Suchergebnisse

This thesis aims at analysing the institutionalisation and circulation of discursive representantions of Brazil in 2005 in Brazil and in France. Considering the economical change experienced by the country in 2005 under Lula's government, the diffusion of a tourism marketing plan called Plano Aquarela (Ministério do Turismo, 2015) and the country being highlightened internationally, especially in France with cultural event Ano do Brasil na França (Ministério da Cultura, 2004, 2005), we shall wonder if this economical change resulted equaly in changes in the country's representations or if, instead, it was a product of these new country's representations.We shall analyze Brazilian institutional discourses of tourism and culture and the discourse in the newspaper Le Monde in order to determine how the country is represented in two different discursive spaces at the same year. This analysis positions deliberately a work corpus in relation to a reference corpus which allow to determine to what extent former (pre)discourses cross the 2005 discourses and what are the meaning effects. In other words, it allows to specify both the usual and predetermined "place" which is assigned to the country in those discourses ; L'objectif de cette thèse est d'analyser l'institutionnalisation et la circulation de représentations discursives sur le Brésil en 2005 au Brésil et en France. Prenant en compte le moment de changement économique vécu par le pays en 2005 sous le gouvernement de Lula, la mise en place d'un plan de marketing touristique appelé Plano Aquarela (Ministério do Turismo, 2015), et la promotion du pays à l'étranger à la même époque, notamment en France avec la réalisation de l'Année du Brésil en France (Ministério da Cultura, 2004, 2005), nous nous interrogerons sur ce moment de changement économique : a-t-il généré un changement de représentations sur le pays, ou, au contraire, a-t-il été le produit de la construction de "nouvelles" représentations sur le pays ? Nous analysons les discours institutionnels brésiliens ...

The Basque language weekly Eskualduna was founded by Louis Etcheverry the Bonapartistpolitician, in a climate of political tension between the white and red. It was a weekly thatwas close to the Church, opposed the Republic and was politically linked to the FrenchRight. The publication had thousands of readers in the Continental Basque Country. It wasin this context that the French national consciousness was being constructed, and the tugof-war between European nation-states in 1914 broke out with the First World War.Eskualduna gave a major coverage of the war. Its editors and reporters were mobilized andthe weekly published articles written directly from the war front. In addition to logisticalproblems, the newspaper had to undergo censorship, even if publication accepted theofficial warrant. During the war, the weekly asserted that France was in a good situation; itminimized the lapels and emphasized the good news for France. Although the Basquecharacter had a great presence in the newspaper, this should not be interpreted as amanifestation of a Basque national consciousness. On the contrary, the newspaper, and its6editors, identified with France. Basque identity was understood as forming part of Frenchidentity. The Catholic nature was the third axis of the of the publication's characteristics.The weekly emphasized the fact that soldiers were good Christians and that God was withFrance. Hence, Eskualduna tried to demonstrate that the consequences of the lawseparating Church and State were unfair and it claimed that France was indeed a Christiancountry. ; Eskualduna euskarazko astekaria zurien eta gorrien arteko lehia politikoaren erdian sortuzuen Louis Etcheverry politikari bonapartistak. Elizarengandik hurbil, eta Errepublikarenkontra, Frantziako eskuinaren ildo politikoko astekaria zen, eta Ipar Euskal Herriko milakaetxetara heltzen zen. Giro hartan gorpuzten ari zen frantses nazioaren kontzientzia, etaEuropako estatu-nazioen arteko lehia 1914ean lehertu zen, Lehen Gerla Mundialean.Eskualduna-k oihartzun ...

