Proizvodnjom maslinovog ulja dobiva se velika količina otpada u obliku komine masline kao čvrste faze, te vegetativne vode kao tekuće faze. Zbrinjavanje tog otpada je zakonska obveza u Europskoj uniji, no nije reguliran način tog zbrinjavanja. U Hrvatskoj je pak Pravilnikom o ekološkoj proizvodnji u uzgoju bilja i u proizvodnji biljnih proizvoda, definirano da se otpad poljoprivredne proizvodnje ne može koristiti bez njegove određene obrade. Komina masline može biti vrijedna sirovina, a osobito se može dobro iskoristiti za proizvodnju energije. U ovom radu naglasak je na dobivanju energije u kogeneracijskim postrojenjima, spaljivanjem peleta komine masline u pećima za biomasu. Na taj način istovremeno se rješava problem komine masline kao otpada uz ekološki prihvatljivo dobivanje energije. ; In the production of olive oil there is a large quantity of waste in the form of olive cake as the solid phase, and vegetation water as the liquid phase. The disposal of that waste is a legal commitment in the European Union, but the manner of that disposal hasn't been regulated. The Regulation on Ecological Production in Plant Cultivation and Crop Production in Croatia has defined that the waste of crop production can not be used without its certain processing. Olive cake can be a valuable raw material and it can especially be well- used for the production of energy. The emphasis in this paper is on energy producing in cogenerational plants by burning olive cake pellets in furnaces for biomass. In that way the problem of olive cake as waste is solved at the same time together with ecologically acceptable production of energy.
Predmet rada je novac koji je u drugoj polovici 8. i u prvoj polovici 9. stoljeća dotjecao na područje ranosrednjovjekovne Hrvatske. Ponajviše je to zlatni bizantski novac, ali i rijetki primjerci karolinškog i arapskog novca. Riječ je o dragocjenim numizmatičkim izvorima koji, stavljeni u političko-gospodarski kontekst, u velikoj mjeri pridonose rasvjetljavanju razdoblja hrvatske povijesti u kojem se dogodio mirovni sporazum u Aachenu. ; The topic of this paper is coinage flowing into the area of early mediaeval Croatia in the second half of the eighth and the first half of the ninth century. The bulk concerns gold Byzantine coins, as well as some rare specimens of Carolingian and Arabian coins. They are valuable numismatic sources, which, put in the political-economic context, greatly contribute to a better understanding of the period of Croatian history at the time of the Aachen peace treaty.
Dinamicnost sociogeografskih i historijskogeografskih procesa i trendova kljucan je cimbenik koji oblikuje uniformnost pojedinih prostornih cjelina, te njihovo poimanje i percepciju u ocima stanovništva i strucnjaka. Pritom je regija kao temeljna geografska koncepcija u svakom trenutku ishod svih prethodnih i aktualnih prostornih odnosa, kako onih koji proizlaze iz prirodne datosti, tako i onih vezanih uz politicke, upravne i gospodarske promjene. Neformalne regije poput Dalmatinske zagore, koje unatoc postojanju u svijesti stanovništva nisu dio aktualnih upravno-teritorijalnih ustroja, svoju tradicijsku prisutnost u prostornom poimanju i identifikaciji najcešce duguju upravo zbroju svih navedenih cimbenika. Uniformnost i identitet regije pritom su zastupljeni eksplicitnim i implicitnim simbolima, znacenjima i pojmovima od kojih je najvažniji geografsko ime ili toponim. Karta kao pokazatelj temeljnih prostornih odnosa u trenutku izrade može poslužiti kao izvor informacije o prostornim identitetima, njihovom obuhvatu i distribuciji. Pritom su prisutnost toponima i njegovo pozicioniranje kljucevi za spoznavanje cinjenica o teritorijalnosti i percepcije pojedine regije. U tom smislu, cilj je ovoga rada pratiti i prepoznati razvoj i dinamiku prostornog obuhvata Zagore, regije u unutrašnjosti Dalmacije, detekcijom pozicioniranja toponima Zagora i njegovih inacica u nizu kartografskih prikaza iz pojedinih razdoblja. ; The dynamism of sociogeographic and historical processes and trends represents a key factor in the creation and uniformity of regions, and in their image and perception in the eyes of the public and scholars. As a basic geographic concept, a region is the result of all preceding and actual spatial relations arising from natural conditions, and those arising from political, administrative and economic changes. Non-formal regions such as Dalmatinska zagora, which exists solely in the consciousness of its inhabitants, owe their traditional presence in spatial perceptions and identities to a combination of all these factors. The uniformity and identity of such a region are articulated through explicit and implicit symbols, definitions and terms, and the most important among these is a geographic name or toponym. As an indicator of basic spatial relations at the time of its making, a map can be used as a source of information on spatial identities, their extent and distribution. In that sense, the presence and positioning of a toponym are the keys to discovering facts about the territoriality and contemporary perceptions of a region that it denotes. The aim of this paper is to monitor changes in the dynamics of perception of Zagora, a region in the Dalmatian hinterland, by detecting the positioning of the toponym Zagora and its variants on several maps created at different periods in history.
