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Abstract It is essential for democracy that political parties should act within their promulgated policy frameworks, which are formally represented in election programmes. If political parties deviate from this principle, the election would lose its meaning, jeopardising democracy. In this respect, planning in Groningen in the 1970s, which realised progressive plans like the traffic circulation plan, was democratic, although it was criticised for lacking public participation. However, planning in the 1980s casts serious doubt on its democratic nature. Various large-scale projects were promoted, and they caused harsh criticism even within the government party, Labour Party. This paper focuses on four projects, that is, the PTT (office development), Brink (residential towers), Casino and Museum, all of which were planned in or next to the inner city of Groningen in the 1980s. This paper will examine these projects in terms of the policy frameworks of the Labour Party, which were created in the 1970s. These projects brought about drastic change of historical landscape, and were clearly contrary to the party frameworks or those measures that were introduced to guarantee the frameworks, such as the local land use plan. As a result, they gave rise to not only strong opposition among citizens, but also criticism of party members who still cherished those party frameworks.

This book tells the story of Utrecht University's colonial past. Ever since the university was founded in 1636, its scholars and students have been involved in various activities in the Dutch colonies of the West and East Indies. There was a great interest in the world of the 'other' far away: the natural world as well as their cultures, languages and religious systems. The basic assumption always was: we are 'developed', they are 'not yet developed'. Superiority served as guiding principle. By the end of the nineteenth century, Utrecht's research activities in the colonies were dominated by biology, medicine, geology, and physical anthropology/anatomy. It was understood to be 'pure research' in the colonies. But it was pure colonial research. The University benefited enormously from those research activities. The latest phase of 'university development cooperation' (since the 1980s), was to some extent a continuation of that approach.

'Will the Netherlands be defended?' The debate about NATO's main lines of defence at the beginning of the 1950sAt the beginning of the 1950s, the Netherlands would not have been able to defend itself in the event of a Soviet attack. Despite the fact that NATO, under the leadership of the Supreme Allied Commander Europe, General Eisenhower, and later General Ridgway, was in the process of rapidly building up its defences, it was still incapable of conducting a forward defence. The pivotal political and military issue in the short term centred on one question: Which areas in Western Europe could and should be kept and which not? Answers to this question exposed conflicting national interests and points of view, particularly those of the Dutch and the French. As it was taking a considerably long time to build up the Netherlands' defences, the Dutch government had very few trump cards to add weight to its demands. Indeed, in the summer of 1952, when Parliament asked to be given a precise account of how the Dutch defences were progressing, the government was practically boxed into a corner.

Ten years ago, now, the Eurozone began to shake on its foundations. This article traces the genesis of the crisis and the present state of affairs. As to the causes of the global financial crisis in 2008, I argue that contrary to common understanding, the financial crisis had its deeper causes in a decades old tendency towards crisis in the real economy, produced by the continuous overaccumulation of capital which can only return profits by undertaking speculative short-term investments (a phenomenon known as 'financialisation'). I then trace how the global financial crisis morphed into a crisis of public deficits and debt in 2010-2011, particularly in the Eurozone. Three factors are shown to be responsible: financialization, design faults in the European monetary union, and the neo-mercantilist strategy of especially Germany and the Netherlands. The paper next looks at the five main traits of the policy responses in the Eurozone: bailing out governments and banks through creating emergency funds; imposition of austerity and budget discipline for member state governments; attempting to create and complete a Eurozone banking union; subsequently the European Central Bank engaged on an unprecedented scale in 'quantitative easing'; and finally, institutional reform in an attempt to repair the most pressing design faults of the EMU. The paper concludes that the underlying structural factors leading up to the crisis have only been addressed incompletely: the overaccumulation of capital continues, the completion of the banking union is in an impasse, quantitative easing has mostly just intensified financialization by pushing up asset prizes, and institutional reform has taken the form of a fundamentally undemocratic attempt at monetary and political union by stealth. The broader legitimacy of the European project has been substantially undermined, and Europe is not in a better position than eight years ago in case of a new global crisis.

