The study of refugees before Refugee Studies
In: Refugee survey quarterly: reports, documentation, literature survey, Band 26, Heft 3, S. 15-36
ISSN: 1020-4067
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In: Refugee survey quarterly: reports, documentation, literature survey, Band 26, Heft 3, S. 15-36
ISSN: 1020-4067
In: Australian quarterly: AQ, Band 14, Heft 2, S. 65
ISSN: 1837-1892
In: Australian quarterly: AQ, Band 13, Heft 4, S. 52
ISSN: 1837-1892
In: The Department of State bulletin: the official weekly record of United States Foreign Policy, Band 3, S. 563-565
ISSN: 0041-7610
In: Arts ; Volume 8 ; Issue 1
Driven by the solidarity movements following the &ldquo ; refugee crisis&rdquo ; of 2015, the Brussels-based non-profit organization Muziekpublique, specialized in the promotion of so-called &ldquo ; world music&rdquo ; initiated the Refugees for Refugees project. This album and performance tour featured traditional musicians who had found asylum in Belgium and had artistic, political, and social goals. In comparison to the other projects conducted by the organization, each step of the project benefited from exceptional coverage and financial support. At the same time, the association and the musicians were facing administrative, musical, and ethical problems they had never encountered before. Three years after its creation, the band Refugees for Refugees is still touring the Belgian and international scenes and is going to release a new album, following the will of all actors to go on with the project and demonstrating the important social mobilization it aroused. Through this case study, we aim at questioning the complexity of elaborating a project staging a common identity of &ldquo ; refugees&rdquo ; while valuing their diversity ; understanding the reasons for the exceptional success the project has encountered ; and determining to what extent and at what level it helped&mdash ; or not&mdash ; the musicians to rebuild their lives in Belgium.
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In: International journal of refugee law, Band 24, Heft 3, S. 561-578
ISSN: 1464-3715
Driven by the solidarity movements following the "refugee crisis" of 2015, the Brussels-based non-profit organization Muziekpublique, specialized in the promotion of so-called "world music", initiated the Refugees for Refugees project. This album and performance tour featured traditional musicians who had found asylum in Belgium and had artistic, political, and social goals. In comparison to the other projects conducted by the organization, each step of the project benefited from exceptional coverage and financial support. At the same time, the association and the musicians were facing administrative, musical, and ethical problems they had never encountered before. Three years after its creation, the band Refugees for Refugees is still touring the Belgian and international scenes and is going to release a new album, following the will of all actors to go on with the project and demonstrating the important social mobilization it aroused. Through this case study, we aim at questioning the complexity of elaborating a project staging a common identity of "refugees" while valuing their diversity; understanding the reasons for the exceptional success the project has encountered; and determining to what extent and at what level it helped—or not—the musicians to rebuild their lives in Belgium. ; info:eu-repo/semantics/published
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In: The New African: the radical review, Band 251, S. 19-20
ISSN: 0028-4165
Above is an excerpt from a letter sent to me by the Canadian Foundation for Refugees. Why is the Foundation planning to produce such a newsletter when Refuge is already being published? Further, the proposed contents of the newsletter overlap ours. This is a waste of government funds. One or the other should not be published. We would like to hear the views of our readers.
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In: Refugee survey quarterly: reports, documentation, literature survey, Band 15, Heft 3, S. 111
ISSN: 1020-4067
In: International journal of refugee law, Band 35, Heft 3, S. 360-364
ISSN: 1464-3715