Suchergebnisse

Polykephale Gesellschaften Südwest-Äthiopiens zu Zeiten der Sklavenjagden / Hermann Amborn -- Access to ICT and education for visually impaired people in Ethiopia / Berhanu Beyene, Solomon Teferra Abate -- Epistolographie Äthiopiens : ein Brief nach Rom im 17. Jahrhundert / Verena Böll -- Wachs und Gold : Äthiopiens erprobte Kultur des Versteckens / Stefan Brüne -- The Copts and Ethiopia : "a literal-historical lecture," 1895 / Haggai Erlich -- Ethiopian contributions to the study of Amharic oral poetry / Getie Gelaye -- Compte-rendu d'une brève enquête parmi des paysans du sous-kebele de Wäyr Amba, Nord Shoa : "mengist" et "gebäre" / René Lefort -- Racism in the service of Fascism, empire-building and war : the history of the Fascist magazine "La Difesa della Razza" / Richard Pankhurst -- Eritrea : a test of legitimacy / Siegfried Pausewang -- Die erste Eisenbahn in Nordostafrika / Walter Raunig -- Erzählgut und Recht--dargestellt an einem Vergleich afrikanisch-äthiopischer Märchen / Heinrich Scholler -- "Annäherung Deutschlands und Aethiopiens" : unbekannte Briefe des Kaisers Menelik II, und seines Gesandten 1907-08 / Wolbert G.C. Smidt -- Memorie italiane/memorie africane del colonialismo / Irma Taddia -- Observation on Eritrean environmental history / Mussie Tesfagiorgis

Audionarratology is a new 'postclassical' narratology that explores interfaces of sound, voice, music and narrative in different media and across disciplinary boundaries. Drawing on sound studies and transmedial narratology, audionarratology combines concepts from both while also offering fresh insights. Sound studies investigate sound in its various manifestations from disciplinary angles as varied as anthropology, history, sociology, acoustics, articulatory phonetics, musicology or sound psychology. Still, a specifically narrative focus is often missing. Narratology has broadened its scope to look at narratives from transdisciplinary and transmedial perspectives. However, there is a bias towards visual or audio-visual media such as comics and graphic novels, film, TV, hyperfiction and pictorial art. The aim of this book is to foreground the oral and aural sides of storytelling, asking how sound, voice and music support narrative structure or even assume narrative functions in their own right. It brings together cutting-edge research on forms of sound narration hitherto neglected in narratology: radio plays, audiobooks, audio guides, mobile phone theatre, performance poetry, concept albums, digital stories, computer games, songs.