Suchergebnisse

This essay situates Kristeva's theory of semiotics in the context of the controversial debate about the status of the maternal body in her work. I argue that, if we rethink the opposition between the semiotic and the symbolic as the relation between the trace and the sign, it becomes clear that the maternal semiotic is irreducible either to the prelinguistic plenitude or to the alternative symbolic position. The second part of the essay develops the connection between Kristeva's linguistic theory and the alterity of the maternal body, articulated here as the in-fold of the other and the same.

Despite the prominence of feminist theory in literary, film, and visual arts critique, feminist theories of aesthetics remain rare, obscuring a crucial chapter in women's history. Ewa Plonowska Ziarek redresses this oversight through a full articulation of feminist aesthetics, focusing on the struggle for freedom in women's literary and political modernism and the devastating impact of racist violence and sexism. Her study is one of the first to combine an in-depth engagement with philosophical aesthetics, especially the work of Theodor W. Adorno, with women's literary modernism, particularly