Democracy and Gender Inequality in Education: A Cross-National Examination
In: British journal of political science, Band 34, Heft 1, S. 137-192
ISSN: 1469-2112
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In: British journal of political science, Band 34, Heft 1, S. 137-192
ISSN: 1469-2112
In: 34 St. Mary's L.J. 301 (2003)
SSRN
In: India quarterly: a journal of international affairs ; IQ, Band 59, Heft 1-2, S. 261-272
ISSN: 0019-4220, 0974-9284
In: International migration review: IMR, Band 36, Heft 4, S. 1234-1234
ISSN: 1747-7379, 0197-9183
In: Second Draft 16 (2001-2002): 5-6
SSRN
In: Marine corps gazette: the Marine Corps Association newsletter, Band 86, Heft 12, S. 28-30
ISSN: 0025-3170
In: Millennium: journal of international studies, Band 30, Heft 3, S. 733-759
ISSN: 1477-9021
In: Social work in health care: the journal of health care social work ; a quarterly journal adopted by the Society for Social Work Leadership in Health Care, Band 34, Heft 1-2, S. 31-41
ISSN: 1541-034X
In: The Australian economic review, Band 34, Heft 2, S. 190-194
ISSN: 1467-8462
In: Foreign affairs: an American quarterly review, Band 80, Heft 5, S. 7
ISSN: 2327-7793
In: Disarmament forum: the new security debate = Forum du désarmement, Heft 3, S. 5-12
ISSN: 1020-7287
In: Millennium: journal of international studies, Band 30, Heft 3, S. 733-759
ISSN: 0305-8298
Explores the centrality of Holocaust footage to postwar practices of identity construction. In the immediate aftermath of WWII, Anglo American occupation authorities proposed that Germans should be compelled to view footage from the newly liberated camps. This visceral confrontation with Nazi atrocities was intended to animate a sense of collective guilt among Germans, a prerequisite to Germany's regeneration as a pacific, liberal polity. But multiple complications confronted this attempt to employ concentration camp footage in a narrative of Germanic guilt. As Allied documentarists found, not only did the camps prove resistant to cinematic representation, but German audiences appeared disinclined to accept the victors' morality so forcibly enunciated by the films. Where the documentarists saw the footage as a mirror to German culpability, many German viewers regarded compulsory exposure as a screen behind which the war's victors sheltered from acknowledgment their own wartime actions. This fraught encounter provides an emblematic example of the ways in which the Holocaust has been used to establish relational identities of barbarism & civility. Adapted from the source document.
In: International migration review: IMR, Band 35, Heft 1, S. 339-340
ISSN: 0197-9183
In: World leisure journal: official journal of the World Leisure Organisation, Band 43, Heft 1, S. 4-10
ISSN: 2333-4509
In: Public administration quarterly, Band 24, Heft 1, S. 46-68
ISSN: 0734-9149