Suchergebnisse

Making the future reformers (1866-97). Xue Shaohui and the Min writing-women culture -- The Chen brothers and the Fuzhou Navy Yard culture -- A marriage between the two cultures -- Revitalizing the Xianyuan tradition in the late Qing reform era (1897-1911). The 1897-98 Shanghai campaign for women's education -- Translating the female West to expand Chinese women's space -- Introducing modern science and technology through literature -- Xue's self-repositioning in the family -- Xue's literary response to the late Qing reforms

本研究旨在探索台灣自一九九零年代末推行之母語復興運動及其影響。作為使用者為數最多的本土語言,閩南語一度沒落;隨著母語復興措施當中、鄉土語言教學政策的廣泛開展,閩南語自「方言」一逕躍升為台灣文化的象徵,更被從政者甚至政府利用作對外宣傳之用。 ; 作者通過語言人類學田野考察方法,試圖以閩南語作為案例,釐清及解讀以下幾點:(一)台灣民眾當今的語言選擇及使用狀況;(二)他們的語言態度,與其文化認同之對應關係;(三)語言在台灣族群認同政治所扮演的角色;(四)語言政治在各社會文化層面所引起之角力;(五)方言(或語言,如原住民語言)群之競爭,如何掀起語言及文化傳統之再造和復興,以圖合理化其族群作為台灣文化象徵的地位。 ; 研究結果顯示,雖然巴赫汀 (Bakhtin) 的「眾聲喧嘩」(heteroglossia) 理論在實務層面與台灣的多語、多元文化相呼應,但當地政府所提倡之文化多元論、以及各持份者之間的隱性競爭,若以布迪厄 (Bourdieu) 的文化複製理論和傅柯(Foucault) 的權力知識理論解讀,當更適切。總的來說,台灣的母語復興運動,乃一項與昔日保守政權的抗衡行為賦權,控制兼具的政治行動,更是多元政治文化的象徵。 ; This thesis looks into the government-led language revitalization campaign in Taiwan with special reference to the case of Hokkien, one of the "bensheng" (local) vernacular with Han Chinese roots, in terms of language rights, ethnogenesis, and cultural legitimacy. Tracing the rise and development of concepts such as cultural heritage, ethnic identity and democracy in the region, the focus is placed on the recent changes in Taiwan's language ideology and the intricate emergence of Hokkien as one of the "national" languages and symbols apart from the official language, i.e. Mandarin Chinese. ; Against the backdrop where contesting discourses on language and culture discourses co-exist and crossbreed with each other, there are a number of closely-related issues that this thesis examines in particular: (1) the ways in which language choices are made and perceived in various contexts; (2) implications of such language choices as related to one's cultural identities; (3) the role of language politics in self and group identification and ethnic classification in Taiwan; (4) the power dynamics in various socio-cultural spheres; and (5) the resulting competition of multiple speech groups in Taiwan for authenticity, legitimacy and superiority in the political arena by means of reconstruction and reinvention of ethnic languages and traditions. ; The findings reveal that despite the practical relevance of Bakhtin's theory of heteroglossia to Taiwan's current ethnogenesis against the backdrop of multilingualism and ...

本研究發現一個地區的經濟發展水平與當地居民對中央政府的信任程度負相關。 ; 本研究包括定量和定性兩個部份。定量部份,普通最小二乘線性回歸(OLS)分析和雙層回歸分析的結果顯示:區域經濟發展水平與人們對中央政府的信任存在顯著的負相關關係。控制了個人因素變量,上述相關關係仍然顯著。定性分析部份討論了傳統文化與信息流通在發達地區和欠發達地區如何影響政府信任。這部份分析發現文化因素和信息因素是導致某一地區的民眾比另一地區民眾更不相信中央政府的重要因素,但必須與經濟發展因素相結合才能發揮顯著作用。文化與信息受當地的經濟發展水平影響:一個地區的經濟發展水平越高,傳統文化的影響力越弱,信息化程度越高;反之,經濟發展水平越低,傳統文化的影響力越強,信息化程度越低。定量分析與定性分析都支持研究假設。 ; 把上述靜態觀察納入動態視角,從長遠看,區域經濟發展將削弱公眾對中央政府的信任。具體來說,假定目前的局勢延續,隨著中國越來越多的地區經濟得到發展,當地民眾對中央政府的信任會相應降低。據此推測,中國人的政府信任可能會經歷一個由"中央高、地方低再變為"中央低、地方更低的過程。 ; This research shows that the level of economic development in a region has a negative correlation with local residents' trust in the central government. ; This study draws on both quantitative and qualitative analyses. In the quantitative section, both OLS regression and hierarchical linear modeling show that the level of regional economic development has a significant negative correlation with public trust in the central government, controlling for individual factors. Qualitative analysis suggests that traditional culture and the flow of political information affect people's trust in government when they interact with economic development. In places where economy is underdeveloped, traditional culture has a larger impact and the flow of political information is less free. By contrast, in places where economy is more developed, traditional culture has a weaker effect and the flow of political information is freer. ; Putting the finding of the cross-sectional analysis into a dynamic perspective, it is suggested that the development of local economy may in the long run weaken local residents' trust in the central government. More specifically, assuming that the present situation continues, as more and more regions experience economic growth, local residents may develop weaker confidence in the central government. The pattern of trust in government may then evolve from the current "high trust in the central government and lower trust in local government into "low trust in the central government and even lower trust in local government. ...

