While Plato's political dialogues give much attention to the relation of the legal and the divine, this subject receives scant notice in Aristotle's Politics. But this is not a sign that Aristotle neglects or dismisses the subject; it is in fact perfectly consistent with what the author understands to be Aristotle's view of the proper political relation of laws and gods. This view emerges indirectly, and only after reflection on the substance and manner of Aristotle's "umpiring" of a staged debate over the rule of the "best laws" versus that of the "best man" (Politics III). From the standpoint of the highest, Aristotle finds law to be both regime-derivative and somewhat prudence-impeding. At the same time, the "apolitical" character of the best man's rule necessitates the rule of law, and with it —for largely utilitarian reasons — Aristotle's public acquiescence in the apotheosis of the legal. But this teaching, and its basis, emerge fully only when the Politics' relative "silence" is interpreted in light of the open statements of a text much less palatable and thus much less accessible to statesmen and citizens (and even to political scientists): the Metaphysics. The Politics' obliqueness, argues the author, owes to the fact that Aristotle's final understanding of the relation of laws and gods cannot be fully disclosed publicly if it is to achieve its end of improving public life.
This collection is the first to offer a genuinely interdisciplinary approach to Krzysztof Kie?lowski's Decalogue, a ten-film cycle of modern tales that touch on the ethical dilemmas of the Ten Commandments. The cycle's deft handling of moral ambiguity and inventive technique established Kie?lowski as a major international director. Kie?lowski once said, "Both the deep believer and the habitual skeptic experience toothaches in exactly the same way." Of Elephants and Toothaches takes seriously the range of thought, from theological to skeptical, condensed in the cycle's quite human tales. Bringing together scholars of film, philosophy, literature, and several religions, the volume ranges from individual responsibility, to religion in modernity, to familial bonds, to human desire and material greed. It explores Kie?lowski's cycle as it relentlessly solicits an ethical response that stimulates both inner disquiet and interpersonal dialogue. ; A multi- and interdisciplinary collection of essays addressing ethical, political and aesthetic questions raised in the ten-film cycle Decalogue (1989) by Polish filmmaker Krzysztof Kieślowski. This title was made Open Access by libraries from around the world through Knowledge Unlatched. ; Includes bibliographical references and indexes. ; Introduction: within unrest, there is always a question / Eva Badowska and Francesca Parmeggiani -- Rules and virtues: the moral insight of the Decalogue / William Jaworski -- Tablets of stone, tablets of flesh: synesthetic appeal in the Decalogue / Joseph G. Kickasola -- Decalogue one: witnessing a responsible ethics of response from a Jewish perspective / Moshe Gold -- Visual reverberations: Decalogue two and Decalogue eight / Eva M. Stadler -- Remember the sabbath day, to keep it holy: Decalogue three / Joseph W. Koterski, S.J. -- Decalogue four: "you are completely free and I pretend it doesn't affect me at all" / Anne-Katrin Titze -- Decalogue five: a short film about killing, sin, and community / Michael Baur -- States of exception: politics and poetics in Decalogue six / Eva Badowska -- Decalogue seven: a tale of love, failing words, and moving images / Francesca Parmeggiani -- Decalogue eight: childhood, emotion, and the shoah / Emma Wilson -- Divine possession: metaphysical covetousness in Decalogue nine / Philip Sicker -- Laughter makes good neighbors: sociability and the comic in Decalogue ten / Regina Small. ; This collection is the first to offer a genuinely interdisciplinary approach to Krzysztof Kie?lowski's Decalogue, a ten-film cycle of modern tales that touch on the ethical dilemmas of the Ten Commandments. The cycle's deft handling of moral ambiguity and inventive technique established Kie?lowski as a major international director. Kie?lowski once said, "Both the deep believer and the habitual skeptic experience toothaches in exactly the same way." Of Elephants and Toothaches takes seriously the range of thought, from theological to skeptical, condensed in the cycle's quite human tales. Bringing together scholars of film, philosophy, literature, and several religions, the volume ranges from individual responsibility, to religion in modernity, to familial bonds, to human desire and material greed. It explores Kie?lowski's cycle as it relentlessly solicits an ethical response that stimulates both inner disquiet and interpersonal dialogue. ; A multi- and interdisciplinary collection of essays addressing ethical, political and aesthetic questions raised in the ten-film cycle Decalogue (1989) by Polish filmmaker Krzysztof Kieślowski. This title was made Open Access by libraries from around the world through Knowledge Unlatched. ; Mode of access: Internet.
The religious and political history of late seventeenth- and early eighteenth-century England is typically written in terms of conflict and division. Corrupt, drunken, and sometimes very violent elections indicated how party conflict - exacerbated by religious division - had become a normal part of English life. But strife was not universal - in many towns, despite occasional disorder, government rarely broke down. Focusing on these provincial towns Professor Millerreveals that, although town government was not at all democratic, there was participation, consultation, and negotiation. Members lived in close proximity to, and did business with, their fellow townspeople. Any violence ended with bruises rather than fatalities.
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In: Political science quarterly: a nonpartisan journal devoted to the study and analysis of government, politics and international affairs ; PSQ, Band 76, Heft 4, S. 620-621
Historians have discussed and debated the many reasons for the Colombian Catholic church'sdecline. National trends such as the growing secularization of society, emergence of Protestantism, and the decline of the Conservative Party have all been cited as contributing to the weakening of the Catholic Church's importance. This article examines the evolution of theCatholic Church in the department of Cauca during the twentieth century. It focuses specifically on the changes in the relationship between the Catholic Church and indigenous people.
Historians have discussed and debated the many reasons for the Colombian Catholic church'sdecline. National trends such as the growing secularization of society, emergence of Protestantism, and the decline of the Conservative Party have all been cited as contributing to the weakening of the Catholic Church's importance. This article examines the evolution of theCatholic Church in the department of Cauca during the twentieth century. It focuses specifically on the changes in the relationship between the Catholic Church and indigenous people.
ABSTRACTThis paper analyzes the relationship between access to infrastructure services and support for religious parties based on the evidence produced by a recent democratic experience in Tunisia in which a religious political party, Ennahdha, governed from 2011 to 2014. The experience points to a complex relationship. In the 2011 election, areas with higher access are associated with higher support for Ennahdha than areas with lower access. In the 2014 election, however, infrastructure access is positively correlated with support for the party in areas where access had improved but negatively correlated with support for the party in areas that already had high access. A possible pragmatic general implication is that, to be politically competitive, religious parties, cannot bet solely on their religious commitment to provide basic services, including infrastructure, to the poor. They need to recognize the multiplicity of voter's concerns and their evolving agenda.