The Basque language weekly Eskualduna was founded by Louis Etcheverry the Bonapartistpolitician, in a climate of political tension between the white and red. It was a weekly thatwas close to the Church, opposed the Republic and was politically linked to the FrenchRight. The publication had thousands of readers in the Continental Basque Country. It wasin this context that the French national consciousness was being constructed, and the tugof-war between European nation-states in 1914 broke out with the First World War.Eskualduna gave a major coverage of the war. Its editors and reporters were mobilized andthe weekly published articles written directly from the war front. In addition to logisticalproblems, the newspaper had to undergo censorship, even if publication accepted theofficial warrant. During the war, the weekly asserted that France was in a good situation; itminimized the lapels and emphasized the good news for France. Although the Basquecharacter had a great presence in the newspaper, this should not be interpreted as amanifestation of a Basque national consciousness. On the contrary, the newspaper, and its6editors, identified with France. Basque identity was understood as forming part of Frenchidentity. The Catholic nature was the third axis of the of the publication's characteristics.The weekly emphasized the fact that soldiers were good Christians and that God was withFrance. Hence, Eskualduna tried to demonstrate that the consequences of the lawseparating Church and State were unfair and it claimed that France was indeed a Christiancountry. ; Eskualduna euskarazko astekaria zurien eta gorrien arteko lehia politikoaren erdian sortuzuen Louis Etcheverry politikari bonapartistak. Elizarengandik hurbil, eta Errepublikarenkontra, Frantziako eskuinaren ildo politikoko astekaria zen, eta Ipar Euskal Herriko milakaetxetara heltzen zen. Giro hartan gorpuzten ari zen frantses nazioaren kontzientzia, etaEuropako estatu-nazioen arteko lehia 1914ean lehertu zen, Lehen Gerla Mundialean.Eskualduna-k oihartzun ...

Trial of Adolphe Granier, manager of the newspaper La glaneuse, in the Cour d'assises du Rhône. ; Bound with: Lettre de M. Arago sur l'embastillement de Paris -- Procès de la presse patriote -- Ouvrages républicains -- Rapport du comité lu a la société -- Vie politique de Marie-Paul-Jean-Roch-Yves-Gilbert Motié, marquis de Lafayette -- Un bon roi! ; Mode of access: Internet.

Nicolas Boileau-Despréaux was long considered as the initiator of Europe to the 'classical ideal', the representative of the preeminence and the 'génie' of the French language. As the representative of the 'spirit of the French nation', it is to him that authors of other centuries are compared before they are accepted as 'French classics'. Questioning the inner workings of the mythologizing's creation of Boileau, imply examining the ins and outs of the reference to him. Our purpose is to measure the use of the 'French Legislator' by school and editorial forms to enlighten us on his reception. The analysis of this emblematic figure of the 'French classical canon' shows that Boileau has been invested with the principles and excellence of the national literature. Our observations point out that edition as much as periodic and educational works had a major role in the consecration of the author. It is to them that we owe the author's reputation and the creation of an aesthetic ideal of which the major purpose is nation building. Furthermore, if the 'Legislator's' legend was built in Boileau's works' annotation and biographical and iconographic discourse, its demystification started just after the death of the author and against the legend itself. This contestation instructs us on the reception of the « Legislator of French Parnassus » as well as on how the 18e and 19e centuries perceived their predecessor. ; Nicolas Boileau-Despréaux fut longtemps considéré comme l'initiateur de l'Europe à « l'idéal classique », le représentant de la précellence et du « génie de la langue française ». Incarnant la perfection de « l'esprit national », c'est par rapport à lui que sont jugés les auteurs des autres siècles avant qu'ils ne soient admis en tant que « classiques français ». Interroger les rouages de l'élaboration de la mythification de l'auteur de l'Art Poétique suppose l'examen des tenants et des aboutissants de la référence à Boileau. Notre propos est de mesurer l'usage qui en a été fait par l'institution scolaire et les ...

Nicolas Boileau-Despréaux was long considered as the initiator of Europe to the 'classical ideal', the representative of the preeminence and the 'génie' of the French language. As the representative of the 'spirit of the French nation', it is to him that authors of other centuries are compared before they are accepted as 'French classics'. Questioning the inner workings of the mythologizing's creation of Boileau, imply examining the ins and outs of the reference to him. Our purpose is to measure the use of the 'French Legislator' by school and editorial forms to enlighten us on his reception. The analysis of this emblematic figure of the 'French classical canon' shows that Boileau has been invested with the principles and excellence of the national literature. Our observations point out that edition as much as periodic and educational works had a major role in the consecration of the author. It is to them that we owe the author's reputation and the creation of an aesthetic ideal of which the major purpose is nation building. Furthermore, if the 'Legislator's' legend was built in Boileau's works' annotation and biographical and iconographic discourse, its demystification started just after the death of the author and against the legend itself. This contestation instructs us on the reception of the « Legislator of French Parnassus » as well as on how the 18e and 19e centuries perceived their predecessor. ; Nicolas Boileau-Despréaux fut longtemps considéré comme l'initiateur de l'Europe à « l'idéal classique », le représentant de la précellence et du « génie de la langue française ». Incarnant la perfection de « l'esprit national », c'est par rapport à lui que sont jugés les auteurs des autres siècles avant qu'ils ne soient admis en tant que « classiques français ». Interroger les rouages de l'élaboration de la mythification de l'auteur de l'Art Poétique suppose l'examen des tenants et des aboutissants de la référence à Boileau. Notre propos est de mesurer l'usage qui en a été fait par l'institution scolaire et les ...

