Suchergebnisse

Eine Gesetzes- und Vorschriftensammlung der Finanzen, die in iranischen Ministerien und staatlichen und privaten Betrieben ausgeführt werden. (DOI-Fis)

The effects of the intra-African and European deportation regimes brought about since the European Union's externalization of its migration and development policy by transferring it to countries of sub-Saharan Africa remain largely understudied - especially their effects on people's everyday life after forced returns. Based on extensive field research, Susanne U. Schultz's book analyses the supposedly "failed" migration of Malian men, the social situations in which they find themselves following deportation, and the implications of their "failure" for their social environment and broader society. This important ethnographic study creates empirical knowledge on key issues in migration research, policy, and practice in the context of a charged debate.

Music piracy, or the unauthorized commercial reproduction of musical works, evokes a strong negative sentiment in the Malian public sphere. Yet, its routine place in the culture economy makes it an ambivalent category for many, who regularly consume, and even produce, pirated media. For musical artists, however, the subject of piracy is anything but ambivalent. In perceived mercantile exploitations of creative labor and persistent state failures to regulate economic informality, artists experience a crisis of professional status and identity. In this essay, I suggest that artists' concerns about piracy have more to do with their position as political subjects than they do with lost revenues or infringed rights. My argument is that concerns surrounding the economics and legality of music piracy are symptomatic of a broader crisis of political subjectivity and that "piracy" as such is epiphenomenal to a fragmentation of state-subject relations in the political society of neoliberal polities.