Suchergebnisse

Unlike in most Western contexts, women's emancipation in communist Romania was a
top down processes, part of the social change platform imposed by the Communist Party. And
unlike the Romanian political regimes that preceded communism, it was justified by the latter as "natural", with women presented as integrated in all everyday life activities. Permeating throughout all layers of society, this emancipation was performed through propaganda in the written press and cinematography, as the Party used varied means to promote a positive imaginary
of women in communism. However, the difference between the Party's propaganda on women and the reality of women during communism was not only striking but had a significant impact on women's status and role in Romania even after the fall of the communist regime.

This article aims to present the situation of the foreign students in general – and of Romanian students in particular – studying at German institutions of higher education during the
Third Reich. Beyond its quantitative considerations, which prove how intense was the migration of Romanian students to Nazi Germany the article highlights the political role assigned to the Romanian students by the Nazi authorities, as well as the political and ideological impact that the study in the Nazi universities had on the Romanian youth.

The unification process for the workers' movements was the final step for the communists in their effort to gain total control of the political power. The tactics of the Romanian Communist Party (PCR) were labeled "the salami tactics" because the party progressively eliminated all their enemies and used conjectural allies -such as the social democrats (PSD)- in order to reach their aim. This article describes the process whereby the organization of the PCR in alliance with the PSD obtained political power in the period 1945-1948 in the Ialomiţa county. The author focuses his analysis on two types of actions: the violent overtake of the local power (including mayors, police officers, governmental representatives, etc.) and the unification of the PCR and PSD in order to achieve a Single Workers' Party, in which the communists prevailed. As a result of the unification process, according to the official records, almost 7% of the population in this county was a member of the Single Workers' Party in February 1948. The Ialomiţa County is a very interesting, yet paradigmatic case, because in that period the region was a predominantly agricultural, with a small working class (2%), and the communists could not seize power by legal means. The study mainly relies upon local archival documents and upon the contemporary local media reports, which are carefully examined to discern between actual relevant data and their propagandistic content.

The author examines the creation and functioning of the Romanian propaganda office at the General Commission of Romania for the New York World's Fair (1939-1940). He analyses two previously unpublished documents from the Archives of the Ministry of Foreign Affairs, relevant to the topic under scrutiny. The activity of the office was coordinated by the diplomat Andrei Popovici. His subordinates were the press attach. from the Romanian Legation in the USA, Horia Babeş, Paul Sterian, economic councillor, and Petre Neagoe, writer. The monthly budget was 750 $ (the rate of those years) for the daily expenses and salaries. The propaganda office started its activity in January 1939. It used to publish a bulletin, to help issuing stamps, to prepare propaganda posters, to publish and translate brochures. It also used to send presentations of Romania to journals, such as Cleveland News , Chicago Tribune, Detroit Free Press, New York World Telegram etc., and articles on Romania to newspapers (Annalist, Journal of Commerce etc.), or to occasional publications (Going to the Fair, a Preview, International Guide etc.). The images the propaganda office used to handle were reproducing usual elements of the domestic and foreign official discourse of Charles II: Romania was a totally new country, based on a new social contract ("the royal revolution"), that was looking persistently towards "tomorrow's world" (the slogan of the American fair); this future was build with Romanian resources and strengths, mobilized by "the king of young people and of the peasants".

During the communist regime, photography was a popular activity due to the existence of the Association of Photographic Artists. Its members weren't professional artists, but mostly people with technical backgrounds, and who transformed their hobby into a job. The lack of interest of Romanian artists in photography (except for a few particular cases such as Ion Grigorescu or Ștefan Bertalan) can be explained by the fact that there were no photo-video departments within the art universities and the Romanian Artists' Union (UAP), the only form of institutional organization of the Romanian artists, had no special photography department. Therefore, the photographic practice in communist Romania was linked to the Association of Photographic Artists and not to the Romanian Artists' Union. The evolution of its activity in the period between 1968 and 1978, and the impact that politics had on it transpire very well from the evolution of the Fotografia magazine, the only photo periodical of that era. This article shows that even in a creative field, which was overlooked by the Communist Party, the echoes of the official political discourse were felt, mainly after 1975. We have outlined two aesthetic trends in the mid-1970s. One was the photograph obtained by laboratory procedures, supported by a depoliticized discourse and the second was a pseudo reportage photography, namely the communist propaganda photography.

