Suchergebnisse

The article shows the way in which the journal Conservatorul Constanţei illustrated the main subject of local political debate in 1909-1912: the issue of the political rights for the citizens of Dobrudja. This debate is significant as it unfolds in the same time as the consolidation of the local branch of the Conservative Party, as well as the participation of its representatives to the parliamentary elections in 1912. These are the first elections in which the citizens of Dobrudja take part, after they were reintegrated within the frontiers of the Romanian state (1878) and after they obtained political rights (1912).

The article takes issue with the deeply entrenched historical conception about the shaping of social policies in pre-communist Romania, which indicates socialist politics and socialist-enlisted worker trade-unionism as the only significant agents of change, also depicting the non-socialist political forces of the time as participating to the process by merely employing the strategy of stern resistance and piecemeal concessions. The alternative view offered stresses the pivotal roles performed in the context by the ideological trend of socially-minded liberalism, by the movements of professional representation with petty entrepreneurial and white-collar constituencies and by the corporatist design for the representation of professional interests. The successive stages of the inquiry leading to the formulation of such interpretative theses - and inaugurated as a research on the relation between fascist modernism and the corporatist vision of rapid economic growth under an authoritarian political cover in the local milieu - are disclosed all throughout.

The article explores the rationale of the Romanian political community as defined by its successive constitutional layouts, since the first fundamental law of 1866, including the Communist constitutional settings, and concluding with the post-communist constitutional design. This consistency of the political community is tested by means of an analytical distinction between the Nation-State and the National State. The former is understood as the institutional underpinning of a community bearing a political project. The latter is seen as the institutional outcome of an ethnic group and the warrant of its political integrity. Such an examination of the Romanian constitutional production sheds light on the historical and unambiguous predominance of the National State, while the Nation State emerged briefly and warily in the Romanian setting in the form of the socialist nation state. By the same token, this approach questions the adequacy between democracy and this rationale of the Romanian political community. While the socialist Nation State, as it was constitutionally designed, failed to guarantee the effectiveness of popular democracy, the Romanian National State, as it was shaped by the successive constitutional texts, pre-communist and post-communist, was always unable to accommodate completely with democracy.

The article presents the way the first Associations and Foundations are set up in Romania, focusing on the tight circle of people dedicated to the domain and specialized on the road, staying forever in the NGO sector, moving from one organization to another or working for more than one at the same time. From lack of legislation to unclear regulations, NGOs struggle on their path with logistical issues which influenced their performance, public image, their projects and mostly their results. The author identifies the outcome as determined by the struggle to access grants, the NGO agenda versus financer's agenda, the absence of grants for a specific type of issues, the shortage of the professionalized staff, the challenge of working with volunteers, the compulsory annual reports and financial reports to the Government authorities.

The present study investigates the participation of French women at war as reflected in documents, media, diaries. Women emancipation, pacifism, socialism, feminism, are but a few issues introduced with this study. The main purpose was to analyze the impact of interventionist state policies on women life in France, and to reveal its social, political and cultural outcomes that altogether generated the upheaval of the French Civilization.

The article examines a few episodes during the 1866-1871 legislatures of the Romanian Parliament. The debate on the annual budget for 1867 represents a good opportunity for the members of the Parliament to define politics as a matter of opinion, with negative connotations, in opposition to the face-value and clearness represented by the mathematical percentages and figures. The latter ought to guide, in their opinion, good governance, which does not belong to the realm of politics. According to such a mental scheme, the members of both Chambers of the Parliament appear to be convinced that majoritarian politics and the fragmentation of the political parties must be utterly rejected in order to adequately realize representation. The difficulty of the Romanian members of the Parliament to define politics influences their difficulty to define their own role, namely the nature of political representation.

This study proposes an analysis of how the National Liberal Party (PNL), the National Peasant Party (PNT) and the National Christian Party (PNC) used caricatures, lyrics or electoral posters to build a more favorable image of their own party or compromise the opponent. Based in particular on the sources existing in the official party press and the so-called independent one, we proceeded to a description of the three elements, including the meanings and messages intended for the electorate. With a predominantly rural population (over 80%), poorly educated in regard to civic issues, caricature and electoral lyrics were used in particular by the PNT and the so-called independent press to attack the ruling party, as well as the formation of A. C. Cuza and Octavian Goga, and to target those with a nationalist-peasant affiliation. Through the three types of confrontation, the parties in our study have endeavored to transmit as effectively as possible the eccentric populist and manipulative messages aimed at attracting thousands of voters. Although both the national and the nationalist-peasant press used caricature and versification as a political weapon, there are immense differences between the contents of the two camps, the caricaturist Petrică Lazar and the anti-Semitic poet Vasile Militaru - known also under the pseudonym of Radu Barda - preferring the construction of satirical images and poems that contained huge doses of grotesque, beliefs and prejudices about the Jewish minority.

The erosion of media trust raises concerns about the ways in which the conduit of political information could undermine citizens' trust in democracy. While a large body of research in western democracies shows that media trust is contingent on specific media-system, political and cultural factors pertaining to national contexts, little is known about the sources of media trust in the new democracies from Central and Eastern Europe. Based on statistical analyses of public opinion surveys, this research tests if levels of trust in various traditional (television, radio, written press) and alternative mediums (Internet and online social networks) are differentiated along political party lines and depending on media consumption patterns in post-communist Romania. The results reveal a stronger association between trust in political parties and trust in traditional mediums, while trust in online media is more strongly linked to consumption patterns. These findings have practical, theoretical and normative implications for the functioning of democracy in post-communist societies.