Preliminary Material /M.W. Huang -- Male Friendship In Ming China: An Introduction /Martin W. Huang -- Friendship Through Fourteenth-Century Fissures: Dai Liang, Wu Sidao And Ding Henian /Anne Gerritsen -- Music And Male Bonding In Ming China /Joseph S. C. Lam -- A Friendship Of Metal And Stone: Representations Of Fan Juqing And Zhang Yuanbo In The Ming Dynasty /Kimberly Besio -- Male Friendship And Jiangxue (Philosophical Debates) In Sixteenth-Century China /Martin W. Huang -- A Selected Bibliography Of Secondary Sources /Martin W. Huang -- Index /Harriet T. Zurndorfer.
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本文以「從禮樂到生民:論中唐樂府的復興與新變」為題,試圖將中唐樂府放入當時思想、政治與文化的新格局中,探討其創作及觀念之特徵,並對盛、中唐之際的文學發展與中唐樂府的革新提出新的解釋。 ; 已往之研究往往強調中唐樂府「刺時」的一面,而歸因於中唐的政治狀況。但本文認為,就題材來說,中唐樂府並非僅有「刺時」的內容,亦有大量的風俗描寫; 就原因而言,政治固然是因素之一,然絶非唯一因素。其背後還涉及詩學觀念的轉向與文人身份的變化。 ; 本文指出,盛、中唐之際文人對於「風雅」或者「詩教」的觀念發生了變化。盛唐以前對「教化」的理解總與「禮樂」相伴,認為只要行禮樂便可以達到教化的目的,強調「禮樂」的作用自然凸顯《詩經》「上以風化下」的一端,而非「下以風刺上」的一面。至盛唐末期,這種觀念受到挑戰,文人對詩教的理解從頌讚的雅頌走向諷刺的國風,而最後刺時之文也獲得了正當性。中唐樂府的興盛與這種詩學觀念的轉變有著密切的關係。 ; 本文認為,中唐文人的政治身分變化與中唐樂府的變化亦有密切關係。初盛唐文人少做地方官,至中唐,長期擔任地方官的文人比例大增。他們在觀念上調和「儒」、「吏」關係,更多地認同「循吏」的價值與傳統,使得地方官文人與漢良二千石的傳統銜接。他們以「循吏」的眼光在地方進行創作,為樂府的「觀風」職能提供良好的背景。 ; 觀念的轉向、文人身份的變化,加之當時的政治狀況,造成了中唐樂府的興盛,也造就其獨特之特徵。本文對張籍、王建樂府在盛中唐樂府演變中的作用與地位提出了新的論述,認為張、王的樂府唱和,繼承、改造了盛唐李白和杜甫新、古題樂府的創作形式,體現了盛唐末年所開啟的「風雅」詮釋方式,而以興諷刺時作為樂府的主要內容,為其後的元、白樂府提供了借鏡。本文指出,中唐樂府雖然繼承了漢樂府「觀風」的傳統,但在題材內容上有所擴大。漢代,「樂府」作為中央官署,其「采詩」的主要目的是考察地方吏治,對於地方風土風俗則沒有太大興趣,但中唐樂府對此一題材卻有大量的書寫。「風俗」題材的興起與當代儒學關注點從「禮樂」轉向「生民」有關。「生民」既成為評判政治優劣的標準,「生民」的活動自然被納入創作的視野。論文認為,從文體角度說,中唐的樂府作者雖在主觀上排斥六朝傳統,但在樂府的命題以及表現方式上依然深受六朝的影響。 ; 論文還考察了與新樂府創作相應的一套詩學論述,發現中唐詩人提出了所謂樂府「正聲」的觀念,以對抗初、盛唐樂府的觀念。不僅如此,中唐的樂府觀念還與「史官」、「諫官」的意識相互滲透,使得本為詩歌所獨有的「采風」觀念擴散到詩歌以外的文類,而本為樂府所關注的獨特題材也進入其他文體的書寫當中。 ; This thesis focusing on Yuefuin the Mid-Tang dynasty,discusses its characteristicsin the new pattern of thought, politics and culture. The thesis tries to provide a new explanation for the literature development in the Mid-Tang. ; Existing researches often emphasized the relation between yuefu and political reality. However, political reality was not the only theme reflected in yuefu, the description of customs was included. Politic was not the mere reason. Literati's political identitywas changed and the existing tradition of "praise and criticize" from the Han dynasty was also transformed. ; The thesis pointed out that the idea of "Fengya" or "poetic education" was changed from the High-Tang to the Mid-Tang dynasty. "Civilization", usually relating to "rites and music", was considered to be successful in the High-Tang dynasty. Therefore, literature was encouraged to praise the dynasty while criticism was ignored. This idea faced ...
