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Muḥammad b. Ismāʿīl al-Thaʿālibī was a poet, critic, lexicographer, historian of literature, prolific scholar, and one of the most important literary figures in the tenth-eleventh centuries. This work of his entitled Khāṣṣ al-khāṣṣ fī l-amthāl is a collection of proverbs and their equivalents in a number of cultures and professions.

"The multi-disciplinary perspective provided here offers a strategic view on built environment issues and improve understanding of how built environment activities potentially induce global warming and climate change. It also highlights solutions to these challenges. Solutions to Climate change Challenges in the Built Environment helps develop an appreciation of the diverse themes of the climate change debate across the built environment continuum. A wide perspective is provided through contributions from physical, environmental, social, economic and political scientists. This strategic view on built environment issues will be useful to researchers as well as policy experts and construction practitioners wanting a holistic view. This book clarifies complex issues around climate change and follows five main themes: climate change experiences; urban landscape development; urban management issues; measurement of impact; and the future. Chapters are written by eminent specialists from both academic and professional backgrounds. The main context for chapters is the developed world but the discussion is widened to incorporate regional issues. The book will be valuable to researchers and students in all the built environment disciplines, as well as to practitioners involved with the design, construction and maintenance of buildings, and government organisations developing and implementing climate change policy"--

Originally published in 1969. The proverb vox populi, vox Dei first appeared in a work by Alcuin (ca. 798), who wrote that "the people [] are to be led, not followed. [] Nor are those to be listened to who are accustomed to say, 'The voice of the people is the voice of God.'" Tracing the changing meaning of the saying through European history, George Boas finds that "the people" are not an easily identifiable group. For many centuries the butt of jokes and the substance of comic relief in serious drama, the people became in time an object of pity and, later, of aesthetic appeal. Popular opinion, despised in ancient Rome, was something sought, after the French Revolution. The first essay documents the use of the titular proverb through the eighteenth century. In the next six essays, Boas attempts to determine who the people were and how writers and philosophers have regarded them throughout history. He also examines the people as the creators of literature, art, and music, and as the subject of others' artistic representations. In a final essay, he discusses egalitarianism, which has given a voice to the common person. Animating Boas's account is his own belief in the importance of the individual's voice—as opposed to the voice of the masses, which is by no means necessarily that of God or reason.