The last years of World War II have brought, per ensemble, complex problems for the "Regele Ferdinand I" University, which, after the Vienna Treaty of 1940, has been functioning in exile from Sibiu and Timişoara. From 1944 the model of the modern University of Cluj was brutally converted to an instrument of propaganda for a communist ideology, far fetched from its original nationalistic vocation. The period of transition from democracy to totalitarianism, 1944-1947, was marked by a series of events such as: the beginning of the process of politicization within the University of Cluj, the problems related to the foundation of "Bolyai" University, the return in 1945 of the University to its original sight from Cluj, the students strikes in January-June 1946, the university repression generally speaking, and particularly the repressions of students, and, last but not least, the debates of the University Senate concerning the politicization of the academic environment and the dismissal of some "compromised" members of the teaching staff. After 1944, the communists were interested in eliminating all political rivals, therefore the dismissal threats, followed by the contractions within the Departments of the University of Cluj, became a cruel reality between 1944-1948. Like all the other Romanian universities, the Cluj University began compiling "expurgation" dossiers for the so called "fascist" university professors, and substituting the old rectors and deans with new ones from amongst those who had adapted to the "new age". The public stand of the academics has gradually declined after 1944, when their life and activity has been brought to challenge, the changing values after March 1945 favouring the devotion towards the new regime, and praising less and less the academic fulfilment. On the background of "democratic" reforms, the new regime authorities have intensified the brutal isolation, especially of scholars among which a great number of university professors, by means of massive arrests. The most invoked reasons were: denigration of the power of the state, opposition to the construction of socialism, or the need to re-educate the "hostile" elements from within the Popular Republic of Romania.

At the end of the Second World War, on the Romanian Communist Party's agenda two major points were highlighted: massive industrialization and the recruitment of party members. The article explores the role and functions of the socialist enterprise in communist Romania, a place where the interaction between party and society was strongly emphasized. Focusing on the first two decades of communist rule, I have chosen as a case study an enterprise with an old tradition, created at the end of the XIXth century: The Hunedoara Integrated Iron and Steel Works. In the confined space of the socialist enterprise the political, economical and social objectives of the communist regime were put in practice. In this context, the socialist enterprise became one of the most important places of propaganda, domination and control.

In this paper, we analyze the role and functions of the socialist enterprise, a place in which the interaction between power and society is strongly emphasized. Focusing on the last decade of communist rule, we have chosen as a case study an enterprise created in the late 70's: the Călăraşi Integrated Iron and Steel Works. We were interested in how the Romanian Communist Party was organized inside the enterprise and the duties of party organizations. Recruiting new party members, mobilizing workers were only two of the party organizations tasks within enterprises. These topics were, in many occasions, the focus points of the Party organizations reports. An important part of this study was devoted to activities organized within the socialist enterprise. Socialist emulation, cultural and artistic activities, sports occupied a central place in everyday life of the industrial workers. Especially in the last decade of communist domination, any event is a cause for celebration, this phenomenon being in contrast to the austerity imposed by the regime. In communist Romania, the socialist enterprise was, above all, one of the most important places of propaganda, domination and control.

This article presents the relation of East European artists with the Secret Police
institutions. While focused on the Romanian case, several examples from
Poland, Czechoslovakia and Bulgaria help place the topic in a regional context.
The analysis includes both the viewpoint of the Secret Police on the artistic
world as such, as well as the gazes of artists on the reality of their time. The
conceptualization of artistic surveillance includes three types of examples: the
deconstruction of the officially fabricated reality, the focus on the details of the
everyday life forbidden by official propaganda, and the reflection of artists on the
secret police apparatus. The conclusions of this study show that the investigation
of artistic artifacts together with the secret police archives can help bring a new
perspective on the limits of domination exerted by the communist regime.

