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Cover -- Title Page -- Copyright Page -- Table Of Contents -- Preface -- Part I: Questions And Concepts -- 1: Realism, Institutionalism, And Cooperation -- 2: Politics, Economics, And The International System -- 3: Hegemony In The World Political Economy -- Part II: Theories Of Cooperation And International Regimes -- 4: Cooperation And International Regimes -- 5: Rational-Choice And Functional Explanations -- 6: A Functional Theory Of International Regimes -- 7: Bounded Rationality And Redefinitions Of Self-Interest -- Part III: Hegemony And Cooperation In Practice -- 8: Hegemonic Cooperation in the Postwar Era -- 9: The Incomplete Decline Of Hegemonic Regimes -- 10: The Consumers' Oil Regime, 1974-81 -- Part IV: Conclusion -- 11: The Value Of Institutions And The Costs Of Flexibility -- Bibliography -- Index

Washington's Farewell Address comprises various aspects of American political thinking. It reaches beyond any period limited in time and reveals the basic issue of the American attitude toward foreign policy: the tension between Idealism and Realism. Settled by men who looked for gain and by men who sought freedom, born into independence in a century of enlightened thinking and of power politics, America has wavered in her foreign policy between Idealism and Realism, and her great historical moments have occurred when both were combined. Thus the history of the Farwell Address forms only part

This book-length treatment of György Lukács' major achievement, his Marxist aesthetic theories. Working from the thirty-one volumes of Lukács' works and twelve separately published essays, speeches, and interviews, Bela Kiralyfalvi provides a full and systematic analysis for English-speaking readers. Following an introductory chapter on Lukács' philosophical development, the book concentrates on the coherent Marxist aesthetics that became the basis for his mature literary criticism. The study includes an examination of Lukács' Marxist philosophical premises; his theory of the origin of art and the relationship of art to life, science, and religion; and his theory of artistic reflection and realism. Later chapters treat the concepts of type and totality in Lukács' category of specialty, the distinctions between allegory and symbolism in his theory of the language of art, and Lukács' understanding of aesthetic effect and form and content in art. There is a separate chapter on Lukács' dramatic theory. This lucid and readable account of Lukács' aesthetic theories will be of special interest to students of literature, aesthetics, and drama. In addition, it will be appreciated by those generally concerned with Marxist theory.Originally published in 1975.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

Cover -- Title -- Copyright -- Dedication -- Preface -- Contents -- Introduction: National Security and Civil-Military Relations -- Part I: Military Institutions and the State: Theoretical and Historical Perspectives -- Chapter 1. Officership as a Profession -- Professionalism and the Military -- The Concept of Profession -- The Military Profession -- Chapter 2. The Rise of the Military Profession in Western Society -- A New Social Type -- Mercenary and Aristocratic Officership -- Eighteenth-Century Aristocratic Institutions -- Preprofessional Ideals: The Military Craft and the Natural Genius -- The Origins of Professionalism -- The Emergence of Professional Institutions, 1800-1875 -- European Professionalism: General Upton's Summary, 1875 -- Formulation of the Professional Ethic: The Autonomy and Subordination of War in Clausewitz's Vom Kriege -- Chapter 3. The Military Mind: Conservative Realism of the Professional Military Ethic -- The Meaning of the Military Mind -- The Professional Military Ethic -- Chapter 4. Power, Professionalism, and Ideology: Civil-Military Relations in Theory -- The Varieties of Civilian Control -- The Two Levels of Civil-Military Relations -- The Equilibrium of Objective Civilian Control -- The Patterns of Civil-Military Relations -- Chapter 5. Germany and Japan: Civil-Military Relations in Practice -- The German and Japanese Patterns -- Germany: The Tragedy of Professional Militarism -- Japan: The Continuity of Political Militarism -- Part II: Military Power in America: The Historical Experience, 1789-1940 -- Chapter 6. The Ideological Constant: The Liberal Society versus Military Professionalism -- The Historical Constants of American Civil-Military Relations -- The Prevalence of Liberalism in the United States -- The Liberal Approach to Military Affairs -- The Military Hero in Liberal Politics

