Suchergebnisse

Rien de commun ou presque entre le pervers inquiétant de l'imaginaire contemporain et la figure de satyre telle qu'elle émergea au tournant du vie siècle av. J-C à Athènes. Étroitement associé à l'univers dionysiaque, cet humanoïde singulier, au corps hybride et de plus en plus animalisé, danse, gesticule, s'excite à tout va. Sur plus de 7 000 vases attiques, se déploie à travers lui tout l'arc du corps paroxystique, toutes les figures de l'excès : l'incessant buveur de vin, le trousseur permanent, l'éjaculateur dispendieux… Mais, dans l'univers dionysiaque, c'est aux ménades, non aux satyres, qu'il revient cependant d'incarner la crudité de la violence aveugle.

Abstract
Especially in recent years, scholars have tended to regard the satyr play as a genre which, despite its humorous features, seriously aimed at carrying out a socio-political function, or – at the very last – at conveying ethical or cultural messages to its Athenian audience. According to these views, the satyrs' rusticity would have served the purpose of satisfying the tastes of the countryside citizens, less attracted to tragedy, thus facilitating – after Cleisthenes' reforms – a process of demographic osmosis among different population groups. By staging the satyrs' antiethos the poet would have operated kat'antiphrasin to affirm and strengthen the social norms and values; the childish ingenuity of marginal and wild creatures such as the satyrs would have helped the Athenians rediscover the origins of their own culture; the exhibition of ithyphallic satyrs would have contributed to reestablish, in the male spectators, that sense of virility that tragedy, exciting typically feminine emotions, had temporarily eclipsed. These interpretations focus on themes and elements which are, indeed, important to the plot of the satyr play. However, their paideutic meaning or pragmatic effectiveness is weakened – if not utterly neutralized – by their being placed in the context of a playful metafiction, where actions, situations, and relationships between the characters have no value in themselves, but appear to be subject to a single dominant aim: to raise a smile from the audience. To fulfill this purpose, the playwright exploits all the estrangement effects conveyed by the interaction and the interlocution between satyrs and heroes. Ancient critics had already grasped the true nature of the genre aptly defined as a playful tragedy (tragoidia paizousa), and were essentially correct (though not exhaustive) in giving it a function of diachysis or delectatio/relaxatio. The satyr-chorus will only take on a real political function in the last decades of the 4th century bc, in parallel with the progressive reduction of the onomasti komoidein in comedy. This will lead to a partial contamination between the two genres, and to the loss of the original features of the classical satyr play.

The paper borrows from recent work by classicists on satyr play and demonstrates significant parallels between Plato's Republic and the structure, theme and stereotypical contents that characterize this newly studied genre of ancient Greek drama. Like satyr play, the Republic includes repeated passages where metatheatricality can reverse the meaning. The frequent occurrence of all the stereotypical elements of satyr play in Plato's Republic also suggests to readers that they should be responding to Socrates' narration as they would to a satyr play, again reversing meaning by communicating a set of literary expectations to Plato's readers over the heads of Socrates' interlocutors. As is frequently the case with satyr play, the political purpose of the drama is the critique of tyrannical government. The need for a systematically ironic interpretation of the dialogue is raised.

This article aims to present the book-to-film metamorphosis of Grover Underwood from Rick Riordan's novel The Lightning Thief (2005), adapted in 2010 by Chris Columbus for the screen. This character in both works is presented as an excluded member of the society: in the empirical world, as a disabled person, in the mythological one, as a satyr. What is more, in the motion picture, Grover, played by a Black actor, poses as an even more marginalised character, as a representative of a community discriminated in the USA. Therefore, the images of this character reflect the various levels of exclusion and show the ideological significance of a contemporary adaptation for the young audience. The comparative analysis is performed with the use of reception studies and critical race theory perspectives.

The article presents the results of theoretical review and summarizing of materials regarding the interpretation of the nature and role of human capital. It is the main strategic resource capable of solving complex problems for the country's transition to "green economy". Human capital is considered as a totality of certain personal, social, professional and business skills, as well as an important investment resource, the use of which contributes to the efficiency of production. Considerable attention is devoted to the methodological aspects of the human capital's study. Despite the importance of the problem of productive use of human capital, the relationship of quality, motivation of personnel and efficiency of its use has not been sufficiently studied, which led to the need of a more detailed study of this issue with the use of sampling, monographic studies and statistical methods for the research of stochastic relations. The study included the following stages: analysis and assessment of the level of development of the human capital of Kazakhstan compared to the developed countries, identification of factors that influence the use of this capital and calculation of strength of their relationship; formation of proposals regarding the accumulation, effective use and further development of human capital in the agricultural sector of the economy.
Keywords: agriculture, human capital, efficiency, Kazakhstan. JEL Classification: E24, J24, M53, O15, Q13

This article explores the features and trends in inbound and outbound tourism flows between Ukraine and the Baltic Sea region (BSR) countries in 2012-2019. The research question is whether inbound our outbound tourism prevailed and how visa-free travel to the Schengen Area affected the number of Ukrainians travelling to the Baltic Sea Region. Two data sources were used in the study. These are the Travel and Tourism Competitiveness Index of the World Economic Forum and data from the State Border Guard Service of Ukraine on the number of foreign citizens visiting Ukraine and the number of Ukrainians travelling abroad. The study employs the statistical methods of structural shifts analysis, time series analysis, and graphical visualisation. The findings indicate that Ukrainian outbound tourism was growing steadily over the study period, whilst visa-free travel to the Schengen Area had no statistically significant impact on the number of outbound tourists from Ukraine to the BSR. Outbound tourism flow prevailed over inbound. The number of inbound tourists to Ukraine sharply declined after 2013 because of the socio-political situation in the country. The analysis reveals significant changes in inbound and outbound tourism flow structures. The COVID-19 pandemic is shown to be a critical factor influencing the current state and prospects of the tourism industry.

The purpose of the article is to justify the need to develop the production of engineering products as an element of social growth in the global world and to improve the legal environment as a basis for this development. The research methodology is based on empirical, analytical methods, legal means of prevention, regulation and resolution of business development problems. Competitive struggle stimulates the development of enterprises, the problem creates new opportunities for business and market development stimulates social growth. The defined development chain is an element of globalization. It confirms the expediency of improving the legal field of activity of Ukrainian enterprises developing machine-building products in the direction of promoting the progress of their enterprises, import substitution and popularization of Ukrainian products. In the conclusions, it is recommended to use differentiation as a promising method of bringing Ukrainian enterprises to new markets, reaching foreign consumers and establishing them as a priority supplier of high-quality machine-building products.

The PKK, a Family Welfare Development Movement. From Indonesia, the host country where the AWI Conference was held, we have no general report about women's activities or about their integration in higher education as represented by Satyr Wacana Christian University where the Conference members met.