Nicolae Ceauşescu was born in 1918 and he died in 1989. Due to the extraordinary changes that the Romanian society witnessed during his time, the biography of this son of the peasantry may be re-signified in several vastly contradictory ways. For all intents and purposes however, he may be placed in the category of "professional revolutionaries", an extremely positive valuation within the contemporary Leninist ideology. Once in contact with the illegal communist movement, Ceauşescu became an outlaw, practically from the age of 15. The aftermath of WWII thrust him at the core of decision-making and at the focal point of Romanian power, a position he retained uninterruptedly until three days before his death. He held absolute power for nearly a quarter of a century. His atypical biography also dwindled his already scarce grasp of reality. The propaganda that had sustained the cult for "professional revolutionaries", and -during the final decades- the cult of his own personality determined grave distortions in his social perception, leading, in the "Ceauşescu case", to the "ultimate solution".

his paper aims to illustrate how institutionalized education has been a significant identity management strategy for an ethnic group in Romania. After its foundation in 1872, the University of Kolozsvár (Cluj) was regarded as a provincial higher education establishment within the Austro-Hungarian Empire, meant to satisfy merely regional demands. Although legally the two Hungarian universities (in Budapest and Kolozsvar) were considered equal in rank, government and society gave priority to the first one. It is only over time that the University of Kolozsvár proved its utility. This change of image resulted in a leading position, especially at the start of the twentieth century. After the outbreak of the World War I, the activity of the University witnessed disruptions due to the drafting of many professors and students into the Army. The end of the the war not only meant the achievement of 'national unity' for Romania, but also generated significant changes for Ferenc József University, beginning with the process of dismissing minorities from the public sector and replacing them with Romanians. After the Second Vienna Award, the University of Cluj became Hungarian once again. The historical lesson of the inter-war period on the treatment of minorities had to be prevented from repeating itself, and within the new geopolitical context the USSR seemed the guarantor for the final resolution of the ethnic rivalries and resentments. In this ideological context, on 29 May 1945 two royal decrees sanctioned the functioning of two distinct universities in Cluj; the Hungarian university János Bolyai officially opened its doors. The preservation of a representative higher education institution for the Hungarian minority in Cluj, adapted to the new political realities, was achieved. But after Stalin's death in 1953 the feelings of 'national specificity' resurged, and national histories were re-individualized and reconstructed. The events in Budapest in the autumn of 1956 offered further reasons for central authorities to rethink the 'national domain'. In the years to come, propaganda insisted on the futility of institutional separation between the Romanian and Hungarian students in Cluj. Hence, a meeting of the unification commissions, held in 1959 led to the fusion of the two universities. This evolution of the University of Cluj shows the constraints, openings, compromises, and 'avatars' of the most important institution of higher education in Transylvania, which continues to function as a source of symbolic prestige and social capital for both Hungarians and Romanians.

