Capitalizing: Theory / Fiction Theory / Novel
In: Tessera
ISSN: 1923-9408
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In: Tessera
ISSN: 1923-9408
In: Metacritic journal for comparative studies and theory: mj, Band 9, Heft 1, S. 214-233
ISSN: 2457-8827
This paper discusses the import of "theory-fiction" in contemporary Romanian culture, by analysing the textual and artistic output of the performance artists Alina Popa and Florin Flueraș. The first part introduces the key methodological concepts used in
In: History of European ideas, Band 13, Heft 4, S. 445-446
ISSN: 0191-6599
In: Social research: an international quarterly, Band 38, Heft 1, S. 108-138
ISSN: 0037-783X
In: Feminist review, Band 74, Heft 1, S. 1-1
ISSN: 1466-4380
In: History of European ideas, Band 10, Heft 1, S. 85-87
ISSN: 0191-6599
In: Bocconi Legal Studies Research Paper No. 2887900
SSRN
Working paper
In: Historical materialism: research in critical marxist theory, Band 10, Heft 4, S. 297-305
ISSN: 1569-206X
In: International journal of academic research, Band 6, Heft 3, S. 163-165
ISSN: 2075-7107
In: Tessera
ISSN: 1923-9408
In: Women's studies international forum, Band 13, Heft 3, S. 277-279
In: Revue économique, Band 11, Heft 5, S. 829
ISSN: 1950-6694
In: Synthese: an international journal for epistemology, methodology and philosophy of science, Band 199, Heft 5-6, S. 13749-13769
ISSN: 1573-0964
AbstractAccording to the so-called 'artifactual theory' of fiction, fictional objects are to be considered as abstract artifacts. Within this framework, fictional objects are defined on the basis of their complex dependence on literary works, authors, and readership. This theory is explicitly distinguished from other approaches to fictions, notably from the imaginary-object theory. In this article, I argue that the two approaches are not mutually exclusive but can and should be integrated. In particular, the ontology of fiction can be fruitfully supplemented by a phenomenological analysis, which allows us to clarify the defining modes of givenness of fictional objects. Likewise, based on the results of the artifactual theory, some assumptions in the imaginary-object theory, which are liable to be interpreted as laying the ground to phenomenalism, can be corrected.
In: Millennium: journal of international studies, Band 50, Heft 2, S. 430–455
ISSN: 1477-9021
The international politics of climate change invokes the imagination of various potential global futures, ranging from techno-optimist visions of ecological modernisation to apocalyptic nightmares of climate chaos. This article argues that most dominant framings of the future in climate policy imaginaries tend to be depoliticised and linear visions of universal, homogenous time, with little spatio-temporal or ecological plurality. This article aims to convince IR scholars of climate politics that Africanfuturist climate fiction novels can contribute to the decolonisation of climate politics through radically different socio-climatic imaginaries to those that dominate mainstream imaginations of climate futures. The Africanfuturist climate fiction novels of authors such as Nnedi Okorafor, Lauren Beukes and Doris Lessing imagine different spaces, temporalities, ecologies and politics. Reading them as climate theory, they offer the possibility of a more decolonised climate politics, in which issues of land and climate justice, loss and damage, extractive political economies and the racialised and gendered violence of capitalism are central.
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