In the 1970s and '80s residents and architects in Amsterdam worked together to shape the renewal of their neighbourhood. Working outside traditional planning constraints they initiated a process for designing 'neighbourhood plans' that gave priority to affordable housing and minimized disruption to the existing social and urban design structure. Although these neighbourhood plans stood in stark contrast to prevailing political and urban planning ideas, they formed the basis on which urban renewal was realized from the middle of the 1970s. While the focus in the historiography of urban renewal is usually on politics and policy, this article provides insight into the design process itself and the ideas behind urban renewal architecture based on numerous consultation documents generated by the collaboration between local residents and architects. The Dapperbuurt area serves as an exemplary case study. The example of the Dapperbuurt shows that locals and architects formed energetic and effective coalitions. After the residents of the Dapperbuurt had won far-reaching control over the design process, including a say in the choice of architect, they entered into a collaboration with the architects Hans Borkent, Rob Blom van Assendelft and Hein de Haan. During the extensive consultation process the architects acted as equal discussion partners rather than all-knowing experts, while local residents provided creativity and spontaneous initiatives and had the final say. Together they designed with 'direct democracy'. In this article those collaborative arrangements are referred to as 'creative housing coalitions'. This term expresses both their main aim and their greatest strength. It also shows who initiated the urban renewal housing projects and how grass-roots initiatives were ultimately translated into policy. In the course of the design process, local residents and their architects sought creative ways of reconciling the apparent antithesis between the historically evolved city and modern architecture and urban design. Instead of taking a blank slate as their starting point, they proceeded on the basis of the qualities of the existing environment and the interests and wishes of the residents. This resulted in the retention of the existing morphology and functional diversity. However, the housing projects were on a much larger scale than the individual buildings that had previously made up the neighbourhood, because while the local residents were unwilling to give up their familiar living environment, they did want modern home comforts. This study has revealed that the replacement construction was required to combine the best of both worlds. In order to suggest a smaller scale, the external walls were vertically articulated, and their height demarcated by means of balconies, bay windows, hoisting beams, eaves and staggered building lines. So both contrast to and compatibility with the context are relevant criteria for evaluating urban renewal architecture. In addition, it turns out that a key merit of this urban renewal was its function, namely to deliver affordable and comfortable housing on centrally located sites with high land values. The architecture gives expression to that function. ; In de jaren zeventig en tachtig gaven in Amsterdam bewoners en architecten samen vorm aan de vernieuwing van hun buurt. Buiten de reguliere kaders om initieerden zij een proces voor het ontwerpen van zogenaamde 'buurtplannen', waarin prioriteit werd gegeven aan betaalbaar wonen en zo min mogelijk verstoring van de bestaande sociale en stedenbouwkundige structuur. Hoewel deze buurtplannen in schril contrast stonden met de heersende politieke en stedenbouwkundige opvattingen, vormden ze de basis waarop de stadsvernieuwing vanaf midden jaren zeventig werd gerealiseerd. In de historiografie van de stadsvernieuwing ligt de focus op politiek en beleid. Dit artikel geeft daarentegen inzicht in het ontwerpproces en de ideeën achter de stadsvernieuwingsarchitectuur aan de hand van velerlei overlegdocumenten die voortkwamen uit de samenwerking tussen buurtbewoners en architecten. Hierbij dient de Dapperbuurt als exemplarische casestudy.Het voorbeeld van de Dapperbuurt laat zien dat buurtbewoners en architecten daadkrachtige coalities vormden. Nadat bewoners van de Dapperbuurt verregaande controle op het ontwerpproces hadden bevochten, inclusief zeggenschap over de architectenkeuze, gingen zij een samenwerking aan met de architecten Hans Borkent, Rob Blom van Assendelft en Hein de Haan. Deze stelden zich in uitgebreide inspraakprocedures op als gelijkwaardige gesprekspartners in plaats van alwetende experts, terwijl buurtbewoners zorgden voor creativiteit en spontane initiatieven en een doorslaggevende stem hadden. Gezamenlijk ontwierpen zij met 'direkte demokratie'. Deze samenwerkingsverbanden worden in dit artikel geduid als creatieve wooncoalities. Dit idee geeft zowel uitdrukking aan hun belangrijkste doelstelling als aan hun grootste kracht. Daarnaast laat het zien wie de woningbouwprojecten van de stadsvernieuwing initieerden en hoe burgerinitiatieven uiteindelijk werden omgezet in beleid. In het ontwerpproces zochten de Dapperbuurters en hun architecten naar creatieve oplossingen om de schijnbare tegenstelling tussen de historisch gegroeide stad en moderne architectuur en stedenbouw te overbruggen. In plaats van een blanco blad als uitgangspunt te nemen, gingen ze uit van de kwaliteiten van de bestaande omgeving en de belangen en wensen van de bewoners. Dit resulteerde in behoud van de bestaande morfologie en functiemenging. De woningbouwprojecten kregen echter een beduidend grotere schaal dan de individuele panden waaruit de buurt tot dan toe bestond, omdat de buurtbewoners hun vertrouwde leefomgeving niet wilden opgeven maar wel behoefte hadden aan modern wooncomfort. Uit dit onderzoek blijkt dat de nieuwbouw het beste van beide moest combineren. Om toch de suggestie van kleinschaligheid te wekken, werden de gevelwanden verticaal geleed en in hoogte afgebakend door middel van balkons, erkers, hijsbalken, dakoverstekken en verspringende rooilijnen. Zowel contrast met als aansluiting op de context zijn aldus relevante criteria voor de waardering van de stadsvernieuwingsarchitectuur. Bovendien blijkt dat een wezenlijke waarde van de stadsvernieuwing haar functie is, namelijk betaalbaar en comfortabel wonen op centrale locaties met hoge grondwaarden. De architectuur geeft uitdrukking aan die functie.