Revista Transilvania - serie nouă, anul XLVI (CL), nr. 2, 2018; Colegiul de redacție: prof. univ. dr. Ștefan Afloroaiei; prof. univ. dr. Peter Kopecký; prof. univ.dr. Sabin Adrian Luca; prof. univ. dr. Pamfil Matei; acad. prof. univ. dr. Alexandru Moșanu; acad. pr. prof. univ. dr. Mircea Păcurariu; prof. univ. dr. Zeno Pinter; acad. prof. univ. dr. Ioan-Aurel Pop; prof. univ.dr. Stefan Sienerth; prof. univ. dr. habil. Andrei Terian; acad.prof.univ.dr. Alexandru Zub. Redacția: Redactor șef - Radu Vancu; Redactor - Dragoș Varga. ; Revista Transilvania - serie nouă, anul XLVI (CL), nr. 2, 2018, dezbate următoarele teme: Mironescu, Doris. Condițiile de existență ale biografiei critice actuale. În: Revista Transilvania - serie nouă, anul XLVI (CL), nr. 2, 2018, p. 1-6. / Mihăilă, Anamaria. O analiză a receptării lui Mihail Sebastian: "Câștigul" prin traducere și problema dublului canon. În: Revista Transilvania - serie nouă, anul XLVI (CL), nr. 2, 2018, p. 7-14. / Sălcudean, Minodora. Iluzie, seducţie şi autenticitate în scrierea confesivă. În: Revista Transilvania - serie nouă, anul XLVI (CL), nr. 2, 2018, p. 15-19. / Vancu, Radu. Exigența pudorii și exigența adevărului. În: Revista Transilvania - serie nouă, anul XLVI (CL), nr. 2, 2018, p. 20-23. / David, Anca-Elena. The Relation between Language and National Conscientiousness, as an Aspect of Cultivation of the Romanian Language, Debated in the 19th Century Publications from Transylvania. În: Revista Transilvania - serie nouă, anul XLVI (CL), nr. 2, 2018, p. 24-27. / Preda, Andreea-Maria. Antim Ivireanul, tipograful promotor al identității naționale românești. În: Revista Transilvania - serie nouă, anul XLVI (CL), nr. 2, 2018, p. 28-31. / Popescu, Dan Horațiu. Margaret Atwood şi logica posibilităţilor narative. În: Revista Transilvania - serie nouă, anul XLVI (CL), nr. 2, 2018, p. 32-36. Marinescu, Nicoleta. Goticul în paradigma postmodernă. Incursiune în proza lui Andrei Codrescu și Venedikt Erofeev. În: Revista Transilvania - serie nouă, anul XLVI (CL), nr. 2, 2018, p. 37-42. / Grădinaru, Olga. "Neosovietic" sau mahmureala imperialistă. În: Revista Transilvania - serie nouă, anul XLVI (CL), nr. 2, 2018, p. 43-46. / Incze (Kutasi), Réka. The role and importance of narrative in the evaluation of aphasia. În: Revista Transilvania - serie nouă, anul XLVI (CL), nr. 2, 2018, p. 47-51. / Opincariu, Marius. Funcționalitatea paradigmelor textual-emoționale în învățământul digital. În: Revista Transilvania - serie nouă, anul XLVI (CL), nr. 2, 2018, p. 52-63. / Ciocan, Ioana Tatiana. Ethos și pathos în textul jurnalistic. În: Revista Transilvania - serie nouă, anul XLVI (CL), nr. 2, 2018, p. 64-68. Gârdan, Daiana. I.L. Caragiale în lecturi alternative. Comicul de export și lumea lui Caragiale în interpretare cinematografică – de la propaganda comunistă la noul val românesc. În: Revista Transilvania - serie nouă, anul XLVI (CL), nr. 2, 2018, p. 69-75. / Ursa, Mihaela. Mame toxice, copii devorați – o privire asupra imaginarului matern în filmul românesc din ultima jumătate de veac. În: Revista Transilvania - serie nouă, anul XLVI (CL), nr. 2, 2018, p. 76-82. Manolache, Viorella. Politica spaţiului sau dubla modalitate a ironiei anilor `80, de a capta atenția. În: Revista Transilvania - serie nouă, anul XLVI (CL), nr. 2, 2018, p. 83-87. / Dragoman, Dragoș. Orientalism / Occidentalism. Cât de mare este neînțelegerea dintre culturi?. În: Revista Transilvania - serie nouă, anul XLVI (CL), nr. 2, 2018, p. 88-92. / Mesea, Iulia. Constantin Ilea – Pictorul și contemplația apolinică. În: Revista Transilvania - serie nouă, anul XLVI (CL), nr. 2, 2018, p.93-96.