The dynamism of sociogeographic and historical processes and trends represents a key factor in the creation and uniformity of regions, and in their image and perception in the eyes of the public and scholars. As a basic geographic concept, a region is the result of all preceding and actual spatial relations arising from natural conditions, and those arising from political, administrative and economic changes. Non-formal regions such as Dalmatinska zagora, which exists solely in the consciousness of its inhabitants, owe their traditional presence in spatial perceptions and identities to a combination of all these factors. The uniformity and identity of such a region are articulated through explicit and implicit symbols, definitions and terms, and the most important among these is a geographic name or toponym. As an indicator of basic spatial relations at the time of its making, a map can be used as a source of information on spatial identities, their extent and distribution. In that sense, the presence and positioning of a toponym are the keys to discovering facts about the territoriality and contemporary perceptions of a region that it denotes. The aim of this paper is to monitor changes in the dynamics of perception of Zagora, a region in the Dalmatian hinterland, by detecting the positioning of the toponym Zagora and its variants on several maps created at different periods in history. ; Dinamicnost sociogeografskih i historijskogeografskih procesa i trendova kljucan je cimbenik koji oblikuje uniformnost pojedinih prostornih cjelina, te njihovo poimanje i percepciju u ocima stanovništva i strucnjaka. Pritom je regija kao temeljna geografska koncepcija u svakom trenutku ishod svih prethodnih i aktualnih prostornih odnosa, kako onih koji proizlaze iz prirodne datosti, tako i onih vezanih uz politicke, upravne i gospodarske promjene. Neformalne regije poput Dalmatinske zagore, koje unatoc postojanju u svijesti stanovništva nisu dio aktualnih upravno-teritorijalnih ustroja, svoju tradicijsku prisutnost u prostornom poimanju i identifikaciji najcešce duguju upravo zbroju svih navedenih cimbenika. Uniformnost i identitet regije pritom su zastupljeni eksplicitnim i implicitnim simbolima, znacenjima i pojmovima od kojih je najvažniji geografsko ime ili toponim. Karta kao pokazatelj temeljnih prostornih odnosa u trenutku izrade može poslužiti kao izvor informacije o prostornim identitetima, njihovom obuhvatu i distribuciji. Pritom su prisutnost toponima i njegovo pozicioniranje kljucevi za spoznavanje cinjenica o teritorijalnosti i percepcije pojedine regije. U tom smislu, cilj je ovoga rada pratiti i prepoznati razvoj i dinamiku prostornog obuhvata Zagore, regije u unutrašnjosti Dalmacije, detekcijom pozicioniranja toponima Zagora i njegovih inacica u nizu kartografskih prikaza iz pojedinih razdoblja.
