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Half title: v. 1-5, 7. The writings of J. R. Lowell in prose and poetry, v. I-V, VII. v. 6. The writings of J. R. Lowell in 10 vol., v. VI. ; Cover title. ; v. 1-4. Literary essays.--v. 5. Political essays.--v. 6. Literary and political addresses--v. 7. Latest literary essays and addresses. The old English dramatists. ; Mode of access: Internet.

Volltext // Exemplar mit der Signatur: München, Bayerische Staatsbibliothek -- Ital. 302 fi

Imprint supplied from publisher's blurb. ; Reprint of 1893-99 ed; vol 1 is 2d ed., originally published by K. Paul, Trench, Trübner, London. ; Includes indexes. ; v. 1. The art-work of the future.--v. 2. Opera and drama.--v. 3. The theatre.--v. 4. Art and politics.--v. 5. Actors and singers.--v. 6. Religion and art.--v. 7. In Paris and Dresden.--v. 8. Posthumous. ; Mode of access: Internet.

At head of title: The government of the Philippine Islands. Department of public instruction. Bureau of education. ; Mode of access: Internet.

Vol. II, edited by Frederick Ryland; vol. VIII, by G. Ravenscroft Dennis. ; I. A tale of a tub, The battle of the books, and other early works.--II. Journal to Stella. A.D. 1710-1713.--III-IV. Writings on religion and the church.--V. Historical and political tracts-English.--VI. The drapier's letters.--VII. Historical and political tracts-Irish.--VIII. Gulliver's travels.--IX. Contributions to "The Tatler," "The Examiner," "The Spectator," and "The Intelligencer."--X. Historical writings.--XI. Literary essays.--XII. Essays on the portraits of Swift, by Sir Frederick Falkiner, and on Swift and Stella, by the very Rev. the Dean of St. Patrick's. Bibliography of Swift's works, by W. Spencer Jackson, and a general index [compiled by Constance Jacob] ; Mode of access: Internet.

In 'Politics and Passions: The Stakes of Democracy', Chantal Mouffe has argued that passions, rather than merely reason and interests, motivate people to act in politics and the only way to confront the mobilization of passions towards non-democratic ends by the Right is to mobilize passions towards democratic visions. Although poetry does not hold central stage in contemporary cultural production, it continues to mobilize various passions. Therefore it comes as no surprise that in the world of real politics, poems (or strategically selected poetic fragments) serve to mobilize negative as well as positive passions, towards democratic as well as non-democratic ends. But what passions does poetry animate in imaginary utopian societies? And why is it featured there at all? These and other questions are probed in the pages below; and I conclude that poetry in utopian prose may open up spaces of negativity that contradict positive utopian designs.

Bagi Suatmadji, melukis adalah menampakkan jiwa, oleh sebab itu melukis harus bebas dari kekangan-kekangan yang berwujud perspektif, anatomi, teori-teori juga kekangan moral, politik dan tradisi. Lukisanya kontemporer, berisi pesan dan penuh makna secara tersirat. Semua gaya dan aliran ada dalam lukisan-lukisannya. Dan ia tidak pernah takut dicemooh karena kreativitasnya sering disebut sebagai sesuatu yang aneh bagi orang lain karena cara melukisnya tidak konvensional. Tidak sesuai dengan yang mereka anggap sebagai standart umum. Suatmadji adalah seniman yang gigih memperjuangkan jiwa kesenimananya. Tidak pernah merasa takut menjadi berbeda dan tidak takut untuk mengawali sesuatu yang belum pernah dilakukan oleh orang lain. Suatmadji konsisten melukis dengan teknik mixed media, memadukan berbagai bahan yang sengaja ia bentuk maupun benda-benda remeh yang jarang dimanfaatkan oleh orang lain bahkan biasanya dibuang begitu saja. Di tangan Suatmadji, benda-benda tersebut menjadi sebuah material yang penting dalam karya-karyanya yang akan tersusun di atas media lukis beserta goresan garis-garis dengan warna-warna yang menyolok, kontras tetapi harmoni. Berbagai penghargaan tingkat Nasional maupun Internasional pernah diperolehnya. Suatmadji sangat mencintai seni tradisi terutama wayang. Ia aplikasikan wayang ke dalam lukisan-lukisannya sebagai padu padan yang harmoni, dalam karyanya wayang mempunyai makna baru, tanpa membawa makna wayang tersebut secara substansional. Galeri Nasional Indonesia menganugerahi Suatmadji gelar maestro seni rupa dan dua buah karyanya yaitu "wayang topeng†dan "Ki Narto Sabdoâ€Â dikoleksi oleh Galeri Nasional Indonesia melalui proses akuisisi mewakili angkatan 1970. Suatmadji tidak pernah membatasi penggunaan alat dan bahan dalam berkarya, bebas dalam gaya, aliran maupun teknik. Ia tidak suka stereotip, kemajuan teknologi dimanfaatkannya dalam berkarya seni rupa mixed media. Sebagai pelukis dan pendidik, Suatmadji merasa bertanggungjawab akan tercapainya tujuan untuk menumbuhkan kreativitas para siswa dan orang-orang yang berada di sekitarnya. Bakat bisa diasah dan ditumbuhkan, melukispun bisa dipelajari, tidak mahir melukis realis bisa melukis abstrak, bisa melukis poster, bisa futurism, ataupun kolase. Semua kreativitas harus tersalurkan karena melukis tidak harus konvensional menggunakan kanvas, cat air, cat minyak ataupun pensil berwarna. Media untuk melukis adalah tak terbatas, juga gaya, aliran, alat maupun tempat. Yang diutamakan adalah setiap orang mempunyai kesempatan untuk berkreativitas tanpa terkendala karena merasa terbatas, tidak bebas, merasa tidak bisa melukis dan pada akhirnya diam saja tanpa melakukan apa-apa. Bukankah melukis tidak harus realis dan konvensional karena tidak ada batasan untuk kreativitas.Kata kunci: Suatmadji, kreativitas, stereotip, konvensional, mixed media

The South: its political, literary and theological writers, orators, and statesmen.--Essays and addresses.--Verse.--Translations.--Early poems. ; Mode of access: Internet.

