Suchergebnisse

Frontmatter -- Preface -- Table Of Contents -- Chronology of Kierkegaard's Writings -- Part I: Methodological Considerations -- Chapter One: The Scope and Setting of This Study -- Chapter Two: The Strategy of the Authorship -- Part II: The Stages Of Existence -- Chapter Three: Time and the Structure of Selfhood -- Chapter Four: The Aesthetic Stage of Existence -- Chapter Five: The Ethical Stage of Existence -- Chapter Six: Propaedeutic to Christianity: Religion A -- Chapter Seven: The Christian Stage of Existence: The Moment and The Individual -- Part III: A Corrective -- Chapter Eight: The Solitary Self -- Bibliography -- Index

One of many social media phenomena, especially on Instagram, is the rising number of accounts with pseudonymous identity, commonly known as Fake Instagram (Finstagram). A private account appears with a fake username and photo display and small number of followers, with the purpose of being unidentified. The phenomenon starts from the social media standards Instagram trends to social judgements, resulting in users feeling uncomfortable when sharing aside from the implicit standards and trends which are currently happening. From that perspective, this research aims to see whether an influence is present in pseudonymous identity usage on Instagram on self-disclosure. Data of this research is gathered from 100 respondents through questionnaire using a purposive sampling technique. The result of questionnaire is later researched using a quantitative research method. With the use of simple regression analysis, it is known that pseudonymous identity usage on Instagram (variable X) and self-disclosure (variable Y) have a strong correlations and a significant influence on one another. Based on self-disclosure theory, the result shows that pseudonymous identity usage on Instagram (also known as Finstagram) contributed 43,6% to self-disclosure, whereas the remaining 56,4% is contributed by other factors than pseudonymous identity usage on Instagram.

The court required the university defendants to keep plaintiff's identity confidential (common in pseudonymous Title IX cases), but refused to extend this to media, students, and others.

In the tradition of divan poetry, fahriye, which can be defined as the poet's boasting of himself and his art, has been used in many forms, especially in eulogies. Fahriye is the mention of the poet's talent, his verse, his prose, the power of his pen in exaggerated expressions with one or more verses. Initially, the function of the fahriye sections, which poets used as a means to convey their wishes to the elders of the state with whom they presented their odes, changed over time and the number of verses increased. In addition to this, fahriye have started to be seen in other forms of verse. After the odes, fahriye examples are most commonly found in the pseudonym verses of ghazals. When these verses are analyzed, it is seen that poets praise their poetry and poetry with certain phrases.These similar expressions used by poets when they tefahür (reflect) also convey their views on poetry, poetry and art. In the study, the verses of the ghazals of Fehîm'i Kadim, one of the poets of the 17th century, will be discussed.The pseudonym couplets of Fehîm, who is the representative of the Sebk-i Hindi movement, are the last in terms of fahriye is extremely rich.The verses of the poet's tefahür (reflection) were taken into account and translated into modern Turkish.Based on these verses, it was determined how Fehîm evaluated his own poetry and poetry and what expressions he used when making these evaluations. These data were tried to be classified, exemplified and processed under certain headings.