The indicators of health condition and providing medical protection are necessary for making assessment of health condition at the level of population, improvement of the healthcare system and making health-related and political decision with an aim to improve the citizens' health. Qualitative and reliable original data is necessary for the preparation of indicators. According to the indicators of mortality and morbidity, cardiovascular diseases (CVD) are the prioritized public health problem in Croatia. They are the major cause of mortality, in men with a share of 42.6% and in women with a share of 56.4% in total mortality. In CVD hospital morbidity, they are represented in men in the first place with a share of 14.9% and in women, they take the second place with a share of 12.5% in total number of hospitalizations. Totally, more women die of CVD and men die of CVD more frequently at younger age, however, women are hospitalized less frequently.
U radu se uz kratki politički portret političkog djelovanja Stjepana Radića tijekom Velikog rata (1914. — 1918.) autor fokusira na jedan povijesni izvor, odlomak iz memoara člana češke Maffie Hrvata i Dubrovčanina Rudolfa Giunia koji govori o "političkom preokretu" Stjepana Radića u proljeće 1918. godine iz habsburškog legitimista u pristašu južnoslavenskog ujedinjenja. Rad razmatra kako su taj izvor hrvatska i jugoslavenska historiografija tumačile i upotrebljavale. Prema izglednim pretpostavkama hrvatski povjesničar Bogdan Krizman pronašao je taj izvor krajem 1950-ih i često ga koristio u svojim radovima, uglavnom samo prepričavajući ili sažimajući njegov sadržaj, ali nikada ga ne navodeći u cjelini ili kao povijesnu građu u bilješkama. Stoga se ovdje taj odlomak iz Giunijevih memoara, koji govori o Radićevu djelovanju u to vrijeme, zbog njegove važnosti daje na kraju ovoga rada u prijepisu. Cjeloviti memoari R. Giunia čuvaju se u rukopisu u Nacionalnoj i sveučilišnoj knjižnici u Zagrebu. ; In addition to presenting a short political biography of Stjepan Radić and his political activities during the Great War (1914 — 1918), the author of this article focuses on one particular historical source: a paragraph from the memoirs of a member of Czech "Maffia" Rudolf Giunio, a Croat from Dubrovnik, in which he wrote about a "political turnabout" of Stjepan Radić in Spring 1918 – from legitimising the Habsburg system to a supporter of unification of South Slavs. This paper examines the existing interpretation of this source by Croatian and Yugoslav historiography so far. The author argues that Croatian historian Bogdan Krizman had often used Giunio's memoirs since 1950s by retelling or summarizing its contents, sometimes without fully acknowledging it as historical source. For this reason, the author publishes this paragraph of Giunio's memoirs in full at the end of this paper. The original manuscript of Giunio's memoirs are kept in National and University Library in Zagreb.
Ovaj rad analizira povijesne artefakte korištene u rekonstrukciji mode Zagreba s kraja 19. i početka 20. stoljeća. Raznolikost izvora iziskuje postavljanje temeljnih pravila, tj. metoda analize i komparacije, neophodnih za bolje razumijevanje razloga postojanja određenih odjevnih oblika i modnih smjernica. Na primjerima izvora korištenih u rekonstrukciji zagrebačke mode s kraja 19. i početka 20. stoljeća, ukazat će se na zamke krivih i površnih interpretacija. U tom se smislu analiziraju odjevni artefakti, povijesna fotografija, modni tisak, slikarska djela, šaljive likovne anegdote, pisma, te nacrti. Istaknuta je i neophodnost interdisciplinarnog pristupa u istraživanju povijesti odijevanja, kako bi se moda promatrala kao odraz političkih, društvenih, gospodarskih promjena i rezultat kulturnog ozračja. ; The theme of this paper is the artefacts used for reconstruction of late 19th and early 20th century fashion in Zagreb. It will point out new views, methods of analysis and inevitable comparison to reach the goal of supplementing existing knowledge. Although the sources for understanding fashion history do give many information, they are limited in presenting the greater picture. This paper will try to emphasize the source method analysis and the problems that have to be avoided. In that respect clothing artefacts, historical photographs, fashion magazines, paintings, witty art anecdotes, letters and designs will be analyzed. The necessity of interdisciplinary approach of research will be pointed out to ensure the understanding of fashion as a result of historical, social and art influences.
