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Η ευθανασία και η υποβοηθούμενη αυτοκτονία καθίστανται νόμιμες μόνο σε τέσσερις χώρες στην Ευρώπη, αυτές είναι οι εξής: η Ολλανδία, το Βέλγιο, το Λουξεμβούργο και η Ελβετία. Η ευθανασία και η υποβοηθούμενη αυτοκτονία δεν είναι μόνο ένα νομικό ζήτημα, για το πώς θα μπορούσε να είναι η νομοθεσία από τεχνικής άποψης, αλλά είναι επίσης, ένα αμφιλεγόμενο θέμα, για το οποίο πολλές χώρες δεν είναι έτοιμες να συζητήσουν. Εκτός από τη νομική πλευρά, υπάρχουν κι άλλες πτυχές που σχετίζονται με αυτό το ζήτημα. Το ερώτημα που πάντα εγείρεται, είναι εάν η κοινότητα αισθάνεται την αναγκαιότητα ύπαρξης μιας τέτοιου είδους νομοθεσίας.Ο σκοπός αυτού του άρθρου είναι να εξοικειώσει τον αναγνώστη, με τη νομοθεσία περί ευθανασίας στην Ολλανδία και με τη δημόσια συζήτηση που την περιβάλλει. Το άρθρο επιχειρεί να δώσει μια γενική εικόνα και μια επεξήγηση της ισχύουσας νομοθεσίας. ; Euthanasia and assisted suicide is made legal only in four countries in Europe, the countries being: The Netherlands, Belgium, Luxembourg and Switzerland. Euthanasia and assisted suicide is not only a legal question, how would the legislation look like technically speaking, but it is also a controversial topic which many countries are not ready to discuss. In addition to the legal aspects, other aspects are also associated with this issue. The question that always arises is whether the community feels the necessity for this kind of legislation. The aim of this article is to familiarise the reader with the euthanasia legislation in The Netherlands and the public debate surrounding it. The article will give an overview and explanation of the current legislation.Firstly, the creation of the current legislation will be discussed, followed by an explanation of the current legislation on the basis of two cases that will be discussed in greater detail. In addition, attention will also be paid to other ending of life possibilities and concluded with the public debate on the legislation.

Δεν παρατίθεται περίληψη στα ελληνικά. ; Photini Danou, The words of the voiceless Did ordinary men and women in pre-modern England have an opinion about politics? What was "politics" for the common people at a time when they had not any say in choosing who would rule them? Was popular engagement in state politics only to secure subsistence? Were "knife and fork" politics of the masses so separate from issues of "high politics" of the State? Was pre-modern commoners' mentality, "pre-political" as well? This paper discusses early modern popular political awareness. I argue that commoners in Tudor England pursued their own political agenda, by exploiting the sovereign's self-image as the "protector of the poor". However, as I set out to show, in pursuing their political agenda commoners also raised issues on the content of Englishness, common good, patriotism, legitimate governance and the right of resistance. The political identity of the lower strata was not an entity fixed in its essence. On the contrary, plebeian political identity was rather shifting, changeable, and always constituting its content in particular historical contexts. The commoners' commitment to the ideal of the"nation", their loyalty to the government, their allegiance to their Queen, their obedience to her laws, or their active participation in the enforcement of state policies were not unconditional. The ways they practiced their political identity was interrelated to their superiors' behavior and draw its legitimacy from the public transcript of the English Common wealth. Common prosperity, reciprocity, solidarity and, in general, protection of the poorer and weaker members of English society were ideals that constituted the meaning of "common wealth" in the plebeian mind. Those ideals were prerequisites for their giving of devotion and loyalty to the state. Thus, the commoners' political mentality and behavior ranged from national loyalty to indifference or even animosity to state officials; from cooperation and acquiescence to covered or overt forms of opposition and active resistance.

Δεν παρατίθεται περίληψη στα ελληνικά. ; Tonia Kafetzaki, Female Contention and Communist Commitment: Working Women in the Midwar Novels and Essays of Galateia Kazantzaki The paper examines the representations of working women in the midwar novels of Galateia Kazantzaki (1881-1962), the relation of these representations to the author's political views on female labor —as articulated in two essays written in the same period—, as well as the manner in which her views are integrated into the discussion of these issues during this time period, specifically in the confrontation between the radical feminists, the socialists and the communists. G. K. was a writer with an enduring interest in the social status of women, an intellectual who actively participated in the debates of the Left regarding the role of art, and unswerving in her commitment to the communist movement. Including women in her work, she intended to denounce the decay of the bourgeois system that imposes upon women additional forms of exploitation, to tackle issues regarding the status of her female contemporaries and to examine women's labor in relation to women's emancipation perceived as a change in mentality and morals. Her prose in its entirety, literary and political, is an interesting expression of female contention in the period between the wars, an expression consistent with the basic tenets of the communist party, conversant with the views of the radical feminist scene, and showing a clear proximity to socialist opinions. Revealing a broader and more liberal attitude regarding women's labor and women's issues than the political party she is affiliated to, she chiefly expresses her concern for attaining a new female ethos, a new consciousness.