Cheung, Lai Fan Estelle. ; "December 2011." ; Thesis (M.Phil.)--Chinese University of Hong Kong, 2012. ; Includes bibliographical references. ; Abstracts in English and Chinese. ; Abstract and acknowledgements --- p.iii ; Chapter Chapter one --- Overview ; Chapter I. --- Introduction --- p.1 ; Chapter II. --- Background of the study --- p.4 ; Chapter III. --- Use of heroique in Andre Cardinal Destouches's works --- p.11 ; Chapter IV. --- Purpose of the study --- p.13 ; Chapter V. --- Methodologies --- p.14 ; Chapter VI. --- Limitations of the study --- p.15 ; Chapter VII. --- Thesis organization --- p.17 ; Chapter VIII. --- Contribution of the field --- p.19 ; Chapter Chapter two --- Literature review ; Chapter I. --- Introduction --- p.20 ; Chapter II. --- Literature review --- p.21 ; Chapter Chapter three --- Louis XIV the sovereign king prior to Destouches's Les Stratagemes ; Chapter I. --- Introduction --- p.35 ; Chapter II. --- Louis XIV the sovereign hero and its representation --- p.38 ; Chapter III. --- Representation through the plot and the music --- p.43 ; Chapter IV. --- Conclusion --- p.53 ; Chapter Chapter four --- Plot characterization of heroique elements in Les Stratagemes de I 'amour ; Chapter I. --- The lessening role of heroique prior to the production of Les Stratagemes de I 'amour --- p.54 ; Chapter II. --- Purpose of the chapter --- p.55 ; Chapter III. --- Introduction to Les Stratagemes de I 'amour --- p.56 ; Chapter IV. --- Political heroique drama --- p.65 ; Chapter V. --- Conclusion --- p.69 ; Chapter Chapter five --- Music and dance characterization of heroique elements in Les Stratagemes de I 'amour ; Chapter I. --- Introduction --- p.70 ; Chapter II. --- Purpose of the chapter --- p.71 ; Chapter III. --- Heroique elements in instrumental numbers --- p.73 ; Chapter IV. --- Heroique elements in sung numbers --- p.81 ; Chapter V. --- Interpretation of the muscular and feminine heroique agendas in Les Stratagemes --- p.113 ; Chapter VI. --- Danced heroique in Les Stratagemes'S prologue ...