本文主要考察社会主义中国的文化政策经历了怎样的发展变化,并试图回答自1949年以来中国共产党是如何介入与领导当代中国的文化,其文化治理的理论与实践又是如何发展与转变,对文化领域又产生了怎样的影响。 ; 与只对政策文件进行解读的传统政策研究不同,本研究采用文化的政治经济学和文化社会学取经,结合宏观与微观、观念与实践两个层面,对上述问题进行考察与分析,从而梳理出中国文化政策发展变化的历史脉络。除了对中共制订的政策文件及主要思想理论进行梳理与分析外,本文选取了代表中国社会主义国家特色的上海市工人文化宮及其话剧生产为个案研究对象,通过文献研究、实地考察、深度访谈、历史比较分析等方法,具体深入地考察文化主体与文化政策之间的关系,尤其是在后毛泽东时代的发展变化,以此勾勒出社会主义中国文化政策从思维到实践的运动轨迹。 ; 本文希望通过这一研究可以在以下三个方面有所贡献:(1)梳理出一种社会主义中国的文化政策的历史脉络;(2)试图通过个体深访和个体口述史,来考察社会主义中国文化政策与个体的关系,从而在微观上提供关于社会主义中国文化政策的重要实证数据。并且,(3)在中观和宏观的层面上建议一种关于社会主义中国文化政策研究的理论框架,作为今后这一研究课题发展的一个基础;(4)通过比较中国与西方发达资本主义国家之间文化政策发展与运动趋势的异同,反思中国文化政策的转型,从而为推进中国文化政策的发展与进步建言。最后,希望本论文可以对社会主义国家或发展中国家的文化政策研究提供中国经验的参考与启发。需要强调的是,本文并非急于给社会主义中国文化政策的历史变迁下定论,限于历史资料收集的有限性和文化政策历时研究的复杂性,本文主要是通过现有的史料和相关数据,来做一项关于社会主义中国文化政策领域的开拓性的基础研究,也是为日后中国文化政策研究的发展做一种铺垫。 ; The thesis project attempts to answer the questions about how the Chinese Communist Party governs the cultural domain in Contemporary China, and how the cultural governance develops and influences cultural production in China since 1949. ; This research tries systematically explores the development of the cultural policy of Socialist China by focusing on Shanghai Municipal Workers Palace of Culture and its cultural production, which is an understudied topic in Chinese Studies. Through investigating the CCP's theories, thoughts and policies in cultural sphere, the ways and rules of producing literature and art, it will systematically analyze the relationship of the Chinese party-state and culture in different historical periods, and illustrate the development of the CCP's cultural policy from theory to practice. ; The study mainly adopts Cultural Political Economy and Sociology of Culture approaches. Different from traditional cultural policy studies, it is a historical and comparative empirical inquiry with an integrated macro and micro perspective. The study introduces qualitative methods including archive analysis, field study, in-depth interview, oral history, participant observation, and historical comparative analysis and etc, to answer the ...

