"[Re] TOKYO explores a wide, understanding vision of the transformative processes of one of the most influential and unknown metropolitan areas in the world, from large scale efforts such as Tokyo's land engineering transformations, to smaller examples such as its capital vending machine system. Four hundred pages, compiling 400 years of history, are covered in this uniquely Japanese complexity of social conurbation, including more than 1400 illustrations, diagrams, photographs, and maps in order to visually support selected themes. [Re] TOKYO develops the idea of [re]definition processes to explain what, who, when, where, and why all these changes took place--a tool to understand its history and speculate about its future as an exciting metropolis and cultural center of the world."--Provided by publisher
China's hyper-speed modernisation process generates complex problems demanding new approaches to designing equitable, integrated, liveable, urban and rural places. The Chinese hinterland city of Chongqing's vast urban and rural area provides rich opportunities for investigating how art and design can help address related liveability and place-making challenges. This research aims to use Sino-Australian co-design to test how participatory urban media (large and small interactive screens, installations, façades, and devices) can act as a dialogic interface between diverse community, industry, and government stakeholders to increase our capacity to manage regional urban place-making problems. Our paper presents three empirical perspectives critically reflecting on a two-day co-design workshop conducted in Chongqing during December 2019 prior to the COVID19 pandemic. Informed by our own observations, and insights contributed by participating urban planners, architects, artists, designers, local government, academics, and students, we take a multi-vocal approach to evaluating the workshop methods, outcomes, and interactions. The unfolding narrative illustrates how transcultural and interdisciplinary co-design processes are entangled in language, local knowledge and traditions, socio-cultural hierarchies, different disciplinary fields and levels of professional status, as well as assumed Western design histories and local understandings of the role of art and design in relation to society. We argue these factors also influence the presentation of knowledge in academic writing about design. This highlights the urgent need for pluriversal modes of co-design, research through design, and scholarship about design which can inclusively impact and respond to the diverse needs of the new international situation and our shared urban futures.
中国改革的初始恰逢全球对新时代曙光的期盼,但是理应相伴随的、适应市场经济的改革理论却依然缺乏。其改革政策似乎依然强烈地依赖于毛泽东主义。本论文集中探讨毛早期的三篇文章(1950年代后期(1960年代早期)被汇编成册并在文化大革命中家喻晓的"老三篇"--即《纪念白求恩》(1939),《为人民服务》(1944)和《愚公移山》(1945)--对中国改革政策实施的持续影响,并分析其持久力的成因以及它在中国改革前到改革中的政治施为(political performatives) 的传输。 ; 在过去,毛泽东主义被普遍当成是一个均等的政治统一体来论述。然而,本研究认为,与大多数革命文本不同,"老三篇"是对以"忠"和"孝"为代表的中国传统思想的拓展和延伸,而当前研究认为,"忠"、"孝"是灌输教育的中心和中国人个体习性的主要体现。利用表述行为与实践理论的概念,借用Butler和Bourdieu对于起义行为 (Insurrectionary acts) 与习性 (Habitus) 的见解,以"老三篇为主要分析文本,本文主要探讨"四字成语、"孝和"忠在中国价值观世代相传过程中的影响。上述文本分析与2010-2011年对于两个领域的采访研究是相辅相成的,调查分析了中国改革前政治文本在政府和教育机构改革中保持和消耗的方式。 ; 文本的初步研究揭示了潜藏于中国政治施为中的生产,实施和消费过程中的标准模式。该模式在这项研究中称为"对映结构 (antipodal structures)",表现在以善/恶,公/私及内/外为代表的相对的词汇单位里。对映结构的发现提供了一个平台,展现了以阴阳为表现代表的互补二元论 (complementary dualism) 在道德二元论 (ethical dualism) 层面有一个对应副本,而它的构建则成为中国人传统思想的主要表现标示。 ; 本研究认为, 虽然国家不愿意放弃其控制生产领域的象征,但是国内外新手玩家寻求自己在新创建的市场空间的定位的确会影响政治施为的生产和消费。本研究回答的问题之一是在上述观测条件下,以"为人民服务格言为代表的"社会效用准则(social utility criterion)"继续影响改革政策的实施,保持了延安精神的象征性资本。 ; The onset of the reform PRC was met with a global anticipation for the dawn of a new era but the discourse that is expected to accompany the adoption of market economy is still absent. There seem to be still a strong reliance upon Maoist discourse for articulating the guidelines for implementing the PRC reform policies. This dissertation will investigate the continued impact of Maoist discourse in reform policies implementation focusing on the Laosanpian texts which consist of Mao's early essays, "In Memory of Norman Bethune (1939), "Serve the People (1944) and "The Foolish Old Man who Removed Mountains (1945), compiled in the early 1960s and reaching fame at the height of the Cultural Revolution (1966 to 1976). The above examination of Maoist discourse is coupled with that of agents deemed responsible for the staying power and transmission of the pre-reform political performatives to the reform PRC. ; In the past, Maoist discourse was commonly known as a homogenous political unit. The present study, however, argues that the Laosanpian, unlike the majority of revolutionary texts ...
