Suchergebnisse

Wie könnte ein gerechter Staat aussehen? Wie eine gerechte Gesellschaft? In seiner "Politeia" entwirft Platon einen Idealstaat: Männer und Frauen der herrschenden Klasse sind gleichberechtigt, es gibt weder Heirat noch Familie oder persönlichen Besitz, alle Kinder werden gemeinsam erzogen, eine kultivierte Elite wacht über Recht und Ordnung, und Philosophen lenken die Staatsgeschicke. Nicht das persönliche Glück ist das Ziel, sondern das Wohl des Staates.

Englische Ausgabe mit griechischen Abstracts / English edition with Greek abstracts Taking Action rückt die nachhaltige Gestaltung urbaner Transformation und die Vorbereitung dicht strukturierter Stadträume auf zukünftige Herausforderungen in den Fokus. Wie lassen sich Klimawandel und räumliche Disparitäten unter Krisenbedingungen und angesichts begrenzter räumlicher und sonstiger Ressourcen bewältigen? Wie können ehrgeizige und umfassende Ziele mit der Realität lokaler Bedingungen und Alltagsräumen in Einklang gebracht werden? Und wie kann Wissen in Handeln umgesetzt werden? Während derzeit überall in Europa die grundlegenden räumlichen Beziehungen in Städten neu verhandelt werden, konzentrieren sich in Athen einige der dringlichsten urbanen Probleme und machen die Stadt zu einem einzigartigen Experimentierfeld. Die Autor*innen nähern sich diesen multidimensionalen Fragen aus verschiedenen Perspektiven an, um mögliche Interventionsräume zu identifizieren, neue Transformationsmodelle vorzuschlagen und die Potenziale der urbanen Landschaften für einen positiven Wandel zu aktivieren

"Offers intermediate Greek students a reliable, up-to-date introduction to Plato's most influential work. Plato's Greek is not difficult, but his ideas have generated considerable controversy. Book I serves as a dramatic introduction to them, with its memorable confrontation between Socrates and the sophist Thrasymachus over the nature of justice"--

"This is an anthology of private funerary poems in Greek from the archaic period until later antiquity. The vast majority of these poems were inscribed on tombs or grave stelai and served to identify, celebrate and mourn the dead. It is not in fact very difficult to distinguish such 'funerary' poems from other types of inscription, even if there are important overlaps in style and subject between, say, some honorific and some epitaphic verse-inscriptions; what can be much more difficult, however, is to distinguish 'public' from 'private' inscriptions, and indeed to decide what, if anything, is at stake in the distinction and how that distinction changed over time. Our earliest verse epitaphs seem to be 'private', in the sense that, as far as we can tell, they were designed and erected by the family of the deceased. For the fifth century, however, our evidence is predominantly Attic, and, from the first three-quarters of the century in particular, we have very few clearly 'private' such inscriptions, as opposed to those either sponsored or displayed (or both) by public authorities; this was the age of public burials and public commemorations in polyandry or 'multiple tombs', which (quite literally) embodied the spirit of public service demanded of male citizens. 'Private' poems too, of course, reflected the ideology of the city in which they were displayed, and we must not assume that a 'public-private' distinction mapped exactly on to some ancient equivalent of a modern 'official-unofficial' one. 'Private' inscriptions, for example, might need 'public' blessing to be erected in a particularly prominent place or even to use a particular language of praise."--

Chronicled in this selection of his writings, are Chandrashekhar Agashe's notices, letters, missives, and memoranda showcasing his tactful defences of his business, his daring challenges to his detractors, his witty rebuttals to his critics, and his humble gratitude to his supporters, as published in The Kesari, during the tumultuous years he and his business faced between 1950 and 1956.

For thousands of years India's Dalits were abhorred as "untouchables," denied education and treated as bonded labour. By 1923 Bhimrao Ambedkar broke the taboo, won doctorates abroad and fought for the emancipation of his people. He drafted India's Constitution, led his followers to discard Hinduism for Buddhism. His legend still spreads through poetry and song. In 1997 a statue of Dr. Ambedkar in a Dalit colony in Mumbai was desecrated with footwear. As angry residents gathered, police opened fire killing 10. Vilas Ghogre, a leftist poet, hung himself in protest. Jai Bhim Comrade shot over 14 years, follows the poetry and music of people like Vilas and marks a subaltern tradition of reason that, from the days of the Buddha, has fought superstition and religious bigotry