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First of all, the article analyzes, in panorama, Spinoza's ontology. Secondly, it shows how, from the concepts present in the ontology, the author derives others, as man, desire, joy and sorrow, hope and fear, security and despair, action and passion. From the relationship between ontology, men and desire - as well as from the other affects -, are extracted, in brief considerations, some Spinoza ́s political thesis. In this argumentative movement, the hypothesis is that many Spinoza's political thesis a rise from its ontology and its conception of man as desire and potency variation. The concept of desire is analyzed in the light of the variation of potency and the theme of natural right, which in Spinoza is identical to potency. When the subject is the brief derivations to politics, some hobbesian thesis - related to the following subjects, namely, the multitude, the people, the representation, the natural right, the civil state, etc. - are brought to show, by contrast, the importance of Spinoza's innovations.

When the subject in question is contemporary political thought, Arendt's studies are indispensable. She has become a reference in this subject since the publication of her work 'The Origins of Totalitarianism'. In this article, however, the objective is not to discuss or analyze the concept of this author's policy or necessarily relate it to a particular theory or form of government, but to present in an introductory and elementary way, some aspects of her considerations and positions on the feeling of compassion in politics as understood by her, especially as they appear in her work 'On Revolution'.

Neste artigo, o campo de estudos de currículo delineia-se por uma escrita biográfica e reflexiva com a qual o autor destaca movimentos de sua vida profissional a partir de registros escritos e lembranças.

This text aims to analyze the process of interpenetration between the public and private spheres in two videos of the channel Porta dos Fundos on YouTube, Questão de Ordem and Nome na Lista, problematizing the notion of politics of emotions through the videos. Therefore, will be made a dialogue between a theoretical discussion about the evolution of the notions of public and private, through Richard Sennett (2014) and Sandra Jovchelovitch (2000), the analysis of emotional discourses as political practices, through by Lila Abu-Lughod and Catherine Lutz (1990) and Claudia Rezende and Maria Claudia Coelho (2010) and the channel's humour about politics, by analyzing these two videos. ; Este trabalho analisa o processo de interpenetração entre as esferas pública e privada em dois vídeos do canal Porta dos Fundos no YouTube, Questão de Ordem e Nome na Lista, problematizando a noção de política das emoções através dos vídeos. Para tanto, será feito o diálogo entre uma discussão teórica sobre a evolução das noções de público e privado, através de Richard Sennett (2014) e Sandra Jovchelovitch (2000), a análise dos discursos emocionais como práticas políticas, por meio de Lila Abu- Lughod e Catherine Lutz (1990) e Claudia Rezende e Maria Claudia Coelho (2010) e o humor sobre política feito pelo canal, pela análise destes dois vídeos. ; This text aims to analyze the process of interpenetration between the public and private spheres in two videos of the channel Porta dos Fundos on YouTube, Questão de Ordem and Nome na Lista, problematizing the notion of politics of emotions through the videos. Therefore, will be made a dialogue between a theoretical discussion about the evolution of the notions of public and private, through Richard Sennett (2014) and Sandra Jovchelovitch (2000), the analysis of emotional discourses as political practices, through by Lila Abu-Lughod and Catherine Lutz (1990) and Claudia Rezende and Maria Claudia Coelho (2010) and the channel's humour about politics, by analyzing these two videos.

The struggles for independence in Latin America during the first half of the nineteenth century were accompanied by a wide-ranging debate about political rights, nationality and citizenship. In South American Independence , Catherine Davies, Claire Brewster and Hilary Owen investigate the neglected role of gender in that discussion. Examining women writers from Brazil, Argentina, Chile, Peru, and Colombia, the book traces the contradictions inherent in revolutionary movements that, while arguing for the rights of all, remained ambivalent, at best, about the place of women. Through studies of b

From the ideas of Immanuel Kant and Hannah Arendt regarding Faculty of judgment, this article seeks to analyse the possible connections between our ability to judge the beautiful, and the way in which contemporary art articulate aesthetic values, moral and cognitive. To this end, presents some aspects of appropriation that Arendt makes aesthetic judgment of taste who thinks the beautiful as a political category, aimed at a possible Association of public manifestations of contemporary art to the political action of public character.