Suchergebnisse

Public discourse on cultural identity was not possible on the island of Taiwan until martial law was lifted there in 1987. While until then culture had mainly been an arena for the suppressed political discourse, the demise of the one-party reign of the Guomindang (KMT) at the end of the 20th century signified not only the transformation from an autocratic to a democratic system but also the end of the cultural hegemony of the mainlanders on the island. The transformation process paved the way for further cultural innovation, the keywords here being education reform, language debate, establishment of new academic disciplines, historiographic reconstruction etc. It has also led to a widespread discussion of a specifically Taiwanese cultural identity which is reflected in literature, language, art, theatre and film. The international workshop "Transformation! - Innovation? Taiwan in her Cultural Dimensions", held at Ruhr University in Bochum from March 7th-9th 2001, set out to shed new light on these issues and generated an intensive discussion of potential new interdisciplinary approaches to cultural and literary research in the field of Taiwan studies

Making the future reformers (1866-97). Xue Shaohui and the Min writing-women culture -- The Chen brothers and the Fuzhou Navy Yard culture -- A marriage between the two cultures -- Revitalizing the Xianyuan tradition in the late Qing reform era (1897-1911). The 1897-98 Shanghai campaign for women's education -- Translating the female West to expand Chinese women's space -- Introducing modern science and technology through literature -- Xue's self-repositioning in the family -- Xue's literary response to the late Qing reforms