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Riots, strikes and protests are heavily mediatised events. Media representations thus play a crucial role in narrating instances of civil disorder for the public where they define the issues at stake, delimit frames of reference and debate, and ultimately legitimise or delegitimise the actors, actions and causes involved. From a critical semiotic perspective, drawing on insights from linguistics, multimodality and media studies, this book explores the ideological dimensions of media representation and its function in discursively constructing public understandings of, and attitudes toward, civil disorder. A range of case studies are presented which cut across time, communicative modality and genre, and geo-political context.

This article considers Pussy Riot as a feminist project, placing their actions and the regime's reactions in the context of three post-9/11 developments in gender and sexuality politics in Russia. First, I assert that Pussy Riot's stunts are a logical reaction to the Kremlin's masculinity-based nation-rebuilding scheme, which was a cover for crude homophobic misogyny. Second, Pussy Riot is part of the informal feminism emerging in Russia, a response to nongovernmental organization (NGO) feminism and the regime's repression of NGO feminism, albeit likely to be outflanked by regime-supported thuggery. Third, the members of Pussy Riot were so harshly prosecuted because they - swearing, covered up and disloyal - violated the political cleaner role that the Kremlin has given women in the last few years. Feminist social scientists have long looked for politics outside of formal institutions and processes. The Pussy Riot affair makes clear how much gender is central to the informal politics that gender-blind observers of Russia have come to see as crucial to understanding Russia's regime.

The historiography of the 1992 Los Angeles Riots have several trajectories within the history of Los Angeles that reshape the contours of the transnational turn in the humanities. The riots move the discursive framework towards a comparative scope that allows for an overlap of the structures of migration, inequality, and globalization. The state of emergency that framed the riots exposes the ideological state apparatus within multiple levels of hegemony. This dissertation synthesizes the event, the art objects, and the Kunstwollen that are intertwined to produce art historical research. A foundational understanding of the visual culture and the riots provide a clear subtext to the political and economic genealogy of art objects in this dissertation. The overarching argument in my dissertation is that art practice yields a particular kind of knowledge production. The rhetorical positions articulated by Korean American artists about the L.A. riots elucidates localized geopolitical struggles. Instead of a biographical survey of one artist, the analysis of multiple artists centered around one event propels art historical analysis towards a transdisciplinary approach that extends the hermeneutics of art practice towards cultural geography, critical media studies and epistemology. My work intervenes the rhetoric of the necessary third to fourth generation gap for the kind of assimilation and development of identity formation that should not be unilaterally assumed and applied to all immigrant histories. Rather than regurgitating a multicultural thesis, my framework uses the arguments made visual in the artwork that de-romanticizes the story of migration. Therefore my analysis of the artworks elucidates alternative approaches to Korean American history

This paper presents key ideas from fieldwork conducted in Birmingham between 2009 and 2011. This work examined identity in 'white' neighbourhoods, and attitudes to politics and understandings of poverty in more mixed ones. This work revealed that many Birmingham residents were concerned about a perceived loss of values, the impact of 'unrespectable' households and individuals in their areas and the apparent disconnect between political representatives and local residents. In the aftermath of the disturbances of August 2011 across England, including in Birmingham, we revisit these themes and examine the implications for understanding disorder in the city of Birmingham.

The paper explores the discourses surrounding the 'riots' of 2001 as a reflection of contemporary understandings of raced/ethnic, gendered and generational identities, and changing discourses about race and ethnicity in Britain. The paper examines these themes in relation to current academic theorizations of culture, identity and difference. Finally, the paper explores the implementation of these understandings in current government policy papers and practices around 'community cohesion' and 'citizenship'. It argues that each of these arenas employs very static and bounded notions of 'community', 'culture' and 'identity' which deny the complex formations of lived identities and obscures ongoing relations of power and disadvantage. This has clear implications for the future of multicultural policy, citizenship education and social justice.

In London, the localised riots which occurred post-Tottenham all had their genesis in the violent street gang. This increasingly visible and evolving presence in the excluded neighbourhoods of the capital operates its own forms of social control and authority in its own social field – a form of street government. The riots provided an opportunity for the sudden temporal expansion of this social field as gangs acted as the crucible for events. The 2011 riots in London revealed significant aspects of UK gang organisation and culture which are the starting point to understanding these disturbances.

This article examines how video journalism produced by the elite press is using forensic techniques and aesthetics as part of the effort to reinvent journalistic authority in a fragmented media and political sphere. I first discuss some earlier moments in which news coverage of events adopted a media-forensic epistemology and style, and then turn to the formation of the New York Times Visual Investigations team, a group at the leading-edge of this type of journalism today. I provide an analysis of one of the team's investigative reports, a 40-minute account of the January 6 Capitol riot assembled from vernacular video, surveillance footage, police bodycam video, and other non-news source materials. In both its formal aspects and its subject matter, the piece represents an important example for understanding an emerging form of forensic journalism. While the January 6 Capitol riot was not the first time news coverage of a violent event adopted a forensic style and epistemology, the forensic-media coverage of the riot represents a unique conjuncture. A new convergence of media-technological developments and journalist practices shaped how the storming of the Capitol was experienced, investigated, and covered as a media event.