自1989 年以来,中国独立电影在国家电影体制的管控之下,已经发展二十余年。随着数字摄影、非线性编辑、互联网应用等技术的不断提升,今天的独立电影与以往相比,拍摄成本更低、制作方式更便捷、影像质量更高、传播手段多样化;但其创作力和艺术水准并没有大幅提升,反而呈现停滞,甚至下降趋势。究其原因,当然包括官方压制、国内电影市场冲击、海外影展关注度降低等多方面外界因素的影响,但中国独立电影内部环境和中国独立电影人自身所存在的问题则往往被人们忽略掉了。本研究正是通过对中国独立电影二十余年历史的梳理,力图描述其内部生态环境的变化,提出中国独立电影在原有国家电影体制之外建构了一个新的体制--"亚体制",并分析"亚体制"对于当前独立电影创作和独立电影评论的影响。 ; 国家电影体制对中国独立电影的管控由来已久,尤其表现在对其传播、发行、放映的控制上。在此情况下,"前DV 时代(1989-2000 年)的独立电影人经历了从体制中逃离、与体制合作、回归体制的路线。而同时,一些民间电影放映社团逐渐搭建起了自己的独立电影放映管道,并培养了一批帮助独立作者进行影片推广的"中间人"。在"后DV 时代"(2000 至今),各地放映社团发展壮大,开始举办独立电影节,"中间人"也由此获得了更多的权力和威信,变为具有较强话语权的"关键人。就这样,以民间放映社团为单位,独立电影节为支柱,"关键人"为核心,独立电影基金、学校、资料馆、公司为分支的独立电影"亚体制"框架基本形成。本研究主要通过人物采访、田野考察、影像文本分析等方法,结合布迪厄(Pierre Bourdieu)"场域"的相关理论分析这一"亚体制"的结构关系、经济链条和体制化表象。 ; 经过论证,本研究认为在独立电影"亚体制"的场域中,"关键人"通过积累文化资本、经济资本和社会资本的方式来获得权力,并在此基础之上建立其评价体系,形成"非主流"中的主流标准。如果这种状况得不到改善,"阶级"、"霸权"、"垄断"等问题将会愈演愈烈,独立电影界也会重蹈原有体制的覆辙,其内部会逐渐丧失"独立性",最终导致抑制独立电影多元化发展的结果。 ; Since 1989, the independent film in China, under the control of national cinema institution, has already had a history of more than 20-year development. With the continuous improvement of technology in the fields of photography, editing and internet application, today's Chinese independent film has lower producing cost, quicker production methods, higher image quality, and more diversified transmission methods. However, instead of a substantial improvement, the creativity and theartistic criteria of the films tend to stagnate and even have a tendency to decline, for which the main reasons might be government control, the impact of the domestic film market, the reduced attention of abroad film festivals and other external factors, but we cannot ignore the internal problems in the ecosystems of the independent film and the filmmaker themselves. This study, through sorting the over-20-year development history of independent films in China, strives to describe the changes of the internal ecological environment and put forward institutionalization of the independent film outside the national institution. ; The national cinema institution has a ...
