Jediná jistota je změna: autoetnografie na transgender téma
In: Etnologické štúdie 30
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In: Etnologické štúdie 30
International audience ; For about ten years now, transgender women's organizations in Bolivia have been holding beauty pageants. Inspired by the conventional Miss competitions, the aim of these contests is to assert the existence and claim the rights of another category of women. For the participants, these events represent nothing less than a political university; getting up on stage is also a milestone in the journey that leads from hiding to a publicly embraced identity as a trans woman. Nevertheless, the desire to be recognized as equal in beauty and femininity to a Miss limits the possibility of questioning the hegemonic man/woman binary. Thus, in a similar way to the indigenous Miss pageants, the transgender contests seem permeated by the tension between the reproduction of certain means of oppression and a genuinely subversive project. ; Desde las pasarelas de los concursos de belleza: producirse como mujer transgenero en Bolivia Desde hace unos diez años, las organizaciones de mujeres transgenero de Bolivia auspician concursos de belleza. Inspirados de las elecciones de Miss convencionales, estos concursos apuntan a reivindicar la existencia y los derechos de otra categoría de mujeres. Para las participantes, constituyen una verdadera universidad política; subirse a la tarima es también una etapa central en la trayectoria que conduce de la clandestinidad a una identidad de mujer trans asumida públicamente. El deseo de ser reconocida como igual, en belleza y feminidad, de una Miss limita, sin embargo, la posibilidad de cuestionar el contenido hegemónico de los atributos de la categoría "mujer". Así, de manera análoga a las Miss indígenas, los concursos transgenero aparecen atravesados por la tensión entre la reproducción de ciertos mecanismos de opresión y el proyecto de una verdadera subversión. ; Depuis une dizaine d'années, les organisations de femmes transgenres de Bolivie réalisent des concours de beauté. Inspirés des élections de Miss conventionnelles, ces concours en prennent le contrepied pour ...
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International audience ; For about ten years now, transgender women's organizations in Bolivia have been holding beauty pageants. Inspired by the conventional Miss competitions, the aim of these contests is to assert the existence and claim the rights of another category of women. For the participants, these events represent nothing less than a political university; getting up on stage is also a milestone in the journey that leads from hiding to a publicly embraced identity as a trans woman. Nevertheless, the desire to be recognized as equal in beauty and femininity to a Miss limits the possibility of questioning the hegemonic man/woman binary. Thus, in a similar way to the indigenous Miss pageants, the transgender contests seem permeated by the tension between the reproduction of certain means of oppression and a genuinely subversive project. ; Desde las pasarelas de los concursos de belleza: producirse como mujer transgenero en Bolivia Desde hace unos diez años, las organizaciones de mujeres transgenero de Bolivia auspician concursos de belleza. Inspirados de las elecciones de Miss convencionales, estos concursos apuntan a reivindicar la existencia y los derechos de otra categoría de mujeres. Para las participantes, constituyen una verdadera universidad política; subirse a la tarima es también una etapa central en la trayectoria que conduce de la clandestinidad a una identidad de mujer trans asumida públicamente. El deseo de ser reconocida como igual, en belleza y feminidad, de una Miss limita, sin embargo, la posibilidad de cuestionar el contenido hegemónico de los atributos de la categoría "mujer". Así, de manera análoga a las Miss indígenas, los concursos transgenero aparecen atravesados por la tensión entre la reproducción de ciertos mecanismos de opresión y el proyecto de una verdadera subversión. ; Depuis une dizaine d'années, les organisations de femmes transgenres de Bolivie réalisent des concours de beauté. Inspirés des élections de Miss conventionnelles, ces concours en prennent le contrepied pour revendiquer l'existence et les droits d'une autre catégorie de femmes. Pour les participantes, ils constituent une véritable école politique. Monter sur le podium est également une étape centrale dans la trajectoire qui conduit de la clandestinité à une identité de femme trans publiquement assumée. Le désir d'être reconnue comme l'égale en beauté et en féminité d'une Miss limite cependant la remise en question des attributs hégémoniques de la catégorie « femme ». De manière analogue aux Miss indigènes, les concours de beauté transgenres apparaissent ainsi traversés par la tension entre la reproduction de certains mécanismes d'oppression et le projet d'une subversion véritable.