"The Capitol Riots maps out the events of the January 6, 2021 insurrectionary riots at the United States Capitol building, providing context for understanding the contributing factors and ongoing implications of the uprising. This definitive text explores the rise of populism, disinformation, conspiracy theories, the alt-right, and white supremacy during the lead-up to and planning of the Stop the Steal campaign, as well as the complex interplay during the riots of political performances, costumes, objectives, communications, digital media, datafication, race, gender, and-ultimately-power. Assembling raw data from social media, selfie photos and videos, and mainstream journalism, the authors develop a timeline and data visualizations representing the events. They delve into the complex, openly shared narratives, motivations, and actions of people on the ground that day who violated the symbolic center of U.S. democracy. An analysis of visual data reveals an affective outpouring of mutually amplifying expressions of frustration, fear, hate, anger, and anomie that correspond to similar logics and counter-logics in the polarized and chaotic contemporary media environment that has only been intensified by COVID-19 lockdowns, conspiracy theories, and a call to action at the Capitol from the outgoing POTUS and his inner circle. The book will appeal to both a general audience of those curious about how and why the Capitol riots unfolded and to students and scholars of communications, political science, media studies, sociology, education, surveillance studies, digital humanities, gender studies, critical whiteness studies, and datafication studies. It will also find an audience within computer science and technology studies through its approach to big data, data visualization, AI, algorithms, data tracking, and other data sciences"--

As journalists and academics, politicians and other commentators struggled to make sense of the social unrest across England, they reached for theoretical understandings of the crowd that have long since been discredited. The powerful imagery of the madding crowd has always been a popular trope with journalists, but what concerned us was the way in which even sociological commentators echoed such ideas. This paper, therefore, draws on our past research, informal interviews with senior police officers and media accounts to offer an analysis of the riots, how they were policed, and contemporary understandings of crowd behaviour. In so doing we question whether current understandings of collective behaviour, deriving from socio-political expressions of anger or protest, are equipped to make sense of the English riots. Similarly, we ask whether police public order tactics need to change. We conclude that the residual attachment to myths of the madding crowd continues to hamper the search for flexible, graded and legitimate means of managing social unrest.

The aim of the paper is to analyse the English riots of summer 2011 and reflect on the questions of race and ethnicity – will they add significantly to our understanding of these events? The paper presents the timeline of social unrest, its dominant actors and events (starting from the manifestation organized by Mark Duggan's family and friends), as well as the main theoretical themes and analytical perspectives present in British debate on the riots. The author argues that while the ethnocultural perspective cannot be seen as a leading one, in order to properly understand the events of August 2011 the links to previous riots and the history of racial tensions between police and members of certain communities should be unfolded and explored.

"The Capitol Riots maps out the events of the January 6, 2021 insurrectionary riots at the United States Capitol building, providing context for understanding the contributing factors and ongoing implications of the uprising. This definitive text explores the rise of populism, disinformation, conspiracy theories, the alt-right, and white supremacy during the lead-up to and planning of the Stop the Steal campaign, as well as the complex interplay during the riots of political performances, costumes, objectives, communications, digital media, datafication, race, gender, and-ultimately-power. Assembling raw data from social media, selfie photos and videos, and mainstream journalism, the authors develop a timeline and data visualizations representing the events. They delve into the complex, openly shared narratives, motivations, and actions of people on the ground that day who violated the symbolic center of U.S. democracy. An analysis of visual data reveals an affective outpouring of mutually amplifying expressions of frustration, fear, hate, anger, and anomie that correspond to similar logics and counter-logics in the polarized and chaotic contemporary media environment that has only been intensified by COVID-19 lockdowns, conspiracy theories, and a call to action at the Capitol from the outgoing POTUS and his inner circle. The book will appeal to both a general audience of those curious about how and why the Capitol riots unfolded and to students and scholars of communications, political science, media studies, sociology, education, surveillance studies, digital humanities, gender studies, critical whiteness studies, and datafication studies. It will also find an audience within computer science and technology studies through its approach to big data, data visualization, AI, algorithms, data tracking, and other data sciences"--

This paper examines the recollections of civilians about the May 1998 riots in Indonesia, as told in an anonymous online survey. These riots caused the deaths of an estimated 1000 people and saw targeted attacks on Indonesia's ethnic Chinese community, including state-led mass sexual violence against Chinese-Indonesian women and girls. Despite their scale, there has never been any official redress for these riots and they remain a taboo topic in Indonesia, rarely discussed publicly. Little is known about how Indonesians remember these events, with research into the personal or collective memories about the riots challenging, given the public silencing by the government. Here, we present findings from an anonymous survey completed by 235 Indonesians in which they revealed sometimes deeply personal memories about the riots. Examined thematically, these memories both confirm general understandings of the riots and reveal novel information about how communities coped during the violence.

This paper examines the recollections of civilians about the May 1998 riots in Indonesia, as told in an anonymous online survey. These riots caused the deaths of an estimated 1000 people and saw targeted attacks on Indonesia's ethnic Chinese community, including state-led mass sexual violence against Chinese-Indonesian women and girls. Despite their scale, there has never been any official redress for these riots and they remain a taboo topic in Indonesia, rarely discussed publicly. Little is known about how Indonesians remember these events, with research into the personal or collective memories about the riots challenging, given the public silencing by the government. Here, we present findings from an anonymous survey completed by 235 Indonesians in which they revealed sometimes deeply personal memories about the riots. Examined thematically, these memories both confirm general understandings of the riots and reveal novel information about how communities coped during the violence. (JCSA/GIGA)