U radu se donosi presjek izvora (epigrafičkih, diplomatičkih, narativnih, kartografskih) i kritički pogled u historiografiju za srednjovjekovni i ranonovovjekovni Beram, koji u kontekstu hrvatskoga glagoljaštva zauzima iznimno važno mjesto. Iako je riječ o ruralnome području s pojedinim urbanim elementima – jedan je od kaštela Pazinske knežije sa statusom gradića (Stätl) te župa Porečke biskupije – to mjesto baštini povijesnoumjetničke i glagoljične spomenike iznimne važnosti. U prvome su to redu hrvatskoglagoljični rukopisi Prvi i Drugi beramski misal te Prvi i Drugi beramski brevijar (danas svi u Narodnoj in univerzitetnoj knjižnici u Ljubljani, Slovenija) te župna crkva sv. Martina, izvorno srednjovjekovno zdanje, o čemu svjedoči glagoljični natpis iz 1431., i gotička crkva sv. Marije na Škrilinah sa zidnim slikama (freskama) koje je 1474. slikao majstor Vincent iz Kastva (lat. Vincentius de Castua). Te su freske jedan od najvrjednijih radova domaće istarske srednjovjekovne umjetnosti. Poseban će se naglasak staviti na izvore (osobito na neobjavljene zapisnike vizitacija porečkih biskupa tijekom 17. i 18. stoljeća) i historiografiju u pogledu proučavanja Berma i njegove spomeničke te rukopisne baštine s pokušajem davanja odgovora na jedno od ključnih pitanja: kakve su bile političke i crkvene, društveno-gospodarske, a napose kulturne prilike u Bermu u promatranome razdoblju kao preduvjet za razumijevanje mjesta čuvanja i mogućega nastanka pojedinih glagoljičnih rukopisa koji se povezuju s tamošnjom župom. ; Beram is a settlement in central Istria (Croatia) that has existed since the early Middle Ages. Its predominantly Slavic-Croatian character has been verified very early in archival records and documents, as well as in its Glagolitic cultural features. Beram (Vermo in Italian, Verm in German) holds an important place in the study of Mediaeval Istria and Croatian Glagolitism. Though it is a rural area with some urban elements (it was one of the castles of Pazin County, and had e.g. 148 hearths in 1578, with the status of a minor city [Ger. Stätl]), this settlement boasts historical and artistic monuments and a Glagolitic heritage of exceptional importance. Primarily, these consist of Croatian Glagolitic manuscripts (the 15th-century First and Second Missal of Beram and the First and Second Beram Breviary, held at the National and University Library in Ljubljana, Slovenia); the present day parish church of St. Martin, originally from 1431; and the Gothic church of St. Mary on Škrilinah with frescoes painted in 1474 by master Vincent of Kastav (Lat. Vincentius de Castua). These frescoes are among the most valuable works of local Istrian Mediaeval art. In the early modern period (16th to 18th century), Beram was host to both dramatic wartime conflicts (1615-1618) and an attempt at spiritual regeneration by means of Catholic restoration. It is a place that was divided in terms of government during the period under study. While administratively belonging to the Habsburg Monarchy, spiritual authority was exercised by a Venetian subject holding the office of bishop of Poreč. This fact will represent an important obstacle in the spiritual development of both this and other micro-locations in Istria. The paper analyses the cultural, social, and religious circumstances of Beram throughout a period stretching from the Middle Ages to the early modern period. The paper is also based on the existing historiographic literature and an unpublished 17th-century record of pastoral visitations. Special emphasis is placed on the historical perspective of the study of Beram and its sacral and manuscript heritage from the Middle Ages to the early modern period; an interdisciplinary approach to future research and appreciation of this historical region is suggested. A review of published works related to the history of the Catholic Church in Istria is also provided, noting that an overview of the Istrian Church's history in the 16th and 17th centuries has yet to be produced. Details are also provided concerning archival materials from the period found in depositories such as the Diocesan Archives in Poreč, the Diocesan Archives of Trieste, and the Vatican Apostolic Archive, as well as in local parish archives and registers, which were mainly written in Glagolitic. The authors will seek to guide scholars to this rich vein of sources as a basis for future research.
