Cover -- Half Title -- Title Page -- Copyright -- Dedication -- Contents -- Acknowledgments -- Introduction -- One The Early Church to Aquinas -- Two The New World to the Present -- Three Pastoral Accompaniment and Consolation -- Four Solidarity -- Five Social Sin -- Six Reconciliation and Catholic Nonviolence -- Seven Desire for Peace -- Notes -- Bibliography -- Index.
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What's old is new again -- PART I: Theoretical underpinnings -- Business and peace: a need for new questions and systems perspectives -- Business, peace, and human rights: a political responsibility perspective -- The messy business of peace amid the tyranny of the profit motive: complexity and culture in post-conflict contexts -- PART II: Perspectives on the corporate side -- Furthering business efforts to reduce social risk and promote peacebuilding: the potential of social impact bonds (SIBs) -- Beyond rhetoric or reactivity on SDG 16: towards a princiipled policy basis for engaging business in peacebuilding -- From war-torn to peace-torn? Mapping business strategies in transition from conflict to peace in Colombia -- PART III: Empirical reflections -- The only hope left: differences between multinational and local coompany peacebuilding activities in Syria and Iraq -- The contested roles of local business in peacebuilding: reflections from Sri Lanka and El Salvador -- Practicing business and peace? Considerations overheard in the field -- Large-scale investment management: the peace potential of a sovereign wealth fund -- Index.
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Dedication -- Acknowledgments -- Contents -- Chapter 1: Introduction -- Religious Peacebuilding -- Contextualizing Religious Peacebuilding -- Religious Peacebuilding in Ethiopia -- Theoretical Perspectives -- Relevance for Academic Discussions on Religious Peacebuilding -- Relevance for Religious Peacebuilders and Donors -- Key Terms -- Religion and Religious Peacebuilding -- Peace -- Conflict -- Political Strategies -- Arguments and Outline of State and Politics in Religious Peacebuilding -- Notes -- Chapter 2: Religious Peacebuilding and State Context -- Introduction
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This article examines how the growing complexity of peacebuilding settings is transforming the classic notion of purposeful agency into a non-purposeful, adaptive form of being in such contexts. Through an analysis of critical peacebuilding literature and a reflection on the UN's peacebuilding practices in the field, the article first argues that complexity has been gradually replacing linear, top-down strategies with approaches seeking to draw attention to interdependencies, relationality and uncertainty. The article then suggests that engaging with complexity has critical implications for the traditional understanding of purposeful agency in the peacebuilding milieu that go beyond those of the governmentality critique, which conceptualizes the complexity turn as a strategy for extending control over post-conflict societies. Complexity is eventually conceived of in the article as a performative contextual quality that stems from the non-linear, co-emergent and unpredictable entanglement of interactions between actors in peacebuilding processes. This state of entanglement hinders the autonomous, purposeful agential condition of these actors in war-torn scenarios – in this article, peacebuilding implementers specifically – in which agency seems more and more restricted to its adaptive nature.
AbstractWhile there has been a long engagement with the impact of time on peacebuilding policies and practice, this engagement has to date focused predominately on issues of short- versus long-term initiatives, and of waning donor support for such initiatives. More recently, the critical peacebuilding turn has focused attention on the politics of the everyday as being essential to emancipatory endeavours enacted through localisation. Yet despite this, time itself has not been the subject of analysis, and the politics of time have not been integrated into the study of peacebuilding. This article, drawing both on historical institutionalist and on critical international studies analyses of temporality, provides a framework for analysing the impacts of time on the potential to achieve emancipatory peace. Drawing on extensive fieldwork in Bosnia and Herzegovina and in Cambodia, this article asserts that a focus on Policy Time, Liberal Political Time, and Intergenerational Time highlights how peacebuilding initiatives are framed by disparate timescapes that limit the visibility of local chronopolitics, and that this in turn restricts local empowerment and resistances.
Women's organisations aimed at conflict resolution have been active in Guinea-Bissau in the past decade under the auspices of international and regional bodies, particularly the Economic Community of West African States (ECOWAS) and the United Nations (UN). Guinea-Bissau is a small Western African country of 1.8 million habitants that declared its independence from Portugal in 1973 after a long independent war. The country recent history has been marked by repeated military coups, political assassinations, and the fragility of state institutions. In this article we ask what was the role of women organisations in peacebuilding and conflict resolution in a country marked by a prolonged and systemic political crisis? ; info:eu-repo/semantics/publishedVersion
Blending autoethnographic approaches with critical analysis, this article explores the intersection of arts-based praxis in peacebuilding and development in peace studies and conflict resolution (PS/CR). In recent decades, arts-based approaches have emerged across the globe in post-conflict settings. Applied, or process, theatre constitutes a social ontology, analysing and digesting experiences and an acceptance of multiple methods that inform research, theory, and practice. Similar to experiential education, applied theatre methodology connects research, theory, and practice in an integrative setting, but how does it resonate with PS/CR in practice? How can peace practitioners access arts-based praxis in development efforts? What benefits do such approaches provide? The author proposes that applied theatre principles, inspired by Augusto Boal and his system called Theatre of the Oppressed, can strengthen existing connections between peace education and peacebuilding practice, whilst also providing opportunities to enhance leader and learner benefit through active engagement in various settings.