Δεν παρατίθεται περίληψη στα ελληνικά. ; This article focuses on the function of the institution of family in the framework of the Greek Orthodox society of Kos during the 18th and 19th centuries. The existence of issues which consisted violation of what was legislated according to the regulations of the Church was remarkable. Such violations were the provision of divorce after adultery and the usual records of divorces after the «common will» of the couple. In particular, during the 18th century, according to the practice of the Court of the Church in Kos, it is obvious that any case was not solved as it was legislated by the Church in the past but it was solved «ad hoc». Thus, the function of the Family Law in the provision of justice by the Court of the Church in the 18th century was based, not on already existed and objective criteria, but on solutions ad hoc («κατ' οίκονομίαν») as the terminology of Church describes them. In this case the model of the Greek Orthodox Church became flexible in order to keep the control of the local Christian society, adapted in local or even temporary needs. This situation changed during the 19th century, when the Church tried —with the support of the local «demogerontes»— to play the role of the strict supervisor in issues of violation of the Family Law.

Δεν παρατίθεται περίληψη στα ελληνικά. ; Understanding monetary phenomena does not only require a pure economical research but an examination of money through it's various social, ideological and political aspects. Literature may provide a framework for a fruitful investigation of these aspects of past and present life. This article tries to find monetary traces in the 19th and early 20th century Greek literature. The circulation of foreign and domestic metallic currencies, as it emerge from the texts of various writers of the time (Palaiologos, Calligas, Vikelas, Carcavitsas, Theotokis, Papadiamantis, Mirivilis, etc.), the role of Turkish currencies, the social evaluation of the drachma, the apparition of token currencies and the penetration of paper money in daily transactions, are few of the issues that this investigation involves.

Δεν παρατίθεται περίληψη στα ελληνικά. ; Alexandros N. Teneketzis, Art and Politics in Cold War. The International Sculpture Competition for the Monument to the Unknown Political Prisoner The gradual transfer of the metropolis of the western art world from Paris to New York and specifically in circles around the Museum of Modern Art (MOMA) under the leadership of Alfred H. Barr Jr. and with the theoretical foundation by Clement Greenberg, but practically under the guidance and financing from the CIA, was also visible in the case of public memory and art about the Second World War. The international institution that was the cause for the widespread diffusion of the artistic standards grown in USA was the "International Sculpture Competition for the Monument to the Unknown Political Prisoner", which was organized under the auspices of the Institute of Contemporary Arts (ICA) in London and the Tate Gallery, but actually with the encouragement, blessings and supervision of the CIA. The competition was from the beginning a large turnout and the proposals submitted until January 1953 surpassed 3.500 –mainly abstract or semi­abstract stylistic suggestions. The biggest names at the time in the international arena of sculpture in West took part, while artists from the Eastern Bloc boycotted the process. Therefore were precluded any realistic academic representative works and of course any relationship with socialist realism, giving thus the tone for both the style, and for all other future monuments in the western world. Eventually, the first prize of 2.500 pounds awarded to the British sculptor Reg Butler, unknown to the general public until that time but with a decisive commitment to abstraction. However, the work of Butler was never completed, principally because of the changing international circumstances and relationships after the death of Stalin in '53 and Khrushchev's secret speech in '56. The new "Thaw" era in East­West relations imposed the final rejection in 1960. A public monument like that of Butler's, which would refer to the previous tense situation, was no more possible. Nevertheless, the dual objective of recognition and legitimization of abstract art in the western world and at the same time of the weakening of socialist realism and therefore of communism was promoted and achieved up to a certain degree.

The database Cretan Institutional Inscriptions was created as part of the PhD research project in Ancient Heritage Studies Kretikai Politeiai: Cretan Institutions from VII to I century BC, carried out at the University of Venice Ca' Foscari by Irene Vagionakis from 2016 to 2019, under the supervision of Claudia Antonetti and Gabriel Bodard. The research project aimed at collecting the epigraphic sources related to the institutional elements of the many political entities of Crete, with a view to highlighting the specificity of each context in the period between the rise of the poleis and the Roman conquest of the island. The main component of the database consists of the epigraphic collection of the 600 inscriptions constituting the core of the documentary base of the study, for each of which an XML edition compliant with the TEI EpiDoc international standard was created. Each EpiDoc edition includes a descriptive and a bibliographic lemma, the text of the inscription, a selective apparatus criticus and a commentary focused on the institutional data offered by the document. In addition to the epigraphic collection, the database includes a collection of the main related literary sources, a catalogue of the attested Cretan institutions (assemblies, boards, officials, associations, civic subdivisions, social statuses, age classes, months, festivities and other celebrations, institutional practices, institutional instruments, public spaces) and a catalogue of the political entities of Crete (poleis, koina, dependent communities, extra-urban sanctuaries, hegemonic alliances). Data and SW available at https://github.com/IreneVagionakis/CretanInscriptions