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Introduction: Aiming to provide a theoretical introduction that further informs the analyses conducted in subsequent chapters, this chapter will review the synergies operating among the different conceptualizations of vulnerability and various well-established theories that explore the materiality of the body and its affects from multifold viewpoints. Divided into three sections, the first explores some of the most salient critical proposals related to vulnerability and the body by manifesting the semantic multiplicity that applies to these terms. This is a necessary step to sketch an operational frame in which to contextualize the literary and filmic research endeavor of the collection. The second section ponders on the ethical and aesthetic features that make possible the integration of complementary and competing configurations of vulnerability in the production of literary texts and audiovisual productions and explores its salient elements that place literature and film as a privileged sites of expansion, critical reflection, and challenge of vulnerability both as a universal condition as well as a particular and specific manifestation in historical, geopolitical, social, and cultural and natural dimensions. Finally, the chapter closes with a brief description of the twelve essays collected in the volume by discussing their organizational logics and their distinct contribution to it.

This chapter explores how the rule of law can support
emergent legislative proposals in a handful of jurisdictions
around the world to curtail intensive animal farming. Part
1 reviews the global emergence of these legislative
proposals to date and identifies their common features or
themes, as well as their limited success. Part 2 then
discusses the pliability of the rule of law to serve as an
agent of social change in general as well as in the realm of
intensive farming. It explains how the rule of law can be a
persuasive discursive legal tool in generating actual legal
regulation to address social problems such as intensive
farming and connects the analysis to broader questions
regarding norm development in international law. Drawing
on posthuman feminist theory, the chapter contributes to
the growing field of global animal law that explores animal
law issues through international law and transnational law
frameworks, by highlighting the potential of the rule of law
to challenge the legitimacy of at least some forms or
portion of animal-based food systems. The chapter seeks to
add to the developing conversation as to how to supplant
existing anthropocentric legal norms through innovative
deployment of new legal arguments in favor of animals.

The chapter considers the possibility of separating phenomenality from consciousness. Perhaps the most serious consequence of this move is that it encourages the concept of unconscious qualities. This idea is not entirely new (Cf. Rosenthal 2010; Marvan and Polák 2017 where they call it dual model), but its wider acceptance is confronted with a lack of clarity about the relationships between fundamental concepts involved in the unconscious qualities framework. The main aim is to briefly introduce the dual framework, the standard orthodoxy (no-unconscious-qualities view), and further elaborate on particular conceptual issues arising in connection with the involvement of the three basic concepts: phenomenality, what-it's-likeness (WIL), and consciousness. I will thus attempt to reconsider three types of conceptual relations: 1) phenomenality to WIL, 2) consciousness to phenomenality, and 3) consciousness to WIL. The chapter will address, among other things, two pressing issues that the dual framework entails, namely the status of consciousness and the distinction between unconscious qualities and WIL.

This book is the first study to provide a comprehensive picture of the reality and structure of dollarization in Cambodia, which has been achieving rapid economic and financial development since the end of 1998, when full piece reigned over the kingdom. It uses the micro-level data collected through nationwide surveys conducted jointly by the National Bank of Cambodia and JICA Ogata Sadako Research Institute in 2014 and 2017. By applying econometric analysis to collected data, the book analyses in detail the structures and mechanisms of dollarization in households, companies, and financial institutions. It also provides detailed information on the historical development of Cambodian dollarization, international comparisons with various cases of dollarization in countries around the world, and the impact of NBC's issuance of CBDC (particularly Bakong) on the use of local and foeign currencies. The Cambodian case shows that financial development of low- and middle-income countries is promoted mutually by dollarization and that policies to separate the two are necessary to curb dollarization. This book will be of interest to students, researchers and policy-makers concerned with dollarization and economics in Southeast Asia.

This chapter evaluates some basic assumptions behind the "dual" theories of phenomenal consciousness and finds them problematic for at least some examples of conscious episodes. Because the dual theories claim to be universalist in nature, even small number of counterexamples damages their status. I will present evidence, both empirical and conceptual, that demonstrates untenability of the dualist assumptions that conscious phenomenality and its unconscious counterpart possess essentially the same qualities. In doing so, I will primarily attack the claim that is shared by many dual theorists that the procedure responsible for bringing phenomenal content into consciousness serves this sole function and does not influence phenomenal qualities of content. I use the term orthogonality, first introduced in Vosgerau et al. (2008), as a convenient shortcut for the conception in which consciousness and content come unproblematically apart. I will conclude by hinting at an alternative proposal that explains emergence of conscious phenomenality as a single step operation.