U vremenu neposredno nakon ukidanja Vojne krajine 1881. godine i pripojenja ovoga teritorija Hrvatskoj pojavljuju se prve novine na teritoriju tadašnje Ličkokrbavske županije koja je ustrojena 1886. godine. Vrijeme nakon ukidanja Vojne krajine je vrijeme prilagodbe civilnom načinu života poslije vremena kada je ovaj teritorij predstavljao branu turskim prodorima u Hrvatsku. U takvim okolnostima gospodarske prilike i društveni život bili su prilagođeni vojničkom načinu razmišljanja. Ukidanjem Vojne krajine 15. srpnja 1881. godine ona je pripojena Kraljevini Hrvatskoj i Slavoniji kao autonomnoj pokrajini koja je imala obilježja državnosti u sastavu Zemalja krune sv. Stjepana. U Kraljevini Hrvatskoj i Slavoniji kao dijelu Austro-Ugarske što je određeno Austro-ugarskom nagodbom od 1867. godine i pod vlašću Franje Josipa I. (1848. – 1916.) otvara se mogućnost za stvaranje županija na tom teritoriju, a samim time i Ličko – krbavske županije. Tema ovoga rada je prikaz stanja u Ličko-krbavskoj županiji i posebno u njenom središtu, Gospiću, na prijelazu iz 19. u 20 stoljeće. Prije svega gospodarskih prilika, ali i društvenog i kulturnog života, odnosno uvjeta u kojima se pojavljuju prve novine koje su i glavni izvor informacija za ovaj rad. ; In the time immediately after the abolition of the Military Frontier in 1881 and the annexation of this territory to Croatia, the first newspapers appeared on the territory of the former Lika-Krbava County, which was established in 1886. The time after the abolition of the Military Frontier is the time of adjustment to the civilian way of life, after the time when this territory represented a barrier to Turkish incursions into Croatia. In such circumstances, economic and social life were adjusted to the military way of thinking. With the abolition of the Military Frontier on July 15, 1881, it was annexed to the Kingdom of Croatia and Slavonia as an autonomous province that had the characteristics of statehood within the Lands of the Crown of St. Stephen. In the Kingdom of Croatia and Slavonia as part of Austro-Hungary, which was determined by the Austro-Hungarian Agreement in 1867 and under the rule of Franz Joseph I (1848-1916), the possibility was opened for the creation of counties on that territory, and thus for the Lika – Krbava County. The theme of this paper is a review of the situation in Lika -Krbava County and especially in its center, Gospić, at the transition from the 19th to 20th century. First of all, economic opportunities, but also social and cultural life, ie the conditions in which the first newspapers appear, which are the main source of information for this work.
Nakon višestoljetnoga zajedničkog života u okviru istovjetnih društvenih uvjeta i političkih tvorevina, završetkom ratnih razračunavanja s kraja 17. i drugoga desetljeća 18. stoljeća vrgoračko-ljubuški prostor se našao na periferiji dvaju imperijalnih sustava, na granici njihova dodira. Te su činjenice potaknule proces oblikovanja novih prostorno-regionalnih identiteta kod toga istovjetnog etnokulturnog i etnokonfesionalnog korpusa kakvim ih prepoznajemo danas. Vrgoračko-ljubuški prostor jes predratne periferije Osmanskoga Carstva spomenutim ratnim razgraničenjima podijeljen te uklopljen u vojnokrajiški i osmansko-mletački sustav nastavljajući tako kompleksan historijsko-geografski razvitak s obiju strana granica. ; After several centuries of living together under identical social circumstances and within the same political entities, at the end of war conflicts in the late 17th century and the second decade of the 18th century, the Vrgorac-Ljubuški area found itself on the periphery of two imperial systems, at the very border between them. These circumstances triggered the process of shaping new regional identities, as we know them today, within this unified ethno-cultural and ethno-confessional corps. The Vrgorac-Ljubuški area, pre-war periphery of the Ottoman Empire, was thus divided according to the aforementioned war demarcations and fitted into the Military Border, Ottoman, and Venetian space, continuing its complex historical and geographic development on both sides of the border.