Nicolas Boileau-Despréaux was long considered as the initiator of Europe to the 'classical ideal', the representative of the preeminence and the 'génie' of the French language. As the representative of the 'spirit of the French nation', it is to him that authors of other centuries are compared before they are accepted as 'French classics'. Questioning the inner workings of the mythologizing's creation of Boileau, imply examining the ins and outs of the reference to him. Our purpose is to measure the use of the 'French Legislator' by school and editorial forms to enlighten us on his reception. The analysis of this emblematic figure of the 'French classical canon' shows that Boileau has been invested with the principles and excellence of the national literature. Our observations point out that edition as much as periodic and educational works had a major role in the consecration of the author. It is to them that we owe the author's reputation and the creation of an aesthetic ideal of which the major purpose is nation building. Furthermore, if the 'Legislator's' legend was built in Boileau's works' annotation and biographical and iconographic discourse, its demystification started just after the death of the author and against the legend itself. This contestation instructs us on the reception of the « Legislator of French Parnassus » as well as on how the 18e and 19e centuries perceived their predecessor. ; Nicolas Boileau-Despréaux fut longtemps considéré comme l'initiateur de l'Europe à « l'idéal classique », le représentant de la précellence et du « génie de la langue française ». Incarnant la perfection de « l'esprit national », c'est par rapport à lui que sont jugés les auteurs des autres siècles avant qu'ils ne soient admis en tant que « classiques français ». Interroger les rouages de l'élaboration de la mythification de l'auteur de l'Art Poétique suppose l'examen des tenants et des aboutissants de la référence à Boileau. Notre propos est de mesurer l'usage qui en a été fait par l'institution scolaire et les ...

ABSTRACT- In 1849, french immigrant to Mexico, René Masson, a firm republican and liberal, gave the small french community there a newspaper called Le Trait d'Union. For nearly twenty-five years, through the liberal revolution, the civil war, the French intervention and then the Empire, he used his vigourous style and his talents as a polemicist to serve the cause of Mexican men of progress.

