and lived experience have gained importance in the new museology. The pairing of both agencies triggered various challenges, which required a pluri-disciplinary dialogue to bridge the gap between spiritual aspects and aesthetic claims. Tunisia ...

Der Beitrag unternimmt den Versuch, eine Konzeptualisierung von Erlebnisorientierung im Museum anhand des Vergleichs mit Kirchen und Kaufhäusern zu erproben. Im Zentrum steht dabei die Herausarbeitung von Ähnlichkeiten im Hinblick auf spezifische Inszenierungs- und Kontextualisierungsstrategien. Museen, Kirchen und Kaufhäuser werden hier als inszenierte sowie institutionalisierte Orte verstanden, die miteineinander in Bezug gesetzt werden. Unter Zuhilfenahme der Heuristik postmoderner Ästhetik nach Andreas Reckwitz wird gezeigt, dass unterschiedliche Orte ähnlichen Veränderungsdynamiken unterliegen, die nicht zuletzt im Kontext gesellschaftlicher Ästhetisierung betrachtet werden können. Abschließend werden Überlegungen zur produktiven In-Bezug-Setzung unterschiedlicher Kategoriensysteme als vielversprechendes methodisches Instrumentarium angestellt.

International audience ; Museums around the globe have experienced important changes in recent years in response to decolonisation processes and the demands of indigenous peoples. French museums are no exception, but the transformations have certain French hallmarks. This article explores the way France is dealing with its colonial legacy and, by means of two case studies, unravels the diverse political and historical particularities of the French context. The first looks at the results of a comparative analysis of the French and Québécois public's response to the travelling exhibition E tū ake: Standing Strong produced by the Museum of New Zealand Te Papa Tongarewa. The second focuses on the repatriation ceremony of Māori toi moko (tattooed preserved heads) that took place in Paris in January 2012. These two case studies examine the French uses of concepts such as 'community', 'minority', and 'indigeneity' as well as the complex relations between religion and rationality, ancestral presence and materialism in French public life. The article investigates how these concepts participate in the fabric of French society, and thus in shaping contemporary museum landscapes.

International audience ; Museums around the globe have experienced important changes in recent years in response to decolonisation processes and the demands of indigenous peoples. French museums are no exception, but the transformations have certain French hallmarks. This article explores the way France is dealing with its colonial legacy and, by means of two case studies, unravels the diverse political and historical particularities of the French context. The first looks at the results of a comparative analysis of the French and Québécois public's response to the travelling exhibition E tū ake: Standing Strong produced by the Museum of New Zealand Te Papa Tongarewa. The second focuses on the repatriation ceremony of Māori toi moko (tattooed preserved heads) that took place in Paris in January 2012. These two case studies examine the French uses of concepts such as 'community', 'minority', and 'indigeneity' as well as the complex relations between religion and rationality, ancestral presence and materialism in French public life. The article investigates how these concepts participate in the fabric of French society, and thus in shaping contemporary museum landscapes.

International audience ; Museums around the globe have experienced important changes in recent years in response to decolonisation processes and the demands of indigenous peoples. French museums are no exception, but the transformations have certain French hallmarks. This article explores the way France is dealing with its colonial legacy and, by means of two case studies, unravels the diverse political and historical particularities of the French context. The first looks at the results of a comparative analysis of the French and Québécois public's response to the travelling exhibition E tū ake: Standing Strong produced by the Museum of New Zealand Te Papa Tongarewa. The second focuses on the repatriation ceremony of Māori toi moko (tattooed preserved heads) that took place in Paris in January 2012. These two case studies examine the French uses of concepts such as 'community', 'minority', and 'indigeneity' as well as the complex relations between religion and rationality, ancestral presence and materialism in French public life. The article investigates how these concepts participate in the fabric of French society, and thus in shaping contemporary museum landscapes.

