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For many centuries, the landscape and cultural history of the Netherlands have been influenced by the rural estates of large landowners. Their country houses with gardens, parks and farmland formed an important combination of practical aspects of economic management and aesthetic landscaping. Many castles or country houses were linked to large landholdings of several hundred, sometimes even thousands of hectares, as in the case of the Veluwezoom in the Province of Gelderland. Since the late Middle Ages this area, now known as Gelders Arcadia, has been popular with the landed elite, whose ranks have included noble families, stadtholders, city regents and bankers. The undulating landscape, the rivers and brooks and the fertile land was ideally suited to the creation of the desired combination of productive and aesthetic landscapes. One of the special aspects of the Gelders Arcadia estate zone is that it represents nearly every stage in the development of the Dutch country estate, from the emergence of castles and lordships (c. 500-1600), to the foundation of small country retreats by town regents (c. 1600-1800), and the creation of villa-like country estates for a new elite of bankers, industrialists and lawyers (c. 1800-1940). The historic country houses and landed estates are manifestations of their time and therefore very diverse, ranging from transformed noble castles with large landholdings to the rural retreats of town regents to villa-like country houses for the newly wealthy. Not only the architecture of the house and park, but also the use, the anchoring in the cultural landscape and the social significance underwent development. A historical-geographical approach was used to analyse location and distribution patterns and to investigate the size, character and functions of country estates in each period from an economic, political, societal and social perspective. It appears that the majority of new country houses and estates were created by a new elite of the newly rich, whereas the old elite continued ...

Modalities of censorship, disciplining practices and film. A comparative analysis of the historical reception of Sergei Eistenstein's battleship potemkin (1925) in Belgium and the Netherlands This article deals with the historical reception and censorship of one of the most controversial movies in film history, Sergei M. Eisenstein's Soviet-Russian propaganda film battleship potemkin (1925). After a short overview of its turbulent censorship in major Western European countries, the manuscript compares the Belgian and the Dutch cases. This comparative approach is useful in order to understand the differential effectiveness of the various forces trying to discipline the movie – from local municipalities to political parties, pressure groups and the industry itself. Besides the observation that the Dutch and Belgian cases strongly differ, also from those in countries with an obligatory national censorship system, the article demonstrates how the potemkin event became a site of struggle, the target of intense ideological pressures, debate and different types – modalities – of 'censorship'.

The Tractatus de origine et natura, iure et mutationibus monetarum of Nicholas Oresme, written in Latin in 1355-1356 and later translated in French by the author himself, might be seen as one of the most important works to read in perspective the late-medieval thought on the nature of money and the role of the sovereign and the political body of the community. This work, here offered in a newly revised Italian edition, built on some manuscripts preserved at the Bibliothèque Nationale de France , appears from the onset as having a particularly marked political vocation, as it is addressed to the king of France Charles the Fifth, of whom Oresme was an advisor. The Norman magister has often been portrayed as a fervent supporter of a metallist view of the nature of money, as if its value were nothing more than the market value of the gold or silver it was made of, a perspective that might be characterised as one of private-law. However, a thorough reading of Oresme's monetary writings, that takes good stock of their historical contextualisation in the troubled monetary anarchy of the 1350s and of the interpretative links pointing to Aristotle's Politics and Ethics – known, translated and glossed by Oresme –, reveals a more complex analysis, that cannot be confined to the all-out defence of the intrinsic metallic stability of money. Rather, the proposed interpretation will qualify Oresme as a political advisor that perceives and appreciates the nature of money as a social institution, whose value and role is determined by those, the whole body of the political community, that are sovereign over money and resort to it in negotiations. In this political dimension of the government of the monetary institution emerges the structural role that Oresme attributes to the faith that must rest with those tasked with governing money: thus, the accent posed on the importance of preserving its value assumes a procedural dimension that aims at granting that the institution of money continues to fulfil its social metric role. ; Il Tractatus sulla moneta del filosofo e teologo Nicola Oresme, redatto in latino nel 1355-1356 e poi tradotto in francese dallo stesso autore, costituisce uno dei testi cardine della riflessione medievale sullo statuto della moneta e su chi ne sia sovrano. Quest'opera - di cui si propone una nuova e riveduta edizione italiana, impostata a partire da alcuni manoscritti conservati presso la Bibliothèque Nationale de France - testimonia sin dal suo avvio la sua forte valenza politica, avendo come primo interlocutore Carlo V il Saggio, il re di Francia di cui Oresme fu consigliere. Il magister normanno è stato spesso salutato quale fautore di una visione metallista della moneta, una merce tra le altre che vale tanto quanto l'oro o l'argento di cui è fatta, inserita in un'ottica schiettamente privatistica. Tuttavia, una lettura più attenta degli scritti monetari oresmiani, che metta in prospettiva sia il periodo storico in cui il testo fu redatto, caratterizzato da una diffusa anarchia monetaria, sia le relazioni che il Trattato stesso suggerisce rispetto ai passaggi aristotelici conosciuti e poi commentati dallo stesso Oresme, rivela un pensiero più complesso e più profondo. La cifra sintetica della sua riflessione monetaria non è infatti riducibile a una difesa ad oltranza dell'intrinseco metallico, ma si qualifica per lo spessore politico e teorico espresso dal consigliere regale che vede e apprezza della moneta il suo significato istituzionale. Il suo valore è stabilito da chi di quella moneta può dirsi sovrano e, al tempo stesso, fruitore: la comunità politica tutta. La dimensione eminentemente politica dell'istituzione-moneta emerge proprio da una rilettura complessiva del trattato. In esso il ruolo della fiducia nell'amministratore della divisa assume un'importanza strutturale incidendo sul valore della moneta e sulla necessità che esso venga tutelato e garantito attraverso precise garanzie procedurali sicché la moneta possa mantenere il suo fondamentale ruolo sociale: quello di misura.