In the summer of 2013, the Vlaams Agentschap Onroerend Erfgoed (Flemish Immovable Heritage Agency) investigated a modest little school building in the vicinity of Ghent (Belgium). The old building proved to be a reconstruction of the model school in the Modern Village, a Belgian government pavilion of great social significance at the 1913 World's Fair in Ghent. The model school is the only surviving building from the Modern Village.Since this discovery, further investigations by the heritage agency have revealed the dearth of scholarly studies of either the Modern Village or the model school building. The great social importance of this Belgian rural model school is, however, becoming increasingly clear. This article is a critical assessment of that importance. A brief outline of the historical context in which the Modern Village and the model school came about is followed by a description of their social significance and the impact on Belgian and European society. The starting point is an analysis of the evaluation reports of the Modern Village published in book form by the then director general of the Ministry of Agriculture, Paul De Vuyst, and a member of parliament, Emile Tibbaut. The authenticity of the reconstruction of the model school is assessed based on recent construction history research. Finally, the question of the extent to which the model school design was adopted was explored during a field trip with the help of local cultural and archival agencies. The 1913 World's Fair in Ghent took place in a period of mass rural migration that resulted in poverty and social unrest in many parts of Europe. The Belgian government was keen to do something about this by building a new countryside with a better quality of life. To that end they exhibited the Modern Village – a practical and instructive embodiment of their policy – at the Ghent World's Fair. The ambition was to modernize the rural economy and beautify the villages. Via the introduction of compulsory education for children between the ages of six and fourteen, future generations would be taught the skills and techniques needed to modernize the economy and simultaneously achieve the edification of the rural population, central to which was a love of one's own region and traditions. The effects of the Modern Village on the modernization of agriculture and on the improvement of the quality of life were felt mainly after the First World War, not just in Belgium but in other countries, too, such as Hungary. The model school in the Modern Village was conceived as an affordable and easy-to-build school building that would facilitate the realization of this new rural culture. The construction survey has demonstrated the authenticity based on the specific roof shapes in stone dating from over a hundred years ago. Recent field research complements the latest investigations by the Flemish Government and strengthens the hypothesis that the model school was widely emulated and played an important role in the implementation of compulsory schooling in Belgium. Further research is necessary, not least to obtain clarity about the adoption of the new teaching methods presented in the model school and the significance of small primary school libraries for the general edification of the rural population.