West, Matthew Ellis. ; Thesis (M.Phil.)--Chinese University of Hong Kong, 2006. ; Includes bibliographical references (leaves 250-260). ; Abstracts in English and Chinese. ; Abstract (in English and Chinese) --- p.ii ; Acknowledgments --- p.iv ; Table of Contents --- p.vi ; Chapter Chapter 1: --- Introduction ´ؤ China and Intellectual Property --- p.1 ; Introduction ; What is Intellectual Property? ; Chenggong Music and Movies ; Lost in Translation ; Piracy ; Copying ; An Historical Perspective ; "The Past, Sharing, and Censorship" ; Methodology and Xi'an's Disc Market ; Chapter Breakdown ; Chapter Chapter 2: --- Literature Review 一 An Anthropological Approach to IP --- p.37 ; The Anthropology of Property ; Human Rights Discourses ; Economic Pragmatism? ; The Return of Power ; Toward a Theory of IP ; Metaphorical Framing ; Stages of IP Advocacy ; Local Contextualization ; China: Global Pressure and Local Response ; Chapter Chapter 3: --- Daoban as a Moral Business --- p.60 ; The Commoditization of IP ; Price is all that Matters! ; Pricing Practices within Stores ; Pricing Determinants ; Moving Beyond Price and Quality ; Consumer Fraud and Fakes: The Breakdown of Price and Quality ; Competition and the Disc Business ; Is it Zhengban or Daoban? ; Doubting the Difference ; Relative Morality: Guilt and Stealing ; The Ambivalent Position of Chinese Retail Business ; Conclusion: Passive Contestation and the Moral Sphere ; Chapter Chapter 4: --- Daoban as an Illegal Commodity --- p.104 ; Petty Economic Crime ; "Cheating, Plagiarism, and Painting" ; Petty Economic Illegality ; Illegality in China's Context: The Government Connection ; Backing (beijing) ; Corruption ; Structural Issues: Officials and Enforcement ; Policing Norms ; Norms of Copyright Enforcement ; Social Consequences of Enforcement ; Action Against Vendors ; Action Against Pornography ; Justifications and Responses ; Conclusion: Daoban and Illegality ; Chapter Chapter 5: --- Daoban and Intangible Property --- p.155 ; What is Daoban? ; Dowloading and the ...
Cheng, Connie. ; Thesis (M.Phil.)--Chinese University of Hong Kong, 2011. ; Includes bibliographical references (p. 182-192). ; Abstracts in English and Chinese ; appendix in Chinese. ; Thesis / Assessment Committee --- p.i ; Abstracts --- p.ii ; Acknowledgements --- p.iv ; "A Note on the Use of Chinese / Japanese Terms, Names, and Webpage Materials" --- p.V ; Table of Contents --- p.vi ; Chapter Chapter 1: --- Preface --- p.1 ; Objectives and Significance --- p.4 ; Issues to be Addressed --- p.5 ; Methodologies --- p.10 ; Structure of the Thesis --- p.12 ; Chapter Chapter 2: --- The Rise of Japanese Pop Culture in Hong Kong - The 1980s --- p.15 ; Japan's Economic Influences in Hong Kong --- p.15 ; Japanese Popular Culture Boom in Hong Kong --- p.19 ; Tourist Flows to Japan in the 1980s --- p.31 ; Chapter Chapter 3: --- The Second Japanese Popular Culture Boom - The 1990s --- p.38 ; The Change in Economic and Social Environment --- p.38 ; Japanese Popular Culture Continues to Flourish --- p.40 ; Japanese Pop Music (J-pop) --- p.40 ; "Animation, Comic and Game (ACG)" --- p.42 ; Japanese Television Dramas --- p.47 ; Hong Kong Tourists to Japan and the Development of Cultural Pilgrimage --- p.56 ; Chapter Chapter 4: --- The Age of Cultural Pilgrimage - the 2000s --- p.64 ; Hong Kong People's Consumption of Japanese Products --- p.64 ; Pop Songs --- p.64 ; Television Dramas --- p.65 ; ACG --- p.66 ; Tours to Japan --- p.69 ; Pop Culture Tourism and Cultural Pilgrimage --- p.75 ; Governmental Strategies --- p.77 ; Tour Agencies' Strategies --- p.87 ; Self-guided Tourists --- p.91 ; Chapter Chapter 5: --- Case Studies of Hong Kong Young People who Performed Cultural Pilgrimages to Japan --- p.112 ; Case 1 --- p.113 ; Case 2 --- p.117 ; Case 3 --- p.121 ; Case 4 --- p.125 ; Case 5 --- p.129 ; Case 6 --- p.135 ; Case 7 --- p.138 ; Case 8 --- p.142 ; Case 9 --- p.146 ; Case 10 --- p.149 ; General Remarks --- p.154 ; Chapter Chapter 6: --- Concluding Analysis --- p.157 ; Chapter 1. --- Cultural Pilgrimage and the Cultural ...