The hereafter following is abstract of the discourse held by Prof. dr. ir. C. L. Temminck Groll in honour of the jubilee 1899-1989 of the KNOB on September 23th 1989. The KNOB (Royal Antiquarian Society of the Netherlands) exists 90 years. A respectable age after human standards. Although a society depends on human devotion it does not know age limitations. This is an excellent moment to reflect upon our centenary. Then, in 1999, we will have to present an extremely good manifest for the coming millennium! We have been spoiled very much during the past 90 years. Which of the founders would have expected so many people professionally involved at the protection of monuments? Which of them could have estimated the money available to realize restoration activities? Still, despite of all we obtained, we are rightly concerned about our country and especially that part of the world beyond our borders. These concerns are formulated by the National Geographic Society which hereby stated: 'Can we save this fragile earth?' This society aims at the earth herself as well as at human achievements. Co-operation between the protection of nature and the protection of monuments certainly is sensible and could be one of our future actions. How much nature, how much culture is not already 'dead'! Wren's St. Benet in London f.e. seems saved, but surrounded by flowing thoroughfares the church misses every relation with the original urban structure. Thus in fact the monument has not been saved. At Liège, Belgium, 20th century traffic and concrete buildings overran the medieval Place St. Lambert. And what about the European countryside? How much harmonious farmer's land has not been industrialized yet? Old structures disappear everywhere. Instead of the newly made our Society had to study more and more the continuous changes of the already extant. As to our foreign activities, we can distinguish three angles of incidence. First of all: what can we learn from other countries? Our founder mr. dr. J.C. Overvoorde already realized the importance of study of the way monuments are protected in different European countries. ICOMOS at present is the platform to discuss organizational and substantial aspects. Second: stock-taking of Dutch cultural influences to other regions in Europe, which subject used to attract more attention than it does now. At last: Dutch influences beyond European borders. Like our founder in 1910-11 studied Hindu-Buddhistic antiquaries and the monuments of the Dutch East-Indian Company our Foundation Social History of the Dutch Oversea studies these treasures now. One of her working-groups tries to solve Indonesian problems with respect to the protection of monuments and started stocktaking of especially younger architecture and town-planning. Still, a lot remains to be done on this field in the 'West'! Borders fade. But with the introduction of new fields of work we may not forget the old. Not the older monuments, since we are occupied with the young, not the Dutch, being directed at the whole world. After the question of what we study, the question rises how. Our purpose always was protection. Unlike nature culture cannot renew herself: we have to 'maintain'. And then mankind also is a piece of nature with continuous new desires to which the extant has been adapted. 'Maintain' as well as 'adapt to' means: to change. We can let nature change the made - how beautifully weathered the ruins are! - but we can also preserve the weathering - until now. Replacement of weathered material by new in the shape of colour it used to have is another possibility. Also opinions about this sort of alterations are constantly changing. Thus a platform like the KNOB at national level or ICOMOS at international level will always be needed. That's why: an extremely good manifesto in 10 years. One that states that we are occupied with changing instead of static affairs. Alterations must be directed professionally in a careful and modest way. For the real is infinitely more valuable than the copy.

In the summer of 2013, the Vlaams Agentschap Onroerend Erfgoed (Flemish Immovable Heritage Agency) investigated a modest little school building in the vicinity of Ghent (Belgium). The old building proved to be a reconstruction of the model school in the Modern Village, a Belgian government pavilion of great social significance at the 1913 World's Fair in Ghent. The model school is the only surviving building from the Modern Village.Since this discovery, further investigations by the heritage agency have revealed the dearth of scholarly studies of either the Modern Village or the model school building. The great social importance of this Belgian rural model school is, however, becoming increasingly clear. This article is a critical assessment of that importance. A brief outline of the historical context in which the Modern Village and the model school came about is followed by a description of their social significance and the impact on Belgian and European society. The starting point is an analysis of the evaluation reports of the Modern Village published in book form by the then director general of the Ministry of Agriculture, Paul De Vuyst, and a member of parliament, Emile Tibbaut. The authenticity of the reconstruction of the model school is assessed based on recent construction history research. Finally, the question of the extent to which the model school design was adopted was explored during a field trip with the help of local cultural and archival agencies. The 1913 World's Fair in Ghent took place in a period of mass rural migration that resulted in poverty and social unrest in many parts of Europe. The Belgian government was keen to do something about this by building a new countryside with a better quality of life. To that end they exhibited the Modern Village – a practical and instructive embodiment of their policy – at the Ghent World's Fair. The ambition was to modernize the rural economy and beautify the villages. Via the introduction of compulsory education for children between the ages of six and fourteen, future generations would be taught the skills and techniques needed to modernize the economy and simultaneously achieve the edification of the rural population, central to which was a love of one's own region and traditions. The effects of the Modern Village on the modernization of agriculture and on the improvement of the quality of life were felt mainly after the First World War, not just in Belgium but in other countries, too, such as Hungary. The model school in the Modern Village was conceived as an affordable and easy-to-build school building that would facilitate the realization of this new rural culture. The construction survey has demonstrated the authenticity based on the specific roof shapes in stone dating from over a hundred years ago. Recent field research complements the latest investigations by the Flemish Government and strengthens the hypothesis that the model school was widely emulated and played an important role in the implementation of compulsory schooling in Belgium. Further research is necessary, not least to obtain clarity about the adoption of the new teaching methods presented in the model school and the significance of small primary school libraries for the general edification of the rural population.