Suchergebnisse

The book presents the biographies and work lists of 126 Finnish women composers born between 1784 and 1909. Based on large-scale archival research, it is the first comprehensive historical account of Finnish women composers and their cultural heritage. The authors draw on feminist music history and the sociohistorical approach to find out who these women were, what kind of music they wrote, and how their careers reflected European cultural and social history. The treatise highlights the influence of girls' schools, women's suffrage movements and other socio-political developments on the musical culture of women. Concepts such as "composer", "woman" and "Finnish" were assumed to be open and inclusive throughout the research, in terms of both musical style and diversity in cultural background. In concentrating on music-making by women, the book opens up radically new vistas on Finland's music and cultural history, and it rectifies previous erroneous conceptions about women's composership and their artistic work. In short, it exposes the richness in the sonic and intellectual heritage of Finnish women composers, as well as its significance in society today.

Saamentutkimus tänään is an introduction to the Sámi studies, i.e. the scientific study of the Sámi people. It gives many-faceted basic information of the Sámi people and presents up-to-date views of the disciplines related to the Sámi studies, e.g. history, archeology, genetics, linguistics, comparative religion, folkloristics, ethnology etc. It provides scientifically based knowledge of the Sámi during the prehistory and pre-Christianity, dealing with reindeer herding, handicraft, the Sámi languages, Sámi literature and art and civil right questions, including participation in the international movement of the indigenous people. All the authors are eminent experts of their scholarly fields, and all the articles have been revised by the Academic representatives of the Sámi themselves - "Teos esittelee saamentutkimuksen keskeisten alojen uusimmat tulokset ja näkemykset ja päivittää saamelaisia ja saamelaiskulttuuria koskevat tiedot genetiikasta kielitieteeseen ja historiasta nykykulttuuriin. Kirjassa perehdytään myös saamelaisten aineelliseen ja henkiseen perinnekulttuuriin: käsityöhön, poronhoitoon, folkloreen, taiteisiin sekä muinais- ja kansanuskoon. Erityisen painon teoksessa saavat ajankohtaiset ihmisoikeus- ja alkuperäiskansakysymykset. Kaikki kirjoittajat ovat alojensa aktiivitutkijoita. Kirja on 1995 julkaistun Johdatus saamentutkimukseen -teoksen kokonaan uudistettu ja huomattavasti laajennettu laitos."

This article presents findings from two qualitative research studies on readers' emotional reactions and empathy towards literary texts. Participants were presented with two fragments from novels by Vigdís Grímsdóttir and then asked about their reactions. In the first study, 20 participants were asked to read a fragment from the novel Þögnin(2000) and half of the participants had some kind of a musical education and the other half with no background in music. Interestingly, having a musical background impacted reactions differently than what was expected. As a result, a second study was carried out where the reactions of visual artists (10) were compared to non-artists (10) to a fragment from the novel Þegar stjarna hrapar (2003). Both novels contain information specific to music (Þögnin) or visual arts (Þegar stjarna hrapar). Cognitive science methods, such as the schema theory, will be used to explain how readers of diverse backgrounds react differently to the same text. This approach also illustrates how useful qualitative methods can be in studying topics beyond only the content of the text.

Tradition and literature are not held back by borders. Transnationality is, for example, geographic, symbolic, or linguistic movement and action. Different kinds of cultural transitions and migrant traditions are connected with transnationality. Studying the multilingualism of literary texts or diverse cultural identities, transnationality is a prolific angle. In the 102nd Yearbook of the Kalevala Society Foundation, the topics cover for example migration and return migration, material things crossing borders, and places of music culture. At a more theoretical level we are asking how studying transnationality enriches the disciplines with roots in the national sciences.

In the 21st century, vernacular tradition has been emerging updated, hybridized forms. The increased availability of digital devices and resources has diminished the gap between professional production and folk culture. Digital technology and commercial productions have merged with grassroots practices, local identities, and personal expression. This book introduces analytical views of contemporary folklore as vernacular meaning-making and performance in interaction with digital technology and commercial productions. It focuses on various genres, such as internet memes, local rap music, video games, creepypasta, and stand-up performances. Central themes featured in the analyses include accelerated cultural circulation and reinterpretations, questions surrounding ownership and appropriation, technological agency, and the performance of cultural and personal identities.

Avant-garde in Finland is the first book to provide an overarching introduction to avant-garde art by Finnish artists. The articles in the book discuss the application and development of the cultural ideas of the avant-garde in Finnish art from the early 20th century till the present day. The book focusses on the social, political, and artistic characteristics of avant-garde art and their manifestation in Finnish avant-garde literature, visual arts, architecture, fashion, and music. The book shows the remarkable role of women artists in the development of the Finnish avant-garde. Many artists and groups are presented in the book for the first time. At the same time, the articles highlight connections between well-known Finnish artists and international avant-garde movements that have not been recognized in earlier research. A key theme of the book is the tension between the internationality of avant-garde and the nationalist elements of Finnish culture. The book is peer-reviewed, and its authors are eminent senior scholars and younger researchers.

Muuttuvat suomalaiset äänimaisemat (Transforming Finnish Soundscapes, eds Heikki Uimonen, Meri Kytö & Kaisa Ruohonen) is a collection of research essays and texts that study the sonic environment and how it is experienced. Soundscapes related to time, place and the everyday shape our perception of the present and the past. Sounds can be pleasant and beautiful, pacing the day or year, annoying, boring and everything in between. The theme of transforming soundscapes combines the research essays in the publication. The essays draw from various disciplines and methodologies: media studies, anthropological field work and sensory observation, textual analysis and close reading, folkloristics, archeoacoustics and music studies.

In turn, the texts gathered via a writing competition show how sounds can be listened to both analytically and aesthetically, connecting them to local, national and transnational cultures and histories pondering what sounds mean to the listeners and how they influence the soundscape they live in. The study is a revisit to the One Hundred Finnish Soundscapes project (2006). - Muuttuvat suomalaiset äänimaisemat (toim. Heikki Uimonen, Meri Kytö & Kaisa Ruohonen) kokoaa yhteen ympäristön ääniä ja äänimaisemia tarkastelevia tieteellisiä artikkeleita sekä äänen kokemisesta kertovia tekstejä. Aikaan, paikkaan, arkeen ja juhlaan liittyvä äänimaisema muovaa nykypäiväämme ja rakentaa menneisyyttämme. Äänet ovat miellyttäviä ja kauniita, vuorokautta ja vuodenkiertoa rytmittäviä, häiritseviä, tylsiä ja sekä kaikkea näiden väliltä. Muuttuvien äänimaisemien tematiikka yhdistää myös kirjan tutkimusartikkeleita. Tutkimuksellisesti ne nojaavat eri tieteentraditioihin ja menetelmiin: mediatutkimukseen ja -analyysiin, antropologiseen kenttätallennukseen ja aistinvaraiseen havainnointiin, tekstianalyysiin ja lähilukuun, folkloristiikkaan, arkeoakustiikkaan ja musiikintutkimukseen.

Kirjoituskilpailussa kerätyt tekstit puolestaan osoittavat, kuinka ääniä on mahdollista kuunnella analyyttisesti ja esteettisesti, asettaa ne osaksi alueellista, paikallista, valtakunnallista tai ylirajaista kulttuurihistoriallista tarkastelua ja pohtia, mitä ääni kuuntelijalleen merkitsee ja miten hän äänimaisemaansa vaikuttaa. Tutkimus on jatkoa Sata suomalaista äänimaisemaa -hankkeelle (2006).