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Science is a defining feature of the modern world, and popular science is where most of us make sense of that fact. Understanding Popular Science provides a framework to help understand the development of popular science and current debates about it. In a lively and accessible style, Peter Broks shows how popular science has been invented, redefined and fought over. From early-nineteenth century radical science to twenty-first century government initiatives, he examines popular science as an arena where the authority of science and the authority of the state are legitimized and challenged. The

Abstract
Fewer women than men are involved in STEM (Science, Technology, Engineering, and Mathematics) fields and one of the reasons might be a lack of exposure to familiar linguistic structures in reading materials designed to spark interest and to recruit new scientists. Popular science, as a multifaceted genre, creates an accessible kind of exposure to the scientific world that can potentially lead to a career in that field. Considering this potential of the genre and keeping in mind that most popular science is written by men, the present study examined fifteen articles (five written by men, five by women, and five co-written by authors of both genders) for the presence of female language. Female language was differentiated from gendered language (which is tied to female stereotypes) and identified based on the frequency of certain linguistic markers found in texts produced by women. The results demonstrate that women and teams of authors that include women write differently than men do, thus confirming previous investigations into differences in linguistic production between men and women. The study suggests that exposing young women considering a career in science to popular science written by females might be beneficial in cementing their aspirations, as language has a strong connection to self-perceived gender identity.

"Technoscientific developments often have far-reaching consequences, both negative and positive, for the public. Yet, because science has the authority to decide which judgments about scientific issues are sound, public concerns are often dismissed because they are not part of the technoscientific paradigm they question. This book addresses the role of science popularization in that paradox; it explains how science writing works and argues that it can do better at promoting public discussions about science-related issues. To support these arguments, it situates science popularization in its historical and cultural context; provides a conceptual framework for analyzing popular science texts; and examines the rhetorical effects of common strategies used in popular science writing. Twenty-six years after Dorothy Nelkin's groundbreaking book, Selling Science: How the Press Covers Science and Technology, popular science writing is still not meeting its potential as a public interest genre; Communicating Popular Science explores how it can move closer to doing so"--

Threatened by the proliferation of cheap, mass-produced publications, the Religious Tract Society issued a series of publications on popular science during the 1840s. The books were intended to counter the developing notion that science and faith were mutually exclusive, and the Society's authors employed a full repertoire of evangelical techniques-low prices, simple language, carefully structured narratives-to convert their readers. The application of such techniques to popular science resulted in one of the most widely available sources of information on the sciences in the Victorian era.A f

Now available in paperback, Michael R. Lynn's book analyses the popularisation of science in Enlightenment France. He examines the content of popular science, the methods of dissemination, the status of the popularisers and the audience, and the settings for dissemination and appropriation. Lynn introduces individuals like Jean-Antoine Nollet, who made a career out of applying electric shocks to people, and Perrin, who used his talented dog to lure customers to his physics show. He also examines scientifically oriented clubs like Jean-François Pilâtre de Rozier's Musée de Monsieur which provided locations for people interested in science. Phenomena such as divining rods, used to find water and ores as well as to solve crimes; and balloons, the most spectacular of all types of popular science, demonstrate how people made use of their new knowledge.Lynn's study provides a clearer understanding of the role played by science in the Republic of Letters and the participation of the general population in the formation of public opinion on scientific matters

Over the centuries, the circulation of scientific ideas has been granted in one or a limited number of languages. Despite the advantages of avoiding a scientific Babel, popular science is largely communicated to the public using their first language(s), and is often the result of translation from other languages – most notably English. While science may partly be communicated to the public for information, at the leading edge of research it is often popularised for its newsworthiness and/or to involve the public in debates concerning social issues or political decisions. The question addressed in this paper is how the 'news' elements in popular science are mediated in the target language and culture and to what extent processes such as rewriting, transediting and transcreation are at work. Methods and strategies for science communication are compared and contrasted using an Italian and English parallel/comparable corpus of newspaper, magazine and news agency articles reporting on the recent scientific controversy over vaccines. Corpus articles are collected using the LexisNexis database. Data are checked against a small monitor corpus of key articles collected as the controversies developed. Within corpus texts, mediating strategies are tested and issues concerning the achievement of intended effects in scientific controversy popularizations are considered. The discourse of controversies will be investigated in translation as a test case for rewriting, transediting or transcreation with an eye to different audiences, while bearing in mind that the ease of communication and circulation of ideas may have blurred cultural specificities and impacted the presentation of scientific topics to some extent.