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International audience ; For about ten years now, transgender women's organizations in Bolivia have been holding beauty pageants. Inspired by the conventional Miss competitions, the aim of these contests is to assert the existence and claim the rights of another category of women. For the participants, these events represent nothing less than a political university; getting up on stage is also a milestone in the journey that leads from hiding to a publicly embraced identity as a trans woman. Nevertheless, the desire to be recognized as equal in beauty and femininity to a Miss limits the possibility of questioning the hegemonic man/woman binary. Thus, in a similar way to the indigenous Miss pageants, the transgender contests seem permeated by the tension between the reproduction of certain means of oppression and a genuinely subversive project. ; Desde las pasarelas de los concursos de belleza: producirse como mujer transgenero en Bolivia Desde hace unos diez años, las organizaciones de mujeres transgenero de Bolivia auspician concursos de belleza. Inspirados de las elecciones de Miss convencionales, estos concursos apuntan a reivindicar la existencia y los derechos de otra categoría de mujeres. Para las participantes, constituyen una verdadera universidad política; subirse a la tarima es también una etapa central en la trayectoria que conduce de la clandestinidad a una identidad de mujer trans asumida públicamente. El deseo de ser reconocida como igual, en belleza y feminidad, de una Miss limita, sin embargo, la posibilidad de cuestionar el contenido hegemónico de los atributos de la categoría "mujer". Así, de manera análoga a las Miss indígenas, los concursos transgenero aparecen atravesados por la tensión entre la reproducción de ciertos mecanismos de opresión y el proyecto de una verdadera subversión. ; Depuis une dizaine d'années, les organisations de femmes transgenres de Bolivie réalisent des concours de beauté. Inspirés des élections de Miss conventionnelles, ces concours en prennent le contrepied pour revendiquer l'existence et les droits d'une autre catégorie de femmes. Pour les participantes, ils constituent une véritable école politique. Monter sur le podium est également une étape centrale dans la trajectoire qui conduit de la clandestinité à une identité de femme trans publiquement assumée. Le désir d'être reconnue comme l'égale en beauté et en féminité d'une Miss limite cependant la remise en question des attributs hégémoniques de la catégorie « femme ». De manière analogue aux Miss indigènes, les concours de beauté transgenres apparaissent ainsi traversés par la tension entre la reproduction de certains mécanismes d'oppression et le projet d'une subversion véritable.
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In: Antropos
Klappentext: "Neste primeiro grupo de ensaios, não irei tanto oferecer respostas quanto levantar hipóteses e questões que se prendem com os estudos feministas e a teoria queer, as relações entre género, sexo e sexualidades e conceitos como o corpo e a construção (e desconstrução) de identidades. O que me interessa é tentar entender como estas novas problematizações relativas à questão das identidades e do corpo são produtivas do ponto de vista literário, particularmente no que se refere ao fenómeno poético. São dois os problemas que aqui enunciarei: até que ponto podemos falar de uma identidade de mulher no texto poético; não será o poético (no sentido lato do termo) o espaço privilegiado para discutir a não-existência de uma identidade estável e, portanto, a metamorfose, sempre? Para desenvolver estas ideias, necessito, porém, de falar um pouco da evolução (e convivência hoje) de feminismos e da teoria queer, que se constituem numa relação crítica com uma série de novas formações e novas molduras sociais e culturais."
In: Sciences humaines
Objective. This study describes and analyzes the relationship between political ideology, the intolerance of ambiguity, homophobia and prejudice against transgender groups in a sample of university students and graduates from the city of Lima (N = 144). Method. A quantitative descriptive-correlational study was carried out. Spanish translated versions of RWA and SDO scales were used. Also were used an adapted version of MSTAT-II (Tolerance of Ambiguity Scale) and a version of the Modern Homophobia Scale (MHS) validated for university students in the city of Lima. Results. A direct relationship was found between RWA, SDO, intolerance of ambiguity, homophobia and prejudice against certain transgender groups (transvestites and transsexuals). A multiple linear regression model suggests that RWA and intolerance of ambiguity, combined, could be applicable predictors of homophobic attitudes. Conclusion. Based on the results, it is possible to verify that there is a relationship between psychological variables that express a conservative political ideology and prejudice towards homosexuals and transgender groups, to the extent they could be considered by the most conservative individuals as very ambiguous social stimuli. ; Objetivo. Este estudio describe y analiza la relación entre la ideología política, la intolerancia a la ambigüedad, la homofobia y el prejuicio hacia los grupos transgénero en una muestra de estudiantes y egresados universitarios de la ciudad de Lima (N = 144). Método. Se realizó un estudio cuantitativo de tipo descriptivo-correlacional en el cual se utilizaron versiones adaptadas al español de las escalas RWA, SDO, Mstat-II (Escala de Tolerancia a la Ambigüedad), y una versión de la escala de Homofobia Moderna (MHS) validada en población universitaria de Lima. Resultados. Se encontró una relación directa entre el RWA, la SDO, la intolerancia a la am bigüedad, la homofobia y el prejuicio hacia determinados grupos transgénero (travestis y transexuales). Un modelo de regresión lineal múltiple propone que determinados niveles en RWA y en intolerancia a la ambigüedad pueden ser buenos predictores de actitudes homofóbicas. Conclusión. Se ha podido constatar que existe una relación entre las variables psicológicas que expresan una ideología política conservadora y el prejuicio hacia los homosexuales y hacia los grupos transgénero, en la medida en que son considerados por las personas más conservadoras como estímulos sociales muy ambiguos. ; Escopo. Este estudo descreve e analisa a relação entre ideologia política, intolerância à ambiguidade, homofobia e prejuízo para os grupos transgender numa amostra de estudantes e graduados universitários da cidade de Lima (N=144). Metodologia. Foi realizado um estudo quantitativo de tipo descritivo- co relacional no qual foram utilizados versões adaptadas ao espanhol das escalas RWA, SDO, MSTAT-II (Escala de Tolerância à ambiguidade) e uma versão da escala de Homofobia Moderna (MHS) validada em população universitária de Lima. Resultados. Foi achada uma relação direta entre o RWA, a SDO, a intolerância à ambiguidade, a homofobia e o prejuízo para determinados grupos transgender (travestis e transexuais). Um modelo de regressão lineal múltipla propõe que determinados níveis em RWA e em intolerância à ambiguidade podem ser bons preditores de atitudes de homofobia. Conclusão. Foi constatada uma relação entre as variáveis psicológicas que expressam uma ideologia política conservadora e o prejuízo para os homossexuais e para os grupos transgender, na medida em que são considerados pelas pessoas mais conservadoras como estímulos sociais muito ambíguos.
