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In one of the first English-language studies of Korean cinema to date, Kyung Hyun Kim shows how the New Korean Cinema of the past quarter century has used the trope of masculinity to mirror the profound sociopolitical changes in the country. Since 1980, South Korea has transformed from an insular, authoritarian culture into a democratic and cosmopolitan society. The transition has fueled anxiety about male identity, and amid this tension, empowerment has been imagined as remasculinization. Kim argues that the brutality and violence ubiquitous in many Korean films is symptomatic of Korea's on-going quest for modernity and a post-authoritarian identity. Kim offers in-depth examinations of more than a dozen of the most representative films produced in Korea since 1980. In the process, he draws on the theories of Jacques Lacan, Slavoj Zizek, Gilles Deleuze, Rey Chow, and Kaja Silverman to follow the historical trajectory of screen representations of Korean men from self-loathing beings who desire to be controlled to subjects who are not only self-sufficient but also capable of destroying others. He discusses a range of movies from art-house films including To the Starry Island (1993) and The Day a Pig Fell into the Well (1996) to higher-grossing, popular films like Whale Hunting (1984) and Shiri (1999). He considers the work of several Korean auteurs--Park Kwang-su, Jang Sun-woo, and Hong Sang-su. Kim argues that Korean cinema must begin to imagine gender relations that defy the contradictions of sexual repression in order to move beyond such binary struggles as those between the traditional and the modern, or the traumatic and the post-traumatic.

One factor contributing to the Putin regime's popularity is its remasculinization of Russia by creating attractive images of national masculinity and attributing masculine characteristics to the country, while the opposition seeks to counteract this activity. Adapted from the source document.

AbstractThis article focuses on the changes in masculinity identity caused by forced migration and remasculinization strategies developed by men against this situation. This qualitative study sets out the idea that forced migration causes the dramatic changes in gender roles, especially in the identity of masculinity. In this context, data were collected from 15 male refugees who flee from different countries to Turkey through semi-structured interviews. According to the data, forced migration refers to a crisis in masculinity that shook the power of some men. Men cannot perform the various roles that traditionally attributed to masculine identity, due to poverty and unemployment they face by displacement. In the face of this situation, some men try to reconstruct and regain their power and masculinity identity by developing different remasculinization strategies. These are realized by emphasizing the roles of hegemonic masculinity that men can perform in the process of forced migration.

This article examines the gendered implications of military privatization and argues that the outsourcing of military functions to the private sector excludes women from newly developing private military labour markets, impedes gender equality policies and reconstructs masculinist gender ideologies. This process constitutes a remasculinization of the state, in the course of which the nexus between state-sanctioned violence and masculinity is being reaffirmed. Recent research has introduced the concept of masculinity to the study of the private security sector. Building upon these approaches, the article integrates feminist theories of the state into the research field and evaluates their potential contributions to the analysis of military privatization. In an exemplary case study of the US military sector, this privatization is embedded within debates on the neo-liberal restructuring of the state and addressed as a gendered process through which the boundaries between the public and the private are being redrawn. The implications of these transformations are investigated at the levels of gender-specific labour division, gender policy and gender ideologies.