Architecture as Identity, I: The Essence of Architecture -- Theory and Practice at the Crossroads--A Peircean Perspective on Political Signs -- System and Observer in Semiotic Modeling: An Essay on Semiotic Realism -- Architectural Criticism as a Means to Identify Socially Shared Values: The Case of the East Building of the National Gallery -- Buildings as Symbols of Political Ideology -- Peirce's Anticipation of Game Theoretic Logic and Semantics -- Mind, Object, Object, Artifact II -- The Reference Relation in Music -- SI MUOVE, MA NON TROPO: An Inquiry into the Non-metaphorical Status of Idioms and Phrases -- Symbolic Use of Weaving Designs: A Case Study -- Antecedents to Peirce's Notion of Iconic Signs -- On Discovering the Semiotic Organization of the Lexicon: State of Health as a Multifaceted Domain -- Notes on Text and Performance in the Theatre of Dario Fo -- The Structure of Metaphor -- Forgotten Pioneers of Soviet Semiotics -- On Discovering the Semiotic Organization of Experience: The Public Meanings and Private Meanings of Objects -- One Artist's Neurosis on Signing -- Explaining Style Growth and Change: A Richer Semiotic Model -- The Rock and Roll Concert: A Semiotic Analysis -- Disemia -- Naturalness Vs. Arbitrariness in the Domain of Color -- Modes of Medical Instruction: A Semiotic Comparison of Textbooks of Medicine and Popular Home Medical Books -- Peirce's Existential Graphs as the Basis for An Introduction to Logic: Semiosis in the Logic Classroom -- Peirce as Catalyst in Modern Legal Science: Consequences -- A Semiotic Account of Polysemy and Homonymy -- The Semiosis of the Sequence of Signs in a Narrative -- The Impact of Speech-Act Theory and Phenomenology on Proust and Claude Simon -- Semiotic Perspectives on Chinese: A Picturesque Language -- Peirce and Jakobson: Towards a Structuralist Reconstruction of Peirce -- Architecture as Representation of Nature -- The Measurement of Comentropy Transfer Rates -- Towards a Transcultural Semiotic -- The Self-Disclosure Technique for Ethno-Graphic Elicitation -- Conventions of Poetry as Iconic Signs -- Comparative Adjestives in Terms of Peirce's Phenomenological Categories -- Interpretant and Interpretation -- Tipping Behavior as a Semiotic Process -- The Mark VI: A New Eidometer Design Concept -- The Role of Scientific Paradigms in Empirical semiotics -- Interactive Nonverbal Categories: A Reappraisal and Elaboration -- Reckoning with the World -- On the Paradigm of Experience Appropriate for Semiotics -- Semiotic and Creativity -- The Appearance of Appearance: Architecture, Communication and Value Systems -- What is Evidence Evidence of? -- The Ironic Sign -- Art and Objectivity -- More Than Words Can Say -- A Reconstruction Paradigm for the Experimental Analysis of Semiotic Factors in Cognitive Processing -- Peirce and Greimas from the Viewpoint of Musical Semiotics: An Outline for Comparative Semiotics -- The Application of the Peircean Semiotic to Logic -- Symbolic Configurations and Two-Dimensional Mathematical Notation -- The Perception of Nonverbal Behavior in Function of Visible Access to One or Both Interactants -- Charles Morris and Christian Norberg-Schulz: The Social Basis of Meaning in Architecture -- Toward a Semiotic Beyond Feminism -- The Structure of Categories and the Consequences for Metaphor -- The Poetic Function of the Stage Audience and Embedded Performance in Drama -- Designing Signs that Build the Required Semantics into the Needed Syntax -- A Semiotic Approach to Information Value.