Suchergebnisse

Right there but still unnoticed information on dGa' Idan pho brang Mi ser from archival material published in German(y) Jeanne Bischoff -- The role of the Ambans in the Dalai Lama government according to the Ten-Point Edict Kalsang Norbu Gurung -- In search of the Tibetan translators within the Manchu empire an attempt to go from the global to the local Fabienne Jagou -- On the edition, structure, and authorship of the Weizang Tongzhi Liu Yuxuan -- Sde srid Sangs rgyas rgya mtsho's short remarks on ordeals in his Guidelines for Government Officials Christoph Cüppers -- An almost forgotten dGe lugs pa incarnation line as Manorial Lord in bKra shis ljongs, Central Tibet Peter Schwieger -- How to tame a wild monastic elephant Drepung monastery according to the great Fifth Berthe Jansen -- How should we define social status? The study of "intermediate groups" in Central Tibet (1895-1959) Alice Travers -- Who were the Tibetan lawmakers? Fernanda Pirie -- Recapturing runaways, or administration through contract the 1830 covenant (Gan rgya) on Kotapa Tax exiles and Sikkimese border regions Saul Mullard -- Reflections on recruitment and ritual economy in three Himalayan village monasteries Astrid Hovden -- Hidden Himalayan transcripts strategies of social opposition in Mustang (Nepal), 19th-20th centuries Charles Ramble

"The Balance Destroyed was first submitted as a Masters thesis in 1995; and published in 2003 by the International Research Institute for Maori and Indigenous Education as part of the Mana Wahine Monograph Series. This revised edition includes a new preface and is complemented by the artwork of Robyn Kahukiwa"--Publisher's description

My research is concerned with the formation of artists as creative subjects in an increasingly neoliberalised art world. This study examines to what extent does the artist-run space offer alternatives to current neoliberal orthodoxy in the art world. There has been little research to understand the lived experiences of emerging visual artists within neoliberalism. The thesis is located in museum studies but stretches beyond this field in an interdisciplinary approach to explore the complexity of what it means to both make art and self-organise. The thesis presents multiple case-study research into three New Zealand artist-run spaces; RM, Enjoy Contemporary Art Space and Meanwhile. Qualitative research brings the experiences of artist-run space participants to the fore through interviews, examining how they understand and articulate their involvement, negotiate tensions over power, and position themselves in an art world that seeks to enfold them in its own narratives. I analyse and discuss the findings through a series of connecting theoretical frameworks—assemblage theory, creative labour and governmentality—which together map the distinct practices that shape, and reshape, the artist-run space. My research contributes to literature on creative workers within neoliberalism, providing new knowledge about tactics and strategies deployed by emerging visual artists to carve space for their activities on their own terms. The thesis argues that while artist-run spaces are embedded in the mainstream through both networks of strategic reciprocity and funding imperatives, the nuances which define an individual artist-run space are both broader and messier than their increasingly formal structure suggests. The identity formation of the artists and creative workers whose hard work and passion keep artist-run spaces going is similarly compromised, confounding simplistic readings. I propose that the notion of 'alternative' is too binary an understanding to describe artist-run spaces within a time of neoliberalism, instead, this thesis seeks to complicate and problematise the term.

The achievement of authentic being : God, man and universe, a Māori view -- The natural world and natural resources : Māori value systems and perspectives -- Kaitiakitanga : a definitive introduction to the holistic world view of the Māori -- Matauranga Māori, Matauranga Pakeha -- The quest for social justice : he pepeha mo enei ra -- Mental health : a case for reform -- angatiratanga me te Kawanatanga -- Prognosis for the socio-economic future of Maoridom -- 'Te Ara Hou Formula' : the principle of evolution not devolution for the Department of Māori Affairs -- Hui protocols : Ngā Tikanga Whakahaere -- Fisheries Commission Hui.

The approximately 18,000 imperial troops who arrived in New Zealand with the British regiments between 1840 and 1870 as garrison and combat troops, did not do so by choice. However, for the more than 3,600 non-commissioned officers and rank and file soldiers who subsequently discharged from the army in New Zealand, and the unknown but significant number of officers who retired in the colony, it was their decision to stay and build civilian lives as soldier settlers in the colony. This thesis investigates three key themes in the histories of soldiers who became settlers: land, familial relationships, and livelihood. In doing so, the study develops an important area of settler colonialism in New Zealand history. Discussion covers the period from the first arrival of soldiers in the 1840s through to the early twentieth century – incorporating the span of the soldier settlers' lifetimes. The study focuses on selected aspects of the history of nineteenth-century war and settlement. Land is examined through analysis of government statutes and reports, reminiscences, letters, and newspapers, the thesis showing how and why soldier settlers were assisted on to confiscated and alienated Māori land under the Waste Lands and New Zealand Settlement Acts. Attention is also paid to documenting the soldier settlers' experiences of this process and its problems. Further, it discusses some of the New Zealand settlements in which military land grants were concentrated. It also situates such military settlement practices in the context of the wider British Empire. The place of women, children, and the regimental family in the soldier settlers' New Zealand lives is also considered. This history is explored through journals, reminiscences, biography and newspapers, and contextualised via imperial and military histories. How and where men from the emphatically male sphere of the British Army met and married women during service in New Zealand is examined, as are the contexts in which they lived their married lives. Also discussed are the contrasting military and colonial policies towards women and marriage, and how these were experienced by soldier settlers and their families. Lastly, the livelihood of soldier settlers is explored – the thesis investigating what sort of civilian lives soldier settlers experienced and how they made a living for themselves and their families. Utilising newspapers, reminiscences, biography, and government records the diversity of work army veterans undertook in the colony is uncovered. Notable trends include continued military-style roles and community leadership. The failed farming enterprise is also emphasised. Going further, it offers analysis of the later years of life and the different experiences of soldier settlers in their twilight years, particularly for those with and without family networks in the colony. The thesis challenges the separation between 'war' and 'settlement' by focusing on a group whose history spanned both sides of the nineteenth-century world of colony and empire.

"Te Mātāpunenga sets out the terms and concepts of Māori customary law as they are recorded in traditional Māori accounts and historical records, along with modern interpretations of the terms and concepts, the contexts for their cited uses, etymological information, regional differences, and the manner in which customary concepts have been recognised or modified by the legislative and judicial branches of the New Zealand government since 1840. It provides an authoritative point of reference for those wishing to engage in the ongoing public discourse on the future shape of the legal system of our country"--Publisher information