Is it possible or even desirable for scholars to try to extricate the personal and subjective from their research agenda? Might something be lost from research in pursuit of 'objectivity'? If objectivity is so important, why do many scholars study something that is dear or familiar to them? This book acknowledges the ways in which personal experience affects research and how the process of doing research sheds light on personal histories. Offering a collection of multi-layered reflections on the importance that the connection between biography and research can hold for developing meaningful knowledge and new methodologies, it considers the influence of scholars' experiences of migration on their careers. With attention to the ways in which personal biographies have been instrumental in developing the research and methodological sensitivity of accomplished migration scholars across a variety of disciplines, it sheds light on the importance of reflexivity and subjectivity as assets in research rather than obstacles. Positioning the researchers' experiences at the centre of the process of enquiry, Migrant Scholars Researching Migration will appeal not only to scholars of migration and diaspora studies, but to those with interests in research methodology and biographical research.

Risible explores the forgotten history of laughter, from ancient Greece to the sitcom stages of Hollywood. Delia Casadei approaches laughter not as a phenomenon that can be accounted for by studies of humor and theories of comedy but rather as a technique of the human body, knowable by its repetitive, clipped, and proliferating sound and its enduring links to the capacity for language and reproduction. This buried genealogy of laughter re-emerges with explosive force thanks to the binding of laughter to sound reproduction technology in the late nineteenth century. Analyzing case studies ranging from the early global market for phonographic laughing songs to the McCarthy-era rise of prerecorded laugh tracks, Casadei convincingly demonstrates how laughter was central to the twentieth century's development of the very category of sound as not-quite-human, unintelligible, reproductive, reproducible, and contagious.
"A virtuoso meditation on laughter, music, and sound reproduction, moving from transfixing insights to a bold vision of laughter as a sonorous force that troubles our conceptions of humanity and rationality. How sounds acquire meaning, how they make sense or nonsense or lie somewhere between the two: Delia Casadei's Risible considers these fundamental issues in startling and thought-provoking ways." — CAROLYN ABBATE, coauthor of A History of Opera
"A thrillingly unclassifiable and profound work of cultural theory. Casadei reveals how laughter holds relevance for every dimension of life and its biopolitical regulation via gender, race, labor, and reproduction. She also reminds us that there is much genealogical work yet to be done on mediatized, electrified soundworlds of the twentieth century and offers a powerful, welcoming push in new directions." — AMY CIMINI, author of Wild Sound: Maryanne Amacher and the Tenses of Audible Life

Die »alternative« als fortlaufender Versuch, mit den Mitteln einer Zeitschrift auf die Verhältnisse ihrer Zeit einzuwirken. In den Jahren um 1968 entwickelte sich aus einem kleinen literarischen Magazin eine der meistgelesenen Theoriezeitschriften der Bundesrepublik. Unter der Herausgeberin Hildegard Brenner wurde die »alternative« zu einem Forum intellektueller Entdeckungen und Wiederentdeckungen. Ideengeschichtliche Traditionen des westlichen Marxismus wurden hier ebenso diskutiert wie der französische Strukturalismus und die feministische Kritik der Psychoanalyse, literaturpolitische Auseinandersetzungen in Ost und West ebenso wie die politischen Bewegungen der Zeit. Einen Leitfaden der »alternative« bildete die fortlaufende Reflexion darüber, wie mit intellektuellen Mitteln gesellschaftliche Wirkung zu erzeugen sei - bis im linken Krisenjahrzehnt der 1970er Jahre vermehrt das Scheitern an diesem Anspruch zum Thema der Zeitschrift wurde. Moritz Neuffer rekonstruiert die Kollektivbiografie der Redakteurinnen, Autoren und Leserinnen und fragt, was das Publizieren in der »journalistischen Form« der Zeitschrift von anderen Formen des Denkens und Schreibens unterscheidet.