Chan, Mun Tak Ada. ; Thesis (M.Phil.)--Chinese University of Hong Kong, 2009. ; Includes bibliographical references (leaves 65-69). ; In English with some Chinese characters; abstract also in Chinese. ; Abstract --- p.i ; Abstract (Chinese) --- p.iii ; Acknowledgements --- p.iv ; Table of Contents --- p.V ; List of Figures and Tables --- p.vii ; Chapter Chapter One --- Introduction --- p.1 ; Geographical Location and Political Status of Hong Kong --- p.3 ; Personal Reflection on the Change of HKSAR´ةs Sovereignty --- p.8 ; Chapter Chapter Two --- Propaganda on Television: Music Video in Hong Kong Mass Media --- p.10 ; Defining Post-colonialism --- p.10 ; A Brief History of Hong Kong --- p.12 ; National Affiliation of the Hong Kong Citizens in the Pre- and Post-Handover Era --- p.14 ; Chapter Chapter Three --- The Changing Audiovisual Presentation of the PRC National Anthem Video Clips in Post-colonial Hong Kong --- p.23 ; Chinese Musical Nationalism in Post-colonial Hong Kong --- p.23 ; "Vocabulary´ح and Its Post-colonial Interpretation --- p.24 ; "Structure´ح and Its Post-colonial Interpretation --- p.25 ; Conceptualization of the Nation by Displaying the PRC flag and the Hong Kong SAR flag --- p.26 ; Conceptualizing the Ideas of Ethnicity --- p.30 ; Image of People´ةs Liberation Army in Constructing the Concept of the Nation --- p.32 ; Interrelationship between the Musical Interpretation and the People featured --- p.34 ; Vocabulary in Constructing the Concepts of the Chinese Nation --- p.41 ; Conclusion --- p.44 ; Chapter Chapter Four --- Conclusion --- p.48 ; Post-Colonial Influences Upon the Cultural Identity of Hong Kong Citizens --- p.48 ; Reinforcing Political Affiliation to the PRC using the National Anthem after the 1997 Handover --- p.49 ; Our Home Our Country featuring the PRC National Anthem as a Political Tool --- p.50 ; The Historical Significance of Our Home Our Country --- p.52 ; Appendix I Basic Information of the National Anthem Video Clip Our Home Our Country --- p.54 ; Appendix II Musical ...
本文從技術的政治經濟學視角,觀察中國上世紀七十年代末八十年代的廣播電視大學運動,主要采用文獻分析的方法,試圖去回答,爲什麽電大教育會從單位辦學制、個人自學制、學校辦學制這三種模式存走向單一的學校辦學體制?在電大運動所歸屬的更大的高教去國家化運動當中,爲什麽社會自治主義、新自由主義與電大教育接合失敗,而國家主義却成功了?爲了回答這些或具體或抽象的問題,本文在前人研究的基礎上提出了「新發展主義」的概念作爲分析工具,指出「效率範式」是七十年代末八十年代新發展主義的主要再現形式,它有追求「生産效率優先」和「成本效率」的兩個方面。在「發展主義範式轉移」的語境下,電大運動是國家以「技術動員」的方式徵用社會經濟資本實現人力資本積累的表現。通過使用新發展主義的「集中性-去集中性」這一對框架性工具,本文指出了社會自治主義表現爲「兩種效率衝突」以及「教育低效」的「反效率」,以及新自由主義表現爲「配置低效」的「反效率」,而與之相比,國家主義反倒因爲教育專業主義和機會平等政治的追求,而與新發展主義的效率追求形成了一致性。新發展主義與社會自治主義、新自由主義和國家主義在這一時期的「接合」與「接合失敗」,是單位辦學制與個人自學制的衰落,以及「公立非公費」的「學校辦學制」日漸崛起的原因。此外,本文從「新發展主義」出發,還提出了「改革辯證法」的認識論,作爲從「改革之交」理解共産中國的一種嘗試。 ; From the perspective of political economy of technology, this research aims to analyze the Chinese Broadcasting and Television University Movement(TVUM) , and to answer two sets of questions: 1) During the TVUM in late 1970s and 1980s, why did the "university-organized learning" model rise? Why did the "danwei-organized learning" model and the "self-learning" model decline simultaneously? 2) Why was the TVUM articulated with Statism successfully? Why did the articulation of the TVUM with Social Autonomism and Neo-liberalism fail ? Documentary analysis is the main research method. In order to answer the questions above, this research constructs the efficiency-oriented model to illustrate and explain Chinese economic development in late 1979s and 1980s. In the context of the paradigm shift of developmentalism, the TVUM took it as the main purpose to promote the accumulation of human capital. In contrast with the "anti-efficiency" of Social Autonomism and Neo-liberalism, this research identifies that Statism unexpectedly presents its consistency with the effenciency-oriented model by combining the professionalism of education and equal-opportunity politics. The rise and the declination in the TVUM are attributed to the success and the failure of articulation with the efficenecy-oriented model respectively. Moreover, this research preliminarily constructs "the dialectics of the reform" as the perspective of interpreting Communist ...