在中國現代文學中,文藝與政治之間有著密切而複雜的關係,此一問題在現代戲劇中尤其值得重視。過往戲劇研究長期位處邊緣,這與戲劇此一文類所獨具的綜合藝術特質不無關係,其橫跨文學、美術、音樂、表演等領域的跨藝術特徵,導致其複雜性實際上遠超純文學的範疇。另一方面,戲劇運動的集團性和政治性,亦導致論者對於中國現代戲劇發展較為簡單化的論述,戲劇史的書寫往往與時代話語緊密連繫。不論是純粹文藝化還是政治化的角度,皆很可能遮蔽了戲劇本身一體兩面的問題,導致研究單一化和簡單化。洪深 (1894-1955)、田漢 (1898-1968)和夏衍 (1900-1995)均是中國現代重要戲劇家,同時亦長期被定位為左翼文藝陣營中的重要成員。戲劇家和政治家的身分重疊,導致他們的研究情況往往與時代的意識形態掛鈎,而目前有關他們的研究更是受到冷落,與他們的文學成就並不相稱。本文以三位劇作家為研究對象,希望通過他們的不同面向,重新審視文藝與政治之間各種複雜關係的可能性。 ; 本文分為五章。第一章為導論,主要介紹本文的寫作理念、方法和背景。第二章以洪深為研究對象,重新探討他的現實主義戲劇創作和主張。洪深對改譯劇的主張和實踐,體現了他與晚清鴛鴦蝴蝶派文學和西方戲劇的深刻淵源,而他和蕭伯納之間的文學關係,反映了他對早期文明戲的戲劇改革和西方舞台的繼承,突顯了洪深如何在中西文化之間思索中國現代戲劇中的現實主義問題。第三章從西方唯美主義和先鋒文學運動的角度,重新探討田漢的創作和政治轉向。本章考察田漢對外國文學的譯介活動,當中包括英國唯美主義作家威廉.莫里斯、德國表現主義影劇、俄國和日本左翼劇場,反映了田漢戲劇運動的左翼國際主義特徵;然而田漢對日本作家佐藤春夫和谷崎潤一郎的翻譯,則體現了他對唯美主義的回歸。第四章以夏衍的戲劇創作為研究對象,重新探討夏衍的戲劇文學的獨特性。本章把夏衍此時期的劇作分為歷史劇和上海都市劇兩個角度作出分析,並將它們放在當時文學場域中與郭沫若的歷史劇、國防文學、現代派小說和左翼電影作一比較,並分析夏衍的現實主義與左翼現實主義的相異。第五章為結論,綜合前文各章的討論,重新思考三位劇作家的戲劇實踐,並重審中國現代戲劇中文藝與政治之間的複雜關係。 ; There is a complicated relationship between literature and politics in modern Chinese literature, especially in modern Chinese drama. As a result, the research of modern Chinese drama has long been placed at a marginal position. Drama is an integrated artistic form consisting of literature, art, music, and performance, and therefore presents a complexity that goes far beyond "pure literature". On the other hand, the history of modern Chinese drama is closely integrated with historical discourse as a result of the organizational and political characteristics of drama movements. This shows that either literary or political point of view may confine the interpretation of their inter-related complexity and interaction. Hong Shen (1894-1955), Tian Han (1898-1968) and Xia Yan (1900-1995) are three of the most important dramatists in modern Chinese literature, who were also regarded as representative members in the left-wing literary camp. Due to their dual identities as dramatist and politician, their images are often connected with historical and ideological discourses. This has also resulted in desolation in ...