Focusing on the Dadaab refugee camps established in 1991 on the Kenya-Somalia border, Anooradha Iyer Siddiqi shows how a refugee camp's aesthetic and material landscapes—even if born out of emergency—reveal histories, futures, politics, and rhetorics.

Emphasizing the resilience of theatre arts in the midst of significant political change, Theatre After Empire spotlights the emergence of new performance styles in the wake of collapsed political systems.
Centering on theatrical works from the late nineteenth century to the present, twelve original essays written by prominent theatre scholars showcase the development of new work after social revolutions, independence campaigns, the overthrow of monarchies, and world wars. Global in scope, this book features performances occurring across Africa, the Americas, Asia, Europe, and the Middle East. The essays attend to a range of live events—theatre, dance, and performance art—that stage subaltern experiences and reveal societies in the midst of cultural, political, and geographic transition.
This collection is an engaging resource for students and scholars of theatre and performance; world history; and those interested in postcolonialism, multiculturalism, and transnationalism.

Floods are a fundamental part of Dutch history. Indeed, having 'tamed' the threats associated with living below sea level is part of Dutch national identity. In the cultural depictions of these devastating events, however, national pride at a certain collective resilience goes hand-in-hand with the collective trauma of exposed vulnerability. All too often, the Dutch were the losers in these battles against the elements. In a time of rising global sea levels, cultural scholar Lotte Jensen dives into the stories and images of the past to unpack this paradox for today.
Over the centuries, large parts of the Netherlands have been progressively reclaimed from its river delta home. Throughout that process, the country suffered countless floods, a number of which were truly catastrophic, such as the Saint Elizabeth's Flood of 1421 or the North Sea Flood of 1953. Jensen describes how the Dutch have dealt with these disasters, in practice but also in the imagination. It is the story of babies in floating cradles, fatherly monarchs, community fundraisers, and the boy who stuck his finger in the dike. Centuries before the nation-building associated with the 1800s, the Dutch created a unifying 'us' – the image of the Dutch lion – against a 'them' – the 'waterwolf', the major threat which water embodied.
This national feeling and narrative were crafted with a set repertoire of images; role models (heroes and monarchs); charity (national and international solidarity); and a culture of remembrance. Jensen gives particular attention to the at times funny poems, books and songs, later criticized as clichéd or melodramatic, which these collective traumas inspired. She also demonstrates through monuments and works of art how this narrative has multiplied and acquired variations with time right up to the present. Though once cast in a more religious light – the flood as punishment for a general lack of religious devotion – the waterwolf has become, for example, a collective responsibility for the environment that begins with lifestyle choices.
Today the Netherlands lives with water more than it battles it, some thinkers even envisioning an 'amphibian' future for the country. The stories and images of the past, however, reveal that precisely vulnerability can be fertile ground for solidarity and togetherness. With rising sea levels representing a growing threat, this well-researched and highly readable cultural history shows how over time a culture's imagination can gain new relevance beyond its borders. Acknowledging and building from a place of collective vulnerability might now be more important than ever.

The legal domain distinguishes between different types of data and attaches a different level of protection to each of them. Thus, non-personal data are left largely unregulated, while privacy and data protection rules apply to personal data or personal information. There are stricter rules for processing sensitive personal data than for 'ordinary' personal data, and metadata or communications data are regulated differently than content communications data. Technological developments challenge these legal categorisations on at least three fronts: First, the lines between the categories are becoming harder to draw and more fluid. Second, working with various categories of data works well when the category a datum or dataset falls into is relatively stable. However, this is less and less so. Third, scholars increasingly question the rationale behind the various legal categorisations. This book assesses to what extent either of these strategies is feasible and to what extent alternative approaches could be developed by combining insights from three fields: technology, practice and law.

Cover -- Contents -- Acknowledgments -- List of Abbreviations -- Introduction: Aporiae of Meaning -- 1 The Origins of Totalitarianism-477 Pages Wrong -- 2 Bare Life and the End of History -- 3 Thinking History through Time -- 4 The Science of History as Ideology -- 5 Performative Self -- 6 The Temporal Conflicts of the Mind -- 7 The Contingency and Decline of History -- 8 The Beauty of the Past -- 9 Redemption of Contingency -- 10 Pieces of the Past -- Conclusion: In Praise of Inconsistency -- Notes -- Bibliography -- Index.