The doctoral thesis is interested in the practices of reading and writing introduced in the literary newspapers of the XVIIIth century. It leans on five representative periodicals : the Nouvelliste du Parnasse de Desfontaines and Granet, the Pour et Contre de Prévost, the Mercure de France, the Année littéraire of Fréron, and the Journal des Dames. Three characteristics distinguish them from the other newspapers of that time : the placegranted to the readers, the variety of the subjects treated in this newspapers, and finally their critical vocation. The literary periodical appears as a tool of broadcasting a culture and as a demonstration of a cultural evolution with social dimension.In the first part we will consider the literary periodical as a new means of information and communication, which redefines the auctoriales practices of the editors and which draws the outlines of a reader society. The second part of the thesis shifts the interest of the editor to the reader. He is introduced to the critical practice of texts. This training of the reader contributes to the implementation of a space of dialogue within the literary journal. All the readers bind together and become a community, which has very specific characteristics, that will be the objectof the third and last part. Periodicals recreate a virtual space of sociability which gets organized in a new mode of relation to the world and of relation to oneself, prefiguring the role of internet today.Finally, the thesis wishes to advance the notion of use, fundamental to understand the role of these periodicals in the society of the XVIIIth century. The readers appropriated a new object, the potentialities of which are yet to be invented. They developed cultural practices which influence the social and political life. The literary newspapers are established in a media space which testifies of the meeting between a technical device and cultural uses. ; La thèse s'intéresse aux pratiques de lecture et d'écriture initiées par le développement des journaux littéraires au XVIIIe siècle. Elle s'appuie sur cinq périodiques représentatifs : le Nouvelliste du Parnasse de Desfontaines et Granet, le Pour et Contre de Prévost, le Mercure de France, l'Année littéraire de Fréron, et le Journal des Dames. Ces périodiques se caractérisent par la place accordée aux lecteurs, par la variété des sujets qu'ils diffusent, et enfin par leur vocation critique. Ils se présentent à la fois comme des outils de diffusion d'une culture et comme des manifestations d'une évolution culturelle à dimension sociale.Il s'agira tout d'abord d'envisager le périodique littéraire comme un nouveau moyen d'information et de communication, qui redéfinit les pratiques auctoriales des rédacteurs et qui dessine les contours d'une société de lecteurs. La seconde partie de la thèse déplace l'intérêt du rédacteur au lecteur. Celui-ci est initié à la pratique du commentaire des textes. Cette formation du lecteur contribue à la mise en place d'un espace de dialogue au sein du journal littéraire. L'ensemble des lecteurs se soude en une communauté, aux caractéristiques bien spécifiques, qui fera l'objet de la troisième et dernière partie. Les périodiques recréent un espace de sociabilité, virtuel, qui s'organise dans un mode nouveau de rapport au monde et de rapport à soi, préfigurant le rôle d'internet aujourd'hui.Finalement, la thèse souhaite mettre en avant la notion d'usage, fondamentale pour comprendre le rôle de ces périodiques dans la société de l'époque. Les lecteurs se sont appropriés un nouvel objet, dont les potentialités sont encore à inventer. Ils ont développé des pratiques culturelles qui influent sur la vie sociale et politique. Les journaux littéraires se constituent en un espace médiatique qui témoigne de la rencontre entre un dispositif technique et des usages culturels.

The doctoral thesis is interested in the practices of reading and writing introduced in the literary newspapers of the XVIIIth century. It leans on five representative periodicals : the Nouvelliste du Parnasse de Desfontaines and Granet, the Pour et Contre de Prévost, the Mercure de France, the Année littéraire of Fréron, and the Journal des Dames. Three characteristics distinguish them from the other newspapers of that time : the placegranted to the readers, the variety of the subjects treated in this newspapers, and finally their critical vocation. The literary periodical appears as a tool of broadcasting a culture and as a demonstration of a cultural evolution with social dimension.In the first part we will consider the literary periodical as a new means of information and communication, which redefines the auctoriales practices of the editors and which draws the outlines of a reader society. The second part of the thesis shifts the interest of the editor to the reader. He is introduced to the critical practice of texts. This training of the reader contributes to the implementation of a space of dialogue within the literary journal. All the readers bind together and become a community, which has very specific characteristics, that will be the objectof the third and last part. Periodicals recreate a virtual space of sociability which gets organized in a new mode of relation to the world and of relation to oneself, prefiguring the role of internet today.Finally, the thesis wishes to advance the notion of use, fundamental to understand the role of these periodicals in the society of the XVIIIth century. The readers appropriated a new object, the potentialities of which are yet to be invented. They developed cultural practices which influence the social and political life. The literary newspapers are established in a media space which testifies of the meeting between a technical device and cultural uses. ; La thèse s'intéresse aux pratiques de lecture et d'écriture initiées par le développement des journaux ...

From January 1937 to August 1939, the Worker, a regional weekly of the Communist Party, devotes a weekly leaflet to the history of Burgundy. This communist reading of local history is part of a general context of re-appropriation by communists of national history. The study of this politico-cultural context provides a better understanding of the aims and modalities of the communist newspaper initiative. ; International audience ; From January 1937 to August 1939, the Worker, a regional weekly of the Communist Party, devotes a weekly leaflet to the history of Burgundy. This communist reading of local history is part of a general context of re-appropriation by communists of national history. The study of this politico-cultural context provides a better understanding of the aims and modalities of the communist newspaper initiative. ; De janvier 1937 à août 1939, le Travailleur, hebdomadaire régional du Parti communiste, consacre chaque semaine une notice à l'histoire bourguignonne. Cette relecture communiste de l'histoire locale s'inscrit dans un contexte général de réappropriation par les communistes de l'histoire nationale. L'étude de ce contexte politico-culturel permet de mieux comprendre les finalités et modalités d'application de l'initiative du journal communiste.