Chan, Pui Lun. ; "December 2010." ; Thesis (M.Phil.)--Chinese University of Hong Kong, 2011. ; Includes bibliographical references (leaves 133-147). ; Abstracts in English and Chinese. ; Abstract of thesis entitled: --- p.i ; Abstract (Chinese) --- p.iii ; Acknowledgements --- p.iv ; Table of Contents --- p.v ; List of Figures and Tables --- p.viii ; Romanization and Translation --- p.ix ; Chapter Chapter One - --- Introduction --- p.1 ; Chapter 1.1 --- "Motivations, Arguements and Methodology" --- p.2 ; Chapter 1.2 --- Ethnomusicological Studies on Chinese Operas --- p.3 ; Chapter 1.3 --- Studying Peking opera in Hong Kong --- p.5 ; Biographies of Mainland Peking Opera Performers --- p.5 ; Newspapers Reports and Columns --- p.6 ; Interview Transcripts of Peking Opera Artists in Hong Kong --- p.7 ; Government Documents and Archival Data --- p.8 ; Fieldwork --- p.8 ; Challenges and Limitations --- p.9 ; Chapter 1.4 --- Thesis Outline --- p.10 ; Chapter Chapter Two - --- The History of Peking Opera in Hong Kong --- p.14 ; Chapter 2.1 --- The Dual Forces of Cultural Policies --- p.15 ; Tour Performances as Diplomacy --- p.15 ; The First Encounter: Mei Lan-fang's Tour in 1922 --- p.17 ; Cultural Competition between the Two Chinese Regimes --- p.21 ; Cultural Policy of the Colonial Government before 1980 --- p.24 ; Chapter 2.2 --- Early Peking Opera Activities in Hong Kong --- p.26 ; Peking Opera in Recordings and Radio Broadcasting --- p.26 ; Peking Opera Films in the 1940s and 50s --- p.33 ; Integrating Peking Opera with Local Martial Arts Films in the 1960s and 70s --- p.35 ; Local Peking Opera Academies --- p.38 ; Amateur Peking Opera Groups --- p.42 ; Hybridization Between Peking Opera and Cantonese Opera --- p.43 ; Chapter 2.3 --- An Entertainment for Mainland Emigrants --- p.48 ; Chapter 2.4 --- Summary --- p.51 ; Chapter Chapter Three - --- Contemporary Peking Opera Activities --- p.54 ; Chapter 3.1 --- The Continuing Political Influence --- p.55 ; The Shifting Dynamics of Political Influences in the ...

1990年代以來,尤其是進入2000年,中國基督教開始在復興,但其發展表現出極大的地方差異。較之於其他城市,作為中國政治與文化中心的北京,其基督教發展呈現出廣泛的公共性。本文以北京不同類型教會為研究對象,主要探討基督教與公共性的關係。 ; 本文認為城市基督教的復興是當代中國社會政治與文化結構性變遷帶來的結果。發展中的北京基督教存在多重意涵的公共性,而這多重公共性創造出北京基督教的不同社會與政治面貌。雖然黨國試圖壓制非官方基督教的發展,將其限制在私人領域,但基督教不僅復興,且以不同形式──公共論域、公民共同體及公民不服從參與建設中國的公民社會。 ; Since the 1990s, Protestantism has been experiencing the revival in urban China. However, the development path of urban Protestantism varies in different in different areas. Compared to other cities, Beijing Protestantism is showing the new forms and has a significant impact on the public realm. ; By using the most updated data obtained from years of fieldwork, this dissertation attempts to study the rising and the publicness of Beijing Protestantism with case studies of different types of churches.This study argues that the revival of urban Protestantism results from the structural transition of contemporary Chinese society, politics and culture. According to various theories on publicness, the developing Protestantism in Beijing has indeed demonstrated a variety of publicness, in the forms of its parpicitation in public sphere formation, civic community building and civil disobedience, etc. ; Detailed summary in vernacular field only. ; Detailed summary in vernacular field only. ; 袁浩. ; Thesis (Ph.D.) Chinese University of Hong Kong, 2014. ; Includes bibliographical references (leaves 298-311). ; Abstracts also in English. ; Yuan Hao.