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Interlocuções teóricas do pensamento transfeminista / Jacqueline Gomes de Jesus -- É a natureza quem decide? : reflexões trans*sobre gênero, corpo e (ab?)uso de substâncias / Viviane V. -- Gênero e orientação sexual : uma tipologia para o movimento transfeminista / Márcio Sales Saraiva -- Gênero e sexualidade : intersecções em disputa / Natália Silveira de Carvalho -- Os homens transexuais brasileiros e o discurso pela (des)patologização da transexualidade / André Lucas Gerreiro Oliveira -- A prisão sobre o corpo trans : gênero e significados sociais / Guilherme Gomes Ferreira -- Não-vidência e transexualidade : questões transversais / Felipe Moreira -- Transexualidades : olhares críticos sobre corpos em crise / Liliana Rodrigues, Nuno Santos Carneiro e Conceição Nogueira -- Agora, as mulheres são outras : travestilidade e envelhecimento / Fábio Henrique Lopes
In: Logiques sociales
In: Histoire de la pensée
In a world governed by gender binarity, literature tends to represent and stage characters fin binary terms. But what happens when a novelist decides to center his/her story around a dissident of gender? Starting from this question, our research strives to question transgender practices in the modern novel and, for one of the texts in the corpus at least, in postmodernity through an examination of Our Lady Of The Flowers from Jean Genet (1943) to My Tender Matador by Pedro Lemebel (2001) through Hell Has No Limits by José Donoso (1966) and Last Exit to Brooklyn by Hubert Selby Jr. (1964). If the nodal point of these four works is indeed the representation of transgender practices (clothing, gestures, artistic performances), these works also question trans materialities, i.e. the way in which the body modulates and models itself in light of the twists that it is subjected to. In three of the works in this corpus, the queer body is a senescent body, so queer aging is tinged with a morbidity that we must place in a specific historical context. If the third age intersects with the third sex, it is perhaps a way of signifying the unlivable nature of queer materialities – and identities. The transvestite body is first of all an impossible body. But from occupied France to Pinochet's Chile, the transvestite body not only embodies transgender and homosexual morbidity but also the decay of a world structured by the binary distribution of the sexes. In each of the novels, drag should not be read as an intimate practice but as an irreducibly political one. The transvestite, like it or not, is saying something about the polis. In more than one way, it embodies the disguise of all, a universal social truth. By focusing on the practices and performances of a dissident of gender – Divine in Genet, la Manuela in Donoso, Georgette in Selby Jr. and la Loca del frente in Lemebel –, the authors are primarily interested in the way in which their drag radiates on their audience, on the decaying social body that welcomes them – and ...
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In a world governed by gender binarity, literature tends to represent and stage characters fin binary terms. But what happens when a novelist decides to center his/her story around a dissident of gender? Starting from this question, our research strives to question transgender practices in the modern novel and, for one of the texts in the corpus at least, in postmodernity through an examination of Our Lady Of The Flowers from Jean Genet (1943) to My Tender Matador by Pedro Lemebel (2001) through Hell Has No Limits by José Donoso (1966) and Last Exit to Brooklyn by Hubert Selby Jr. (1964). If the nodal point of these four works is indeed the representation of transgender practices (clothing, gestures, artistic performances), these works also question trans materialities, i.e. the way in which the body modulates and models itself in light of the twists that it is subjected to. In three of the works in this corpus, the queer body is a senescent body, so queer aging is tinged with a morbidity that we must place in a specific historical context. If the third age intersects with the third sex, it is perhaps a way of signifying the unlivable nature of queer materialities – and identities. The transvestite body is first of all an impossible body. But from occupied France to Pinochet's Chile, the transvestite body not only embodies transgender and homosexual morbidity but also the decay of a world structured by the binary distribution of the sexes. In each of the novels, drag should not be read as an intimate practice but as an irreducibly political one. The transvestite, like it or not, is saying something about the polis. In more than one way, it embodies the disguise of all, a universal social truth. By focusing on the practices and performances of a dissident of gender – Divine in Genet, la Manuela in Donoso, Georgette in Selby Jr. and la Loca del frente in Lemebel –, the authors are primarily interested in the way in which their drag radiates on their audience, on the decaying social body that welcomes them – and ...
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