Suchergebnisse

A common argument for the nomination of the Romanian city of Sibiu as European Capital of Culture 2007 by the European Commission is the actual local multiculturalism, which makes the city seem somehow different when regarding the more general ethnic background in Romania. The aim of this article is therefore to map the local multiculturalism and identify its limits. The conclusion is that the local context is multicultural in fact, yet some ethnic tensions are to be taken into account. These tensions are rather symbolic and still weak, and are related to the way one might conceive local public space. The findings not only confirm the initial supposition, but they could become a starting point for a future comparative analysis of ethnic contexts in Romania.

The article presents a critical overview of underlying ideas, social context, and original teachings of two "mediating ideologies" (social democracy and conservatism) and two mass "political phenomena" (nationalism and populism). Each of them constitutes a form of more or less effective political compromise, which ought to neutralize constant tensions and clashes between the leading modern ideologies of freedom and equality, i.e. liberalism and communism. However, the clash of ideologies which were prominent in the 19th and 20th centuries has lost much of its intensity today, although the social causes that gave rise to them have remained unchanged: social inequalities, abuse of freedom, and uneven distribution of social power. At the same time, the main social forces and political organizations that had been the symbols and striking forces of freedom and equality in the preceding decades - the political parties of the "left " and "right", including the never clearly defined "political center" - also lost their identity and power. Th e then political mortal enemies look and behave today almost exactly as they did then: in the ideological sense, "everyone wants everything" (allegedly representing/ defending the interests of "all citizens"); in the organizational sense, there is almost no difference between them; whereas the difference in the manner they behave when in power is almost negligible.

In his study, the author analyses two different views of nationalism: Arendt's and Kedourie's. Hannah Arendt focuses on the link between racism, nationalism, and imperialism. According to her, nationalism differs from totalitarianism, which represents a more recent development. Kedourie sets out from Acton's critique of the French revolution and concludes that radical nationalism is a product of Franco-German national tensions. Finally, the author offers both concepts as his contribution to an easier understanding of the antagonisms which brought about the war on the territory of the former Yugoslavia. (SOI : PM: S. 151)

The author analyzes the position of Croatia following the Dayton accord. These accords have secured the integrity of Bosnia and Herzegovina, based on the consociational principle as stipulated by Arend Lijphart. However, fierce integrational nationalisms still rage in B&H, they spill over into the neighbouring states where they create military and political instability. In Croatia, the populist and vindictive nationalism is on the wane, but not so th original democratic nationalism. The latter is manifested in its twin task: on to join the prestigious union of European states while the other is to go on w the unification of the entire Croatian ethnic corpus. The first brand of nationalism has been trying by hook or by crook to ensure a place for Croatia the Council of Europe in order to escape the trap of a community of Balkan states as envisaged by Eurostrategists and their latest "globally regional European" policy. Thus, the post-Dayton Croatia will be marked by fault-lines and conflicts between these two types of nationalisms; one, pro-European and the other integrational (aimed at bringing together the entire Croatian ethnos). (SOI : PM: S. 149)

Uporedo sа porаstom političkih tenzijа u globаlnim okvirimа usled аntаgonizmimа ekonomski i vojno nаjmoćnijih zemаljа, prve decenije nаkon Drugog svetskog rаtа donele su i intenzivirаnje konflikаtа unutаr аmeričkog društvа te njihovo problemаtizovаnje u jаvnom i političkom polju. Grаđаnsko nezаdovoljstvo nа tlu SAD-а imаlo je rаzličitа ishodištа kаo i rаzličite vidove kаnаlisаnjа kаdа je reč o metodаmа političkog i društvenog orgаnizovаnjа ugroženih ili obesprаvljenih društvenih grupа. Kаo jedаn od njegovih nаjupečаtljivijih oblikа ispoljаvаnjа bilo je političko, kulturno i društveno delаnje аfroаmeričke zаjednice nаročito tokom 60-ih godinа prošlog vekа, u "nаjborbenijoj" fаzi Pokretа zа grаđаnskа prаvа.2 U ovom periodu znаčаjаn deo аfroаmeričke populаcije počev od predstаvnikа njene političke i kulturne elite do аkterа iz nаjnižih slojevа bio je uključen u rаzličite vidove аktivnosti sа ciljem dezintegrаcije represivnih mehаnizаmа аmeričkog društvа, te otklаnjаnjа ključnih činilаcа političke, kulturne i ekonomske nejednаkosti njegovih pripаdnikа. ; Since the beginning of the 20th century African American intellectual and political elite strived to define the place of black minority in the American society by formulating its political, cultural and economic goals. During that time different concepts of African American culture as well as different cultural policies were promoted in the political, artistic and academic fields. In the 1960s distinct visions of the future of African American community in the American society were consolidated and mediated through the Civil Rights Movement and its multiple organizations that included both the activist from the lower social strata and intellectuals and artists. Among them were many male jazz musicinas as well as a few female jazz artists. Focusing on the artistic work of Nina Simone in the 1960s as a specific example of fusion of political and feministic activism, we will examine the ideological and aesthetical distinction of her position in the fields of politics, music and culture of that period. In that process we will analyze the artistic sublimation of Simone`s understanding of African American racial and feminist identity comparing her views with the predominant perspectives of the African American political, intellectual and artistic elite.

The aim of this article, through an analysis of Veljko Vujacic's text and other pamphlets and manifestos by the Serbian political elite, was to show that the Serbian elite and the Serbian society have not got rid of their nationalist bias in explaining the events which led to the disintegration of the former Yugoslavia. They claim that the main culprit for this failure was the communist national policy and the failure to use adequate means (meaning Rankovic's technology of violence) in order to preserve the unity of the state. The second part of the article serves to demonstrate how Weber's view on the politics of power does not suffice to explain away the bolshevist and the communist form of the populist Serbian nationalism. The moment when the former Yugoslav political elite split into the anticommunist and anticentralist on the one hand, and the bolshevist and the centralist on the other, there was no possibility for a compromise. The third part suggests that Vujacic (and not only he) thinks that a way of overcoming the Serbian "dominant" nationalism is the catharsis of Serbian intellectuals and the Serbian society. However, as the latest events and proclamations of the Serbian elite show, his is a solitary case. (SOI : PM: S. 37)