《北洋官报》于1902 年12 月创刊发行,至1912 年5 月随清王朝的覆灭而寿终正寝。纵观清末十年《北洋官报》的刊行,可见其应新政而生,又以报道和宣传新政为第一要务。本研究旨在透过《北洋官报》来看清末北洋新政。具体而言,首先要探讨的是作为新政喉舌的《北洋宮报》的创刊背景,即清末新政与北洋独特的政治文化;同时,也要梳理这份新式官报与晚清业已存在的报纸之间的文本联系。其次要具体探讨的是北洋官报局的局务,包括《官报》的发行、书籍为主的印刷业务的开展,以及"官纸印刷"的筹划与争论等。其三是《北洋官报》对新政的展示和宣传。其四是《北洋官报》在展示新政与启蒙民众过程中对日本的借鉴与推崇。通过以上四方面的研究,本论文主要探讨了《北洋官报》及官报局在北洋新政中的作用《官报》在展示新政、启蒙民智上所形成的官方新政话语和所体现的官方与非官方之间的互动关系,以及北洋与中央之间的复杂关系等。 ; 就时间的划分而言, 1906 年之前,清末新政主要集中在经济、教育、军事等诸领域的改革, 1906 年之后转为以中央与地方推行的宪政改革为主要内容。依此,本论文讨论《北洋官报》对新政的展示和宣传就以1906 年为界,分为两个峙段:新政时期和宪政时代。前者侧重于《北洋官报》中的不同部分如何展示新政;后者侧重于从《官报》中看到的清末宪政推进情况。论文正文的末章则对宪政时代作详细论析。 ; 综合言之, 《北洋官报》从其创刊之际,即与晚清的变局、北洋政治文化以及清末新政息息相关。《官报》为新政产物和应新政而生的同时,又以宣扬新政与开民智为己任,塑造了呈现于《官报》上的新政话语。作为官方报纸上的新政话语,并非纯然代表官方立场表达官方意志,而是既有官方的一面,又有非官方的一面,更有官方与非官方之间互动的一面。《官报》的语境既与一个多元与过渡的时代息息相关,同样,这个多元与过渡的时代也呈现在《宮报》的各种不同文本空间之中。体现在《北洋官报》中的北洋新政,在某种程度上也预示了北洋政治左右民初政局的现象,这是多元变化和过渡形态的一个方面。 ; The Beiyang Gazette (Beiyang guanbao) published its first issue in December, 1902, and stopped publication in May, 1912, following the fall of the Qing Dynasty. From an overview of its ten-year publication and circulation, it is clear that the gazette was born to serve the late Qing reform, and publicizing and reporting on the reform became its top priority. This thesis aims at studying the reform through textual and contextual analyses of the Beiyang Gazette. In details, the author first investigates the background of the gazette as the mouthpiece of the reform, to understand the unique political culture of the reform under the Beiyang authorities in the late Qing. This study also traces the textual links between the new-style Beiyang Gazette and other contemporary newspapers. Second, the thesis examines the Bureau of the Beiyang Gazette in length. Details include the distribution of the gazette, the development of its book-based printing business, the controversy of "official paper" printing, and so forth. Third, the representation ofthe reform in the Beiyang Gazette is studied through textual analysis. Fourth, Japan as an enlightening model for the Chinese ...

Au-Yeung Chi-ying. ; Thesis (M.Phil.)--Chinese University of Hong Kong, 2000. ; Includqes bibliographical references (leaves 143-161). ; Abstracts in English and Chinese. ; Chapter CHAPTER 1 --- INTRODUCTION ; The Issue --- p.1 ; The Case of Sun Ben wen --- p.10 ; Chapter CHAPTER 2 --- CULTURE AND SOCIAL CHANGE ; Chapter 2.1 --- Introduction --- p.19 ; Chapter 2.2 --- Cultural Environment and Social Life --- p.20 ; Chapter 2.3 --- Social Change As Cultural Change --- p.24 ; Chapter 2.4 --- Culture and Social Change in Modern China --- p.28 ; Chapter 2.5 --- Social Progress: Towards a Modern Society --- p.33 ; Chapter 2.6 --- Social Reconstruction: Man Made Social Changes --- p.38 ; Chapter 2.7 --- Conclusion --- p.39 ; Chapter CHAPTER 3 --- SOLVING SOCIAL PROBLEMS IN MODERN CHINA: CULTURE AND POLITICS ; Chapter 3.1 --- Introduction --- p.41 ; Chapter 3.2 --- Defining Social Problems --- p.43 ; Chapter 3.3 --- Cultural Maladjustment: The Cause of Social Problems in Modern China --- p.44 ; Chapter 3.4 --- Rural Problem: A Cultural Problem --- p.50 ; Economic Problems ; Educational Problems ; Problems of Public Health ; Problems of Collective Organizational Forms ; Chapter 3.5 --- Rural Problem: A Political Problem --- p.59 ; Chapter 3.6 --- Conclusion --- p.62 ; Chapter CHAPTER 4 --- "SOCIOLOGISTS AND THE STATE: THE CASE OF THE SOCIOLOGY DEPARTMENT, NATIONAL CENTRAL UNIVERSITY" ; Chapter 4.1 --- Introduction --- p.64 ; Chapter 4.2 --- "Establishment of the Sociology Department, 1928 " --- p.65 ; Chapter 4.3 --- Closures of the Sociology Department in the 1930s --- p.73 ; The 1932 Crisis ; The 1936 Crisis ; Chapter 4.4 --- "The Ministry of Society and the Re-opening of the Sociology Department, 1941 " --- p.82 ; Chapter 4.5 --- Conclusion --- p.89 ; Chapter CHAPTER 5 --- LIMITED ACHIEVEMENTS OF THE ACADEMIC SOCIOLOGISTS IN REPUBLICAN CHINA ; Chapter 5.1 --- Introduction --- p.92 ; Chapter 5.2 --- Sun Benwen's Cultural Eclecticism --- p.93 ; Liang Shuming's Cultural Conservatism ; Chen Xujing's Wholesale ...

