Church and Realm
In: The Wars of Scotland 1214–1371, S. 114-134
1832 Ergebnisse
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In: The Wars of Scotland 1214–1371, S. 114-134
In: Human Rights Quarterly, Band 14, Heft 4, S. 540
In: The Yale review, Band 91, Heft 1, S. 156-165
ISSN: 1467-9736
In: Critical review: a journal of politics and society, Band 3, Heft 1, S. 93-104
ISSN: 1933-8007
World Affairs Online
In: Journal of Chinese Political Science, Band 9, Heft 1, S. 86-89
ISSN: 1080-6954
In: Index on censorship, Band 25, Heft 4, S. 77-79
ISSN: 1746-6067
In: The American journal of sociology, Band 109, Heft 5, S. 1109-1136
ISSN: 1537-5390
RUSSIAN CINEMA IN THE FREE-MARKET REALM: STRATEGIES FOR SURVIVAL For a motto of this article I would like to paraphrase the title of Werner Herzog's 1974 film Jeder für sich und Gott gegen alle(1) (Every Man for Himself and God Against All) to read: Every Director for Himself and the Free Market Against All. The Hungarian-born social economist and philosopher Karl Polanyi provides a useful theoretical framework for the current situation in post-Communist national cinemas. In his ground-breaking work The Great Transformation: The Political and Economic Origins of Our Time (1944) he critiques the inherent tendency of an all powerful market to subordinate and manipulate society. His famous dictum "laissez-faire was planned, central planning was not" rings more true today on the basis of post Communist experience, than at the time he wrote his book between the wars.(2) Polanyi has consistently warned against the dangers of separation.
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