"Les réflexions . ont paru, sauf le dernier chapitre, dans les Annales politiques et littéraires du 25 mar 1905 au 3 novembre 1907." ; Mode of access: Internet.

Includes bibliographical references. ; [1] On the classical tradition. -- 2. Democratic education. -- 3. Lectures and essays in criticism. -- 4. Schools and universities on the continent. -- 5. Culture and anarchy with friendship's garland and some literary essays. -- 6. Dissent and dogma. -- 7. God and the Bible. -- 8. Essays religious and mixed. -- 9. English literature and Irish politics -- 10. Philistinism in England and America.--11. The last word. ; Mode of access: Internet.

Advertisements for Bohn on endpapers and fly-leaves. ; Includes index. ; Printer varies. Vol. 1-2: J. Rickerby; v. 3: Mary S. Rickerby; v. 4-5: J. Billing. ; Vol. 4, "A new edition, revised and corrected." ; v.1. A defence of the people of England. A second defence of the people of England. Eikonoklastes.--v.2. The tenure of kings and magistrates. Areopagitica. Tracts on the Commonwealth. Observations on Ormond's peace. Letters of state, &c. Brief notes on Dr. Griffith's sermon. Of Reformation in England. Of prelatical Episcopacy. The reason of church government urged against prelacy of true religion, heresy, schism, toleration. Of civil power in ecclesiastical causes.--v.3. The likeliest means to remove hirelings out of the church. Animadversions upon the remonstrants' defence against Smectymnuus. Apology for Smectymnuus. The doctrine and discipline of divorce. The judgment of Martin Bucer concerning divorce. Tetrachordon. Colasterion. Tractate on education. A declaration for the election of John III. King of Poland. Familiar letters.--v.4. The first book of a Treatise on Christian doctrine, compiled from the Holy Scriptures alone, / translated from the original by Charles R. Sumner.--v.5. The second book of a Treatise on Christian doctrine, compiled from the Holy Scriptures alone. The history of Britain. The history of Moscovia. Accedence commenced grammar. Index. ; Mode of access: Internet.

Vol. 2 has title: Tracts, political and miscellaneous, in prose and verse. London, Printed for the Author, 1827. ; Mode of access: Internet.

Teori kebijakan era tahun 60-an lebih memandang proses kebijakan dari perspektif administrasi publik. Proses kebijakan dipandang linear dan mekanistik. Sementara, partisipasi masyarakat hanya dipandang sebagai formalitas bagi legitimasi kebijakan. Selama ini, partisipasi cenderung dimaknai secara kuantitatif (hanya dihitung dari jumlah partisipan atau jumlah organisasi masyarakat yang dilibatkan). Padahal, proses kebijakan akan jauh lebih bermakna sebagai proses demokrasi manakala partisipasi diperluas sebagai kesempatan bagi seluruh warga masyarakat untuk menyampaikan aspirasinya secara argumentatif. Artikel ini menjelaskan bagaimana pemberdayaan masyarakat dapat dilakukan untuk berpartisipasi dalam pembuatan kebijakan, yakni melalui pendekatan struktural dengan mengadvokasikan berbagai instrumen hukum dan kelembagaan yang memberi peluang bagi masyarakat untuk berpartisipasi dan pendekatan sosiokultural melalui proses pendidikan, pengorganisasian, dan pendampingan masyarakat

The Tweed Family Papers consists primarily of correspondence between Mrs. Richard Tweed and her children, relatives, and friends. Diaries, essays and poetry written by family members, newspaper clippings (photocopies), and financial and legal material are also included, as are a handful of photographs. All related primarily to the life of Mrs. Richard Tweed and her descendants. ; Mrs. Richard Tweed, upon whom the majority of the materials focus, was the sister-in-law of William Marcy ("Boss") Tweed, who controlled the Democratic political machine at New York City's Tammany Hall during the mid-19th century. He and his associates misappropriated public funds on a large scale, leading to his arrest and imprisonment in 1871. ; The Tweed Family Papers are organized by the following categories: Correspondence, Newspapers, Literary Production, Photographs, Financial Material, Printed Material, Scrapbook Material, Legal Material, and Artifacts. ; Tweed Family Papers, 1836-1932 and undated, Southwest Collection/Special Collections Library, Texas Tech University, Lubbock, Texas ; Box 1, File 14

The land has a social function; therefore, everyone has the right to make the best use of the land, from the land for agriculture to land to develop an area. This paper aims to analyze land acquisition problems in the West Kutai Regency and forms of legal protection for the community against land acquisition. This research method is normative juridical research. The land is fundamental to support the sustainable development of an area to impact the community whose land is designated for development. The legal umbrella still constrains land acquisition in West Kutai Regency in the form of regional regulations that provide access to the land acquisition process in the West Kutai Regency. The absence of legality of land certificates becomes an obstacle for the government to carry out land acquisition to trigger agrarian conflicts. For this reason, land acquisition, of course, the community must have a sense of sincerity if the land has been included in development activities. However, the government must provide compensation for communities affected by regional development. The concept of land acquisition carried out in an area must have a regional regulation formation in advance. In the land acquisition process, the community knows the legal basis, and the government has a legal basis in land acquisition. Justice for communities affected by land acquisition's impact, the government, must have an ideal system to provide justice for the community in terms of land acquisition.