家族、移民和革命,是考察中國的僑鄉社會,尤其是民國時期的僑鄉社會所不可或缺的三大元素。傳統的華人華僑研究,多把華僑與國民黨的革命活動聯繫起來,以突出華僑對國民黨革命的重要性。然而,這些研究往往忽略了華僑跟共產黨領導的革命的繫連。在當代的潮汕地區,爲了吸引華僑投資家鄉與促進僑鄉的文化旅遊發展,部分僑鄉重構鄉村參與共產黨革命的歷史,建立起「紅色僑鄉」。 ; 「紅色僑鄉」這個文化標籤的建立,成爲僑鄉、僑居地與國家之間的文化、政治關係的象徵符號。本文主要以廣東澄海後溝村為個案研究,由此討論僑鄉社會如何塑造自身的歷史與文化。本文嘗試指出,第一次國共合作破裂之後,共產黨在鄉村中秘密動員、組織農民階級對抗「地主階級」,鄉民參加革命能夠起到協調地域社區權力結構中力量的不平衡的作用。自20年代中后期在僑鄉社會中形成的關係網絡延續至抗日戰爭及解放戰爭,與海外移民網絡共同影響著鄉村的宗族和地域社會。當代僑鄉的紅色革命形象,是國家自上而下的意識形態工程所塑造的,也是地方家族、移民在追尋自身利益與政治認同的結果。 ; Lineage, migration and revolution are three major elements to study emigrant communities in China, especially in the Republican period. Traditional studies on overseas Chinese focus on the relationship between overseas Chinese and KuoMinTang's revolutionary activities and highlight the importance of overseas Chinese to KMT revolution. However, these studies often ignore the relationship between overseas Chinese and revolutionary activities led by Chinese Communist Party. In the Chaoshan region, some of the emigrant communities, in order to attract overseas Chinese investment and develop cultural tourism, attempt to establish a "Red Emigrant Community" status through reconstructing the history of village's participating in CCP's revolution. ; "Red Emigrant Community", or Hongse qiaoxiang, is a cultural label linking emigrant communities and the State. This thesis, using Hougou village as an example explores how emigrant communities shape their own "red" history and culture. After the first cooperation of KMT and CCP, CCP secretly began to mobilize and organize peasants against landlords in villages. Villager's participation in revolutionary activities could be seen as a balance of power in the local community. Together with their overseas networks, emigrant communities' revolutionary networks, which were formed in the 1920s and continued through the WWII and the Liberation, influenced villages' lineage and regional structures. Red Emigrant Community is not only a top-down National projects. It is a result of pursuing interests and seeking political identity by local ...

