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AbstractThis section includes eighty-six short original essays commissioned for the inaugural issue of TSQ: Transgender Studies Quarterly. Written by emerging academics, community-based writers, and senior scholars, each essay in this special issue, "Postposttranssexual: Key Concepts for a Twenty-First-Century Transgender Studies," revolves around a particular keyword or concept. Some contributions focus on a concept central to transgender studies; others describe a term of art from another discipline or interdisciplinary area and show how it might relate to transgender studies. While far from providing a complete picture of the field, these keywords begin to elucidate a conceptual vocabulary for transgender studies. Some of the submissions offer a deep and resilient resistance to the entire project of mapping the field terminologically; some reveal yet-unrealized critical potentials for the field; some take existing terms from canonical thinkers and develop the significance for transgender studies; some offer overviews of well-known methodologies and demonstrate their applicability within transgender studies; some suggest how transgender issues play out in various fields; and some map the productive tensions between trans studies and other interdisciplines.

AbstractThis article explores the promise of an archipelagic analytic for transgender studies through an interpretive investigation of a beauty pageant in the Philippines. Drawing on transgender studies scholarship and the emergent field of archipelagic studies, this article traces how the pageant underwent a series of archipelagic turns when the slate of candidates shifted from representing nations to representing islands, provinces, and regions across the Philippine archipelago. This turn, the author argues, displaced the centrality of the nation and put forward a translocal and translingual focus that centered islandness and island-island relations as the primary categories of embodiment and performance. In the conclusion, this article argues more broadly that transgender studies, with its discontiguous and decentered character, can also be characterized in archipelagic terms. Taken together, this article adds a new heuristic to transgender studies scholarship, while also including transgender in the growing corpus of work in archipelagic American studies that challenges "continental exceptionalism."

Abstract
A larger game is at play with respect to the field of transgender subjectivities in India that goes beyond gender or sexuality, and enters the arena of contested cultures and historical erasures. It can be hypothesized that a contemporary transgender subject in India finds itself caught between the fading voice of precolonial and colonial history on the one hand, and the strong pull of globalization on the other, creating what can perhaps be imagined as a knotted relation of the (transgender) subject with historicity and temporality. A rather confounding gap lies between premodern conceptualizations of gender and sexuality that reside as cultural memory in the subject, carrying its own paleonymic weight, and the increasingly widening signifier transgender in the contemporary. The task of this article is to explore what can be found at this interstice, which promises a clue that is symptomatic of the shifting sands of culture, history, and memory as they play out in India, and how they may point toward a theorization of sexuality that lies away from its histories in the West.

Abstract
This roundtable discussion took place between August 2013 and January 2014 through e-mail. Eventually, two questions were posed, and participants individually e-mailed their responses in. The questions were posed in the hope of making space for a number of scholars, activists, and culture makers to take the pulse of transgender studies' political possibilities and limits and to talk practically about methods for creating change.

Abstract
This essay is a set of reflections arising out of prolonged conversations in which we compared notes on our respective experiences as activist (Raina) and ethnographer (Aniruddha) working among, and to different extents belonging to, gender/sexually marginalized communities in eastern India. As we shall argue, the attempted universalization of transgender as a transnational "umbrella term" by the development (nongovernmental) sector, the state, and their funders tends to subsume South Asian discourses and practices of gender/sexual variance as merely "local" expressions of transgender identity, without interrogating the conceptual baggage (such as homo-trans and cis-trans binaries) associated with the transgender category. In the Indian context, this process bolsters the long-standing and continuing (post)colonial construction of hierarchies of scale between transnational, regional, and local levels of discourse and praxis, as evidenced in the relation between the hegemonic anglophone discourse of LGBTIQ identities recognized by the state and the development sector, on one hand, and forms of gender/sexual variance that are positioned as relatively regional or local on the other.

Abstract
This article explores the performance practices of Sean Dorsey, modern dance's first out transgender choreographer, in order to consider one embodied strategy for staging transgender histories. Utilizing extant LGBTQ archives, and then collecting oral histories himself, Dorsey develops a trans archival practice founded in collaboration, an ethic of care, and grassroots activism that he extends into live performance. Tracing the arc of Dorsey's practice in generating choreography from the archive, the authors ask how embodied artists move with history and consider his dance performance as a site of historical production.

One of the issues that have been considered in the public sphere today is the issue of the transgender phenomenon. Transgender is related to the problem of gender identity. It refers to the condition in which the perpetrators identify their identity and gender differently from their sex biologically. It's caused by dissatisfaction and incompatibility between their body and soul. The term transgender might not be so familiar in Indonesia. However, to indicate that phenomenon, some of the people called them "waria", "priawan" or "tomboy". Generally, their existences were still hard to be accepted because Indonesian people considered this phenomenon as a deviation and it contradicts the moral value and religion in Indonesian society. In the teachings of Islam, the transgender phenomenon has been existed in the early days of the development of Islam, and it has been forbidden strictly. The Islamic view about this issue could be found in the prophet's hadith explicitly. Hence, to understand this phenomenon, we need to study the hadith. The purpose is as a basis for addressing the transgender phenomenon that was prevalent in Indonesia. The understanding implementation of this hadith, in general, is not easy, because Indonesia is not a country that makes Islam as a formal state system. It has its perspective relate to the transgender phenomenon. Therefore, we have to contextualize this hadith understanding according to the Indonesian context, especially in dealing with transgender perpetrators.

Abstract
This article discusses the anglophone reception of the life and work of the East German transvestite Charlotte von Mahlsdorf following the collapse of communism in Eastern Europe. Particular attention is paid to the translation and marketing of von Mahlsdorf's memoir against the backdrop of Eastern Europe's purported transition to Western capitalist democracy. Using the concept of framing developed first by Erving Goffman and adapted to the study of translation by Albrecht Neubert and Gregory Shreve, and then Mona Baker, the author analyzes the ways in which the presentation of von Mahlsdorf's life in the translated memoir reflects a specific Western framing of queer lives, which is later altered in Doug Wright's award-winning play about von Mahlsdorf following the release of von Mahlsdorf's secret police file and the troubled progress of the so-called transition. The article demonstrates how the careful study of translations can challenge the universalizing of Western conceptual and temporal frames by highlighting the historical and contingent nature of our sexual selves.