To speak of the environment in a country as Lebanon seems, at first sight for most Lebanese, a bit strange. Indeed, the continuous episode of war and consequently political and economic instability in the country hinders the introduction of ecology among the citizens' preoccupations. Nevertheless, the reasons of the Lebanese environmental crisis cannot be reduced to the war consequences. They are more complex including political management, citizen's conscience as well as media coverage. The protection of the natural resources starts with an intellectual metamorphosis. The environmental communication imposes itself then in various ways in the public space. This research in information Sciences and Communication questions the environment representation in three important Lebanese newspapers (Annahar, Assafir and L'Orient Le Jour). How is done the mediatization of this theme ? What is the nature of the ecological stakes ? To which point does the press manage to raise in the public opinion the awareness of the danger that surrounds it ? Do the social representations of the environment transform the choice and the events treatment ? To answer this, we conduct a quantitative and qualitative analysis of the press articles in two times: one ordinary and another troubled. Joining two disciplinary fields (Medias and environment) brings us to a double reflection. On one hand, it allows us to question the present written press role in Lebanon, and on the other, it constitutes an opportunity to understand how a newspaper works and the laws defining the information choice and construction while taking into account the polemic character of the environment. ; Parler de l'environnement dans un pays comme le Liban semble, à première vue et pour la plupart des Libanais, un peu étrange. En effet, les épisodes continus de guerre et par conséquent l'instabilité politique et économique que connaît le pays entravent l'introduction de l'écologie dans le catalogue des préoccupations des citoyens. Néanmoins, les causes de la crise ...

To speak of the environment in a country as Lebanon seems, at first sight for most Lebanese, a bit strange. Indeed, the continuous episode of war and consequently political and economic instability in the country hinders the introduction of ecology among the citizens' preoccupations. Nevertheless, the reasons of the Lebanese environmental crisis cannot be reduced to the war consequences. They are more complex including political management, citizen's conscience as well as media coverage. The protection of the natural resources starts with an intellectual metamorphosis. The environmental communication imposes itself then in various ways in the public space. This research in information Sciences and Communication questions the environment representation in three important Lebanese newspapers (Annahar, Assafir and L'Orient Le Jour). How is done the mediatization of this theme ? What is the nature of the ecological stakes ? To which point does the press manage to raise in the public opinion the awareness of the danger that surrounds it ? Do the social representations of the environment transform the choice and the events treatment ? To answer this, we conduct a quantitative and qualitative analysis of the press articles in two times: one ordinary and another troubled. Joining two disciplinary fields (Medias and environment) brings us to a double reflection. On one hand, it allows us to question the present written press role in Lebanon, and on the other, it constitutes an opportunity to understand how a newspaper works and the laws defining the information choice and construction while taking into account the polemic character of the environment. ; Parler de l'environnement dans un pays comme le Liban semble, à première vue et pour la plupart des Libanais, un peu étrange. En effet, les épisodes continus de guerre et par conséquent l'instabilité politique et économique que connaît le pays entravent l'introduction de l'écologie dans le catalogue des préoccupations des citoyens. Néanmoins, les causes de la crise ...

Marie Anne Giudicelli : The Journal of Louis XVI and of his People, or the Defender of Altar, Throne and Patrie. The Publication of an anonymous counter-revolutionary newspaper, 1790-1792.
This newspaper which is little known to historians was of anonymous authorship and covered the period from 1789 to the fall of the monarchy. It was typical of the press that aimed at defending « the true principles of religion and of monarchy » though the use of moderate and informative discourse. It reported on Parisian politics but also kept in touch with the provinces by the systematic publication of correspondence ; it also informed its readers of news from foreign parts. The main subject was the defence of the king against the new regime incarnated by the Constituent Assembly but a certain critical view of the king's weakness can be detected. The theme of the defence of religion, especially after the Civil Constitution of the Clergy, became more and more important and would indicate that the author was doubtless a member of the clergy. Although the author denounced popular violence, he also emphasized the social and economic crisis. As time went by, the author's activism in the king's favor gave way to a growing pessimism and finally he could see no other solution but that of foreign intervention.