這項研究探討信息科技在中國的技術政治。研究試圖書寫電子計算機作為一種新的電子信息科技在中國早期設置過程的技術政治社會史,並在理論層面上尝试构建一個拓展了的「技術、社會、與勞動」的進路。源於冷戰的地緣政治結構,不像韓國、台灣、或香港等其他亞洲國家和地區 ,在1980年代改革開放以前,中國大陸的計算機工業已經經歷了近30年(1955-1984)連續且激進的獨立發展。特別需要指出的是,中國社會主義時代的計算機發展不僅僅是爲了滿足冷戰中的國防需要和技術民族主義意識形態下社會動員的需要,同時高度嵌入了有關階級政治和技術哲學的社會主義「社會實驗」當中。而隨著文革群眾運動的終結和中國的「改革開放」,鄧小平為首的國家決策層爲了回應來自外部的壓力和來自社會主義內部的危機,用實用主義的技術發展觀取代了社會主義的技術民主實踐。1984年,隨著阿尔文.托夫勒(Alvin Toffler)的《第三次浪潮》(The Third Wave)風靡中國大陸,革命中國的計算機工業和技術政策逐步被隨新自由主義全球化而來的「信息社會」和「矽谷模式」所取代。 ; 作為一個技術和文化的雙重物件,電子計算機及其衍生科技(臺式計算機、筆記本電腦、智慧手機、平板電腦等)是理解當代資本主義生產、消費、與勞動關係的指標性科技。然而在社會主義中國的革命現代化進程中,它卻曾經一度拐入了一條另類的發展路徑。中國的信息化(informationalization)或曰計算機化(computerization)過程中的技術路線鬥爭和轉型是如何發生的,這一進程與中國「從毛到鄧」的獨特現代化道路之間是怎樣的關係?時至今日,批判的傳播研究對這段歷史依然所知甚少。本文試圖重訪這個歷史轉折,探查計算機在中國的早期技術政治史。通過追蹤關鍵的歷史事件、人物、思潮、和政策,論文試圖探尋冷戰架構下東西方技術政治之間的交鋒,如何在被計算機仲介的生產與勞動關係中顯影。從這個「閃回」中得到的知識,有助我們將對今日中國信息產業和信息勞動的理解,重新納入中國革命現代性的潮起潮落之中。 ; This paper traces the political and social history for the installation process of digital technology in China, in order to shed light on the ways in which computer interacted with the transformation of Chinese socialism. Due to geopolitical structure of the Cold War, unlike other East Asian countries, before 1980s China had developed its independent computer industry for more than 30 years. This development was not just under the rubric of techno-nationalism, which mainly helps to fulfill military and national defense aims, but also embedded into proletariat political debates. Maoist China developed a dialectical approach to technology, in which the most powerful productive power is the revolutionary proletariat class per se, not the machine or technology. So the process of socialist technology development, like the process of socialist culture and arts development is also a dialectical process, which must follow mass line to not just develop productive force, but also transform production relations and create socialist subjectivity. Instead, the post-Mao leadership under Deng Xiaoping responded to external Cold War pressures and the profound internal crises of ...

The design of this research is based on the liberal pluralism belief that there should be various forms of alternative media co-existing with mainstream media, and the society benefits from having alternatives. The concept of alternative media refers to media that are independent from the political and market power. They deal with alternative topics, which are not covered in their mainstream counterparts. One of the traditions of alternative media research is to examine their potential in the formation of subaltern public sphere. ; The core question of this research is to explore the usage of online alternative media, and the link between online alternative media and the ideal of subaltern public sphere, in terms of attitude towards difference, rational discussion and civic participation. Participatory observation, online survey and case studies were applied to find out the answers. ; First of all, it is found that the usage of online alternative media is influenced by a number of factors. In addition to the gratifications sought from media usage, a heterogeneous online community is more likely to accept online alternative media, while intense use of alternative media in turn contributes to more tolerance of difference in society. ; Secondly, this research examines the relationships between online alternative media and the elements of subaltern public sphere. As the research findings suggest, under high political and economic pressure, little space is left for mainstream public sphere, while subaltern public sphere is possible with the help of online alternative media. Non-hierarchically organized and depend on voluntary work, online alternative media partly escape from political and market pressure and become the birthplace of rational public opinions. Online alternative media contribute to democratic society as they generate public space for deliberation, and cultivate the culture of participation. ; Finally, the significance of heterogeneity is emphasized. Online alternative media develop a group of media ...

