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Marina Grishakova belongs to the younger generation scholars of the Tartu-Moscow school of semiotics. Her book is part of a semio-narratological tradition of a single author or a single work research that tackles issues of wider theoretical import: applicability of the concept of "modeling" in the humanities, theory of mimesis and the function of experimental literature in (post)modernist culture. By drawing on Y. Lotman's conception of artistic models, the book adopts the semiotic perspective on modeling as an open-ended heuristic process underlying the logic of discovery and creative thinking. The book discusses the models of time and memory in modernist culture (Nietzsche's and Bergson's philosophy of time, Minkowski's research on the psychopathological types of temporality) and their relevance to Nabokov's fiction; popular-scientific notions of serialism and the fourth dimension; thematizations of the observer in modernist philosophy and arts; visual "prostheses" and "machines" (Eco), particularly the "camera vision" metaphor, its relation to Bergson's notion of automatism and the popular idea of the criminal use of hypnosis. Vision is thematized also as a means of seduction and noncoercive control. Even before Foucault, Baudrillard and other critics of modernity, Nabokov noticed that advertising, political propaganda and erotic seduction alike employ implicit forms of suggestion. The book revises Rorty's dilemma of "autonomy" and "solidarity" as applied to Nabokov's work and offers new readings. It considers categories of narrative poetics as forms of cultural encoding that broaden and transform reader's modes of perception and sense-making. Micro-models active in certain contexts or in the works of certain authors function as mobile interfaces between individual sensibilities and complex cultural chrono- and spatio-types where time and space take on conceptual meaning. (This title is the second revised edition, available online only. The web shop refers to the first edition, which is available as a paper monograph.)

AbstractThe special issue of "Networks in space and in time: methods and applications" contributes to the debate on contextual analysis in network science. It includes seven research papers that shed light on the analysis of network phenomena studied within geographic space and across temporal dimensions. In these papers, methodological issues as well as specific applications are described from different fields. We take the seven papers, study their citations and texts, and relate them to the broader literature. By exploiting the bibliographic information and the textual data of these seven documents, citation analysis and lexical correspondence analysis allow us to evaluate the connections among the papers included in this issue.

This paper discusses the concept spacetime in the context of some traditional notions of space and time in sociological and anthropological literature. The paper argues that the concept of spacetime, together with other post‐Newtonian insights, can provide a useful metaphor with which to interpret societal phenomena. The paper concludes by illustrating the argument with a brief review of the ethnohistory of a Caribbean territory.

Cover -- TABLE OF CONTENTS -- INTRODUCTION: BERGSON(ISM) IN SPAIN -- PART I. THE SPANISH NOVEL -- 1. Pío Baroja: Medicine and Mysticism -- 2. Miguel de Unamuno: Against Abstract Philosophy -- 3. Juan Benet: Recalibrating Space and Time in Región -- 4. Belén Gopegui: Mental and Cartographic Space -- PART II. FILM STUDIES -- 5. From Bergson to Deleuze: Duration and Multiplicity in Two Spanish Films -- 6. Film as the Redemption of Reality: The Importance of Iconicity/Indexicality -- 7. Carlos Saura's Taxi: Reconciling Filmspace and Urban Space -- PART III. URBAN THEORY -- 8. From Bergson to Lefebvre: Toward a Philosophy of the Urban -- 9. Manuel Delgado Ruiz: Theorizing the Living City -- CONCLUSION -- APPENDIX: Bergson's addresses in Madrid at the Ateneo on May 2 and 6, 1916 -- REFERENCES -- INDEX -- A -- B -- C -- D -- E -- F -- G -- H -- I -- J -- K -- L -- M -- N -- O -- P -- Q -- R -- S -- T -- U -- V -- W -- Y -- Z

Introduction -- The feminist distance: space in Jane Campion's The piano -- Claire Denis and the flow of time: Beau travail -- Time and difference: love in Claire Denis' Trouble every day -- Lucrecia Martel and the curious body in The holy girl -- Conclusion

King reviews 'The City in Modern Chinese Literature and Film: Configurations of Space, Time, and Gender' by Yingjin Zhang.

I / Causality and Time -- Causal Models and Space-Time Geometries -- Temporally Symmetric Causal Relations in Minkowski Space-Time -- Notes on the Causal Theory of Time -- Earman on the Causal Theory of Time -- Kant's Formulation of the Laws of Motion -- On Travelling Backward in Time -- The Flow of Time -- II / Geometry of Space and Time -- Poincaré's Philosophy of Space -- On the Structure of Space-Time -- Topology, Cosmology and Convention -- Grünbaum on the Conventionality of Geometry -- Reflections on a Relational Theory of Space -- The Ontology of the Curvature of Empty Space in the Geometrodynamics of Clifford and Wheeler -- Relativity Principles, Absolute Objects and Symmetry Groups -- Nondirected Light Signals and the Structure of Time -- Coordinate-Free Relativity -- Some Open Problems in the Philosophy of Space and Time -- The Naive Conception of the Topology of the Surface of a Body.