International audience ; Museums around the globe have experienced important changes in recent years in response to decolonisation processes and the demands of indigenous peoples. French museums are no exception, but the transformations have certain French hallmarks. This article explores the way France is dealing with its colonial legacy and, by means of two case studies, unravels the diverse political and historical particularities of the French context. The first looks at the results of a comparative analysis of the French and Québécois public's response to the travelling exhibition E tū ake: Standing Strong produced by the Museum of New Zealand Te Papa Tongarewa. The second focuses on the repatriation ceremony of Māori toi moko (tattooed preserved heads) that took place in Paris in January 2012. These two case studies examine the French uses of concepts such as 'community', 'minority', and 'indigeneity' as well as the complex relations between religion and rationality, ancestral presence and materialism in French public life. The article investigates how these concepts participate in the fabric of French society, and thus in shaping contemporary museum landscapes.

This paper discusses the role that museums and art institutions have in recent years played in international relations, and their contribution to the concept of soft power, coined by Joseph Nye; referring to a country's ability to persuade rather than coerce through elements of 'hard' power such as the threat of a strong military (Nye 2004). Using as examples the exchanges of the Cyrus Cylinder between Iran and the British Museum, and the loan of Picasso's Buste de Femme (1943) from the Dutch Van Abbemuseum to the International Academy of Art Palestine, the paper argues that through their role as 'national expressions of identity' and 'memory institutions', museums and art institutions are able to make a positive contribution to international relations by engendering mutual respect and understanding in ways that other forms of dialogue may be unable to. As soft power is an area that still requires significant research, this paper aims to contribute observations and case studies that may affirm its influence.Key Words: cultural diplomacy, museums, soft power, international relations, cultural exchange

In nineteenth to twenty-first-century Lithuania, the exhibits of almost all museums reflect a certain aspect of Lithuanian history. These exhibits are the quintessence of museum concepts and are presupposed by society and the groups within it, historical memory, scientific and ideological discourses. The most important themes of Lithuanian history exhibits include Lithuanian prehistory, past glory, statehood, resistance to foreign occupation, repressions, exile, trauma, struggle for independence and its restoration and certain personalities who were involved in these processes. Exhibits of Lithuanian prehistory have remained constant since the nineteenth century. Other tendencies of Lithuanian history exhibits in museums have been shaped by time, ideology and politics. Since the Republic of Lithuania in the Interwar period (1918–1940), popular museum themes include Vytautas the Great, the Battle of Žalgiris, medieval castles, rebellions against Russia and especially the prohibition of the Lithuanian press in the nineteenth century. Since the second half of the twentieth century, the musealisation of the memory of personalities, especially writers, is intensifying. After restoring Lithuanian independence in 1990, museums have tackled the acute themes of Soviet occupation, anti-Soviet resistance, exile, trauma and Lithuania's pursuit of independence. Current museological representations of Lithuanian history are rising, fostered by concepts of "living history" and "the past for the present".

In nineteenth to twenty-first-century Lithuania, the exhibits of almost all museums reflect a certain aspect of Lithuanian history. These exhibits are the quintessence of museum concepts and are presupposed by society and the groups within it, historical memory, scientific and ideological discourses. The most important themes of Lithuanian history exhibits include Lithuanian prehistory, past glory, statehood, resistance to foreign occupation, repressions, exile, trauma, struggle for independence and its restoration and certain personalities who were involved in these processes. Exhibits of Lithuanian prehistory have remained constant since the nineteenth century. Other tendencies of Lithuanian history exhibits in museums have been shaped by time, ideology and politics. Since the Republic of Lithuania in the Interwar period (1918–1940), popular museum themes include Vytautas the Great, the Battle of Žalgiris, medieval castles, rebellions against Russia and especially the prohibition of the Lithuanian press in the nineteenth century. Since the second half of the twentieth century, the musealisation of the memory of personalities, especially writers, is intensifying. After restoring Lithuanian independence in 1990, museums have tackled the acute themes of Soviet occupation, anti-Soviet resistance, exile, trauma and Lithuania's pursuit of independence. Current museological representations of Lithuanian history are rising, fostered by concepts of "living history" and "the past for the present".