在過去的十年中,香港出現了大量呼籲保存「本地社區」的社會網絡和文化的社會運動。這些社會運動交織著對政府推行的市區重建項目和政府文物保育政策的批評。這些批評指出政府的政策過度重視經濟發展,進一步加深社會矛盾和弱勢群體的邊緣化。 ; 本論文中的社區博物館正是在香港資本主義的城市發展模式下催生而成。為了反對有關城市發展的官方話語和將自己的利益最大化,社區博物館中的各利益持份者,根據他們對當地的歷史和文化的解釋,各自建構他們關於「社區和地方文化」的話語。這些多元的「社區」話語在這個社區博物館的構成,揭示了來自不同社會背景的團體之間的角力。本論文指出該社區博物館的建立和運作,促使分屬各社會階層的團體進行政治協商。他們各自的主張在社區博物館中交流,結果提出了有別於官方著眼經濟的「發展」模式,改以「社區」作本土文化的另一「發展」模式。這過程展示了不同社會階層間的權力流動,以及他們為加強自身的社會的政治影響力和爭奪經濟資源而展開的競爭。 ; In the past decade, numerous social movements have emerged in Hong Kong calling for the preservation of social networks and "cultures" of the "local community". These social movements have been interwoven with local critiques of the urban renewal projects and heritage conservation policies implemented by the government. The critiques point out that the government policies overweigh economic development and further increase social disparity and marginalization of disadvantaged groups. The community museum in this study was established in a capitalistic model of urban development in Hong Kong. Various stakeholders construct their own discourses of "community and local culture" in the community museum in order to oppose official discourses about urban development and maximize their own interests. Thus the making of the "community and local culture" in this community museum reveals a negotiation among the parties of different social background. ; This research argues that the establishment and operation of the community museum enable groups from different social segments to negotiate and construct their own discourses based on their interpretations of local history and culture. This research also showcases both the power dynamics of different social classes and their competition for their own socio-political influences and economic resources through proposing an alternative model of urban development. ; Detailed summary in vernacular field only. ; Detailed summary in vernacular field only. ; Tsang, Ching Yi. ; Thesis (M.Phil.)--Chinese University of Hong Kong, 2013. ; Includes bibliographical references ...

Agriculture, Rural village and Peasants (ARP) represent the production structure, social structure and cultural structure (3S) of rural China for thousands of years in its trinity. To find the long roots of Chinese civilization and to feel the creativity, splendour, diversity and regionality of Chinese traditional culture, it must be in the countryside relating to the ARP. However, China's rural areas have been constantly challenged by political, economic, technological changes and other cultures interruption. Especially after decades of modernization and urbanization, the three structural relationships of rural traditional harmony are gradually being resolved. The originality of the rural tradition and the cultural accumulation it bears are facing extinction. For a nation whose culture has been passed down for thousands of years, this will be an irreparable and huge loss. Fortunately, in 2005 the central government put forward the slogan of "Beautiful Villages", emphasizing the need to build beautiful and livable villages for farmers. The government's authorities have issued a series of support policies for this purpose. The national standard for "Beautiful Villages" was introduced in 2015. It supports the village protection and development plans for the newly established list of traditional Chinese villages and supports the pilots of rescue protection in various places. It requires traditional villages to rely on historical and cultural resources reasonably to carry out various development models such as cultural creativity, popular science education and leisure tourism. From the macro-level of management, it is proposed that government-led, government-invested, unified planning, development, management, management and management rights should be unified. At the same time as the promotion of cultural relics protection and basic implementation, attention is paid to protecting the interests of the people and social benefits. Over the past years, all sectors of society, including some enterprises and institutions, have responded positively, forming various forms of practice in rural villages protection and development. For example "characteristic vernacular villages", "characteristic folk villages", "modern new villages", "historical ancient villages", etc. They mainly make some useful attempts to solve various problems faced by the countryside through the combination of rural tourism, leisure agriculture and ecological agriculture. However, most of these practices are based on direct input from external funds and management. Many of them fail to reach out to the current issues of the ARP, and unable to face the problems of a poor 3S relationship. Therefore, how to combine the protection of the "post-cultural heritage" of the countryside with the exploration of the new form of the ARP and reconstruction of the 3S relationship under the new historical conditions and opportunities has become the theoretical and practical issues of rural protection and development. To realize the goal of "Beautiful Villages", it is very necessary to take action at both levels of strategic thinking and practical approach. It is necessary to make forward-looking explorations and practices in accordance with the actual conditions of rural areas in different regions.