Suchergebnisse

1.: Azadi wa marzhayis. (Dt.: Freiheit und ihre Grenzen.). - Cap-i 1. - 1980 (1358 h.s.). - 200 S.; 2.: Istiqlal-i farhangi. (Dt.: Kulturelle Unabhängigkeit.). - Cap-i 2. - ca. 1993 (1372 h.s.). - 248 S

Muslim women -- Religious life ; Marriage -- Religious aspects - Islam ; Marriage age ; Child marriage

Preface -- 1. Marriage in Iran: a family affair -- 2. Temporary marriage: a formal affair -- 3. Prostitution: an extra-marital affair -- 4. Homosexual relations: a common affair -- 5. Venereal diseases in Iran: a public affair -- Afterword -- Bibliography -- Index -- Figures -- Tables

Mīrzā Asadallāh Khān, better known by his pen-name of Ghālib Dihlawī, is the last one of the great poets of the Mughal era. Born in Agra in 1212/1797, he traced his origins back to Tūrān, his paternal grandfather having emigrated from Transoxania to India during the reign of Shāh ʿĀlam (r. 1759-1806). While mostly known as one of the foremost Urdu poets, Ghālib's Persian work, poetry and prose, is of comparable quality. In his childhood days, his Persian had been greatly improved thanks to the teachings of a Persian immigrant by the name of ʿAbd al-Ṣamad. But even if Ghālib acknowledged ʿAbd al-Ṣamad's qualities as a teacher and a human being, as a writer of Persian poetry, he regarded his talents as God-given. Ghālib's life was full of drama: an unhappy marriage, the loss of all his children, alcoholism, depression, and years of financial hardship. Plagued by ill health, he died in Delhi, aged 71

In Islam, Twelver-Shīʿism is based on the claim that the rightful successors to the Prophet were his son-in-law ʿAlī born Abī Ṭālib (d. 40/661) and eleven of his descendants through his marriage with Fāṭima, ending with the grand occultation of the twelfth and last imam, Muḥammad al-Mahdī in 329/940. In the centuries following the occultation of the last imam, there emerged a special type of hagiographic literature glorifying the lives and wonders of the Prophet, his daughter Fāṭima, and the twelve infallible imams. The importance of these works was not just informative and apologetic; they also had a didactic side insofar as the imams were regarded as a channel for Godʾs grace to man, it being through them that man could learn how to fulfil Godʾs wish of obeying Him. Composed around 755/1355 for the Sarbadār ruler of Sabzawār by Ḥasan Shīʿī Sabzawārī, this elegantly written Persian volume is a fine specimen of this particular type of writings

The author of this epic poem, Ḥakīm Zajjājī (alive in 676/1277), was a glassmaker who also had a talent for poetry. At some point, for reasons that remain unexplained, his life took a turn for the worse. He lost all his friends, and his wife became estranged from him. It is in this period of emotional distress that he decided to break with his previous life and move to the Charandāb district of Tabriz. This district was home to the famous house of Juwaynī, whose members held high administrative offices under the Saljūqs, the Khwārazmshāhs and Īl Khānids. Zajjājī hoped to attract the attention of this family with his masnavi, in order for them to get him out of his miserable situation. For twenty years he worked on this versified history of Islam from its earliest times until his own day. Edition